The plot is about a guile young terrorist who is able to blackmail a series of companies by placing home-made radio controlled bombs within the central attraction of amusement parks; roller... See full summary »
Sam McCloud is a rustic country sheriff from a rural part of the United States. He travels to the big city and joins the police force, using his country ways and laid-back approach to nab the bad guys.
When the government agency fails to deliver even the meager supplies due by treaty to the proud Cheyenne tribe in their barren desert reserve, the starving Indians have taken more abuse ... See full summary »
In the turn-of-the century Texas town of Cottownwood Springs, marshal Frank Patch is an old-style lawman in a town determined to become modern. When he kills drunken Luke Mills in ... See full summary »
In 1836 General Santa Anna and the Mexican army is sweeping across Texas. To be able to stop him, General Sam Houston needs time to get his main force into shape. To buy that time he orders... See full summary »
Widmark had agreed to do his first (and it turned out, only) TV series shortly after finishing "Vanished," the four hour TV movie that marked his television dramatic debut. Originally, Widmark was to star in a series based on his second TV film, "Brock's Last Case," in which he played a NYC detective who retires to a farm in California. NBC, the network for whom Universal was producing the show, had second thoughts about the concept, and instead asked Widmark to reprise "Madigan," the 1968 theatrical film that earned strong ratings when it was broadcast on the network in 1969. Widmark agreed providing half the shows were filmed in Europe. See more »
No one has ever played a detective (the kind that bends the rules) as well as the great and often overlooked Richard Widmark. The six 90-minute episodes that comprise this series remain fresh in my memory despite the fact that I have not seen the show since its rebroadcasts on the CBS Late Movie in the U.S. during the mid-70s. Without Widmark, there may not have been a whole lot to distinguish the show from a lot of other cop dramas of the decade, but his performance always made it more than a cut above routine. I find these shows (especially "The Manhattan Beat" and "The London Beat" episodes) far superior to director Don Siegel's 1968 theatrical feature that inspired this short-lived NBC-TV series. Now if only these shows were available on video or even in syndication.
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