This "All In The Family" spin-off centers around Edith's cousin, Maude Findlay. She's a liberal, independent woman living in Tuckahoe, NY with her fourth husband Walter, owner of Findlay's ...
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After spending several years in her young adult life in Minneapolis but with her brash Bronx Jewish upbringing in tow and with its associated sarcasm, artistically inclined Rhoda ... See full summary »
This sitcom follows recently divorced mother (Ann Romano) and her two teenage daughters (Barbara and Julie) as they start a new life together in Indianapolis, They are befriended by the ... See full summary »
Pat Harrington Jr.
A greasy-spoon diner in Phoenix, Arizona is the setting for this long-running series. The title character, Alice Hyatt, is an aspiring singer who arrives in Phoenix with her teenaged son, ... See full summary »
This "All In The Family" spin-off centers around Edith's cousin, Maude Findlay. She's a liberal, independent woman living in Tuckahoe, NY with her fourth husband Walter, owner of Findlay's Friendly Appliances; Carol Trainor, Maude's divorced daughter from her 2nd marriage; and Philip, Carol's son. Other characters included: Dr. Arthur Harmon, Walter's conservative best friend from their Army days. He and Maude were always at odds when it came to politics and just about everything. Vivian Cavender-Harmon, Maude's naive best friend from their college days who married Harmon in season three. During the show's run, Maude had gone through three maids during the series run: Florida Evans, Nell Naugutuck and Victoria Butterfield. Mrs. Naugutuck and Florida, however, were the most memorable. Although it was a situation comedy, it dealt with serious and often controversial issues, much like Norman Lear's other shows "All In The Family" "One Day At a Time" and "Good Times." Written by
Rue McLanahan has called Bea Arthur a very "eccentric woman" in interviews and said she didn't have much of a relationship with her, even though they worked together for 13 years combined if you count both the combined seasons of Maude and The Golden Girls. See more »
At the end of the series, the Governor of New York State appoints Maude to the House of Representatives, filling a vacancy caused by the death of her local Congresswoman. In fact, vacancies in the House of Representatives caused by the death, resignation, or expulsion of a member can be filled only by a special or general election. The rules for filling vacancies in the U.S. Senate, however, vary from state to state. See more »
[Holding up her high school cheerleading sweater, which has an "M" on the front]
I can remember when the "M" covered my whole chest.
Now, you have enough room to spell out "MASSACHUSETTS INSTITUTE OF TECHNOLOGY".
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Unfortunately, I never saw Maude until I got the DVD first season of her show. It appeared nowhere in syndication maybe because it was too controversial and might offend too many people. Compared to other shows today, Maude is quite mainstream and ahead of it's time. I loved Beatrice Arthur in this role of Maude, forget Dorothy Zbornak. Bea plays a terrific Maude Findlay, the cousin of dimwitted Edith Bunker, from All in the Family. Anyway, the casting of Bill Macy as Maude's fourth husband is genius. They work so well together. Adrienne Barbeau is terrific as her divorced daughter, Carol. Of course, we never see Philip, the eight year old dimwitted grandson. Then there is the supporting cast which is stellar like Conrad Bain as the conservative Republican right wing doctor neighbor and friend to Walter's character and Esther Rolle who plays the African American maid, Florida Evans who is fawned over by Maude's character in the beginning that she doesn't get much work done. Don't forget Rue McClanahan as dimwitted Vivian and friend of Maude. I can't help but like Maude. For all things that she gets wrong, she gets a lot of it right. Today's television writers and developers should learn from the sitcom master, Norman Lear, that a great show like Maude's can be both controversial and funny and genius too. Most sitcoms today lack the balance between left and right. Lear's sitcoms provided both sets of opinions without winning the battle. I'm sure if the sitcom people today would watch, they might learn something about developing quality sitcoms. Remember it's not quantity but quality and it's a shame. They think we want to see beautiful people like Friends in sitcoms with minor problems and the same point of view.
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