This "All In The Family" spin-off centers around Edith's cousin, Maude Findlay. She's a liberal, independent woman living in Tuckahoe, NY with her fourth husband Walter, owner of Findlay's ...
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After spending several years in her young adult life in Minneapolis but with her brash Bronx Jewish upbringing in tow and with its associated sarcasm, artistically inclined Rhoda ... See full summary »
A greasy-spoon diner in Phoenix, Arizona is the setting for this long-running series. The title character, Alice Hyatt, is an aspiring singer who arrives in Phoenix with her teenaged son, ... See full summary »
This "All In The Family" spin-off centers around Edith's cousin, Maude Findlay. She's a liberal, independent woman living in Tuckahoe, NY with her fourth husband Walter, owner of Findlay's Friendly Appliances; Carol Trainor, Maude's divorced daughter from her 2nd marriage; and Philip, Carol's son. Other characters included: Dr. Arthur Harmon, Walter's conservative best friend from their Army days. He and Maude were always at odds when it came to politics and just about everything. Vivian Cavender-Harmon, Maude's naive best friend from their college days who married Harmon in season three. During the show's run, Maude had gone through three maids during the series run: Florida Evans, Nell Naugutuck and Victoria Butterfield. Mrs. Naugutuck and Florida, however, were the most memorable. Although it was a situation comedy, it dealt with serious and often controversial issues, much like Norman Lear's other shows "All In The Family" "One Day At a Time" and "Good Times." Written by
According to Rue McClanahan's autobiography "My First Five Husbands and the Ones That Got Away" as well as various other people's interviews Bill Macy dropped his trousers at the 1974 Emmy Awards and shouted a raunchy joke out to the audience. Reportedly this was a prank he used to pull from time to time. The National Academy of Television Arts and Sciences responded by telling Norman Lear and the producers of Maude that they would no longer be eligible for any Emmy awards for the duration of the run of the show. Maude did not get any Emmy awards after that, except Bea Arthur in 1977 for Outstanding Lead Actress in a comedy series. See more »
At the end of the series, the Governor of New York State appoints Maude to the House of Representatives, filling a vacancy caused by the death of her local Congresswoman. In fact, vacancies in the House of Representatives caused by the death, resignation, or expulsion of a member can be filled only by a special or general election. The rules for filling vacancies in the U.S. Senate, however, vary from state to state. See more »
[referring to Carol's ample bosom]
To think I bought you your first training bra. Look how you've broken training.
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Unfortunately, I never saw Maude until I got the DVD first season of her show. It appeared nowhere in syndication maybe because it was too controversial and might offend too many people. Compared to other shows today, Maude is quite mainstream and ahead of it's time. I loved Beatrice Arthur in this role of Maude, forget Dorothy Zbornak. Bea plays a terrific Maude Findlay, the cousin of dimwitted Edith Bunker, from All in the Family. Anyway, the casting of Bill Macy as Maude's fourth husband is genius. They work so well together. Adrienne Barbeau is terrific as her divorced daughter, Carol. Of course, we never see Philip, the eight year old dimwitted grandson. Then there is the supporting cast which is stellar like Conrad Bain as the conservative Republican right wing doctor neighbor and friend to Walter's character and Esther Rolle who plays the African American maid, Florida Evans who is fawned over by Maude's character in the beginning that she doesn't get much work done. Don't forget Rue McClanahan as dimwitted Vivian and friend of Maude. I can't help but like Maude. For all things that she gets wrong, she gets a lot of it right. Today's television writers and developers should learn from the sitcom master, Norman Lear, that a great show like Maude's can be both controversial and funny and genius too. Most sitcoms today lack the balance between left and right. Lear's sitcoms provided both sets of opinions without winning the battle. I'm sure if the sitcom people today would watch, they might learn something about developing quality sitcoms. Remember it's not quantity but quality and it's a shame. They think we want to see beautiful people like Friends in sitcoms with minor problems and the same point of view.
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