Policemen Bonaro and Madigan lose their guns to fugitive Barney Benesch. As compensation, the two NYC detectives are given a weekend to bring Benesch to justice. While Bonaro and Madigan ... See full summary »
Neil Brock is a young social worker in the slums of New York City; his boss is Frieda Hechlinger; and Jane Foster is the office secretary. This dramatic series features stories about child ... See full summary »
George C. Scott,
Lawyer Ralph Anderson arrives in Tula, an amazingly remote town in the desert, as reluctant emissary of mob chief Victor Massonetti, who wants the airstrip clear for his unofficial exit ... See full summary »
Mike Nelson is a Scuba Diver in the days when it was still very new. He works alone and the plot was always mostly carried through his voice over narrations. These gave the show a flavor of... See full summary »
An alien microbe lands in remote Siberia in the 1950's. In the year 2004, US scientist working at a top secret underground lab in Alaska clone the microbe. A garbled distress signal is ... See full summary »
Widmark had agreed to do his first (and it turned out, only) TV series shortly after finishing "Vanished," the four hour TV movie that marked his television dramatic debut. Originally, Widmark was to star in a series based on his second TV film, "Brock's Last Case," in which he played a NYC detective who retires to a farm in California. NBC, the network for whom Universal was producing the show, had second thoughts about the concept, and instead asked Widmark to reprise "Madigan," the 1968 theatrical film that earned strong ratings when it was broadcast on the network in 1969. Widmark agreed providing half the shows were filmed in Europe. See more »
No one has ever played a detective (the kind that bends the rules) as well as the great and often overlooked Richard Widmark. The six 90-minute episodes that comprise this series remain fresh in my memory despite the fact that I have not seen the show since its rebroadcasts on the CBS Late Movie in the U.S. during the mid-70s. Without Widmark, there may not have been a whole lot to distinguish the show from a lot of other cop dramas of the decade, but his performance always made it more than a cut above routine. I find these shows (especially "The Manhattan Beat" and "The London Beat" episodes) far superior to director Don Siegel's 1968 theatrical feature that inspired this short-lived NBC-TV series. Now if only these shows were available on video or even in syndication.
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