Policemen Bonaro and Madigan lose their guns to fugitive Barney Benesch. As compensation, the two NYC detectives are given a weekend to bring Benesch to justice. While Bonaro and Madigan ... See full summary »
Sam McCloud is a Marshal from a Taos, New Mexico, who takes a temporary assignment in the New York City Police. His keen sense of detail and detecting subtle clues, learned from his experience, enable him to nab unsuspecting criminals despite his unbelieving boss.
McCoy has expensive tastes with an equally costly lifestyle offset with a gambling problem. To make ends meet he becomes a con man relieving others of their ill gotten gains with the aid of Gideon, a nightclub comedian.
Roscoe Lee Browne,
Frank Farady has spent 25 years in a South American jail for murdering his partner - a murder he didn't commit. He returns home to Los Angeles to find that his former secretary has given ... See full summary »
African-American private eye Harry Tenafly was a happily married, middle-class family man who had given up being a cop to work for a better paying position at a big L.A. detective agency. ... See full summary »
The NBC Mystery Movie was an "umbrella title" for one of many mystery series shown on a rotating basis in the same time slot on Sunday nights on NBC. The original three series featured were ... See full summary »
Widmark had agreed to do his first (and it turned out, only) TV series shortly after finishing "Vanished," the four hour TV movie that marked his television dramatic debut. Originally, Widmark was to star in a series based on his second TV film, "Brock's Last Case," in which he played a NYC detective who retires to a farm in California. NBC, the network for whom Universal was producing the show, had second thoughts about the concept, and instead asked Widmark to reprise "Madigan," the 1968 theatrical film that earned strong ratings when it was broadcast on the network in 1969. Widmark agreed providing half the shows were filmed in Europe. See more »
No one has ever played a detective (the kind that bends the rules) as well as the great and often overlooked Richard Widmark. The six 90-minute episodes that comprise this series remain fresh in my memory despite the fact that I have not seen the show since its rebroadcasts on the CBS Late Movie in the U.S. during the mid-70s. Without Widmark, there may not have been a whole lot to distinguish the show from a lot of other cop dramas of the decade, but his performance always made it more than a cut above routine. I find these shows (especially "The Manhattan Beat" and "The London Beat" episodes) far superior to director Don Siegel's 1968 theatrical feature that inspired this short-lived NBC-TV series. Now if only these shows were available on video or even in syndication.
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