Tucker is a chronic underachiever and a loser. A Vietnam war veteran who just can't seem to keep out of trouble, in the years since his discharge. The only thing he got out of the war was ... See full summary »
In the not too distant future, a very smoggy and overpopulated Earth government makes it illegal to have children for a generation. One couple, unsatisfied with their substitute robot baby,... See full summary »
When a handful of settlers survive an Apache attack on their wagon train they must put their lives into the hands of Comanche Todd, a white man who has lived with the Comanches most of his ... See full summary »
Frank Farady has spent 25 years in a South American jail for murdering his partner - a murder he didn't commit. He returns home to Los Angeles to find that his former secretary has given ... See full summary »
African-American private eye Harry Tenafly was a happily married, middle-class family man who had given up being a cop to work for a better paying position at a big L.A. detective agency. ... See full summary »
Police Chief Paul Lanigan and David Small, a rabbi in Cameron, California, are friends and both solve crimes in the local town. They also spent many evenings socializing but the wives ... See full summary »
Widmark had agreed to do his first (and it turned out, only) TV series shortly after finishing "Vanished," the four hour TV movie that marked his television dramatic debut. Originally, Widmark was to star in a series based on his second TV film, "Brock's Last Case," in which he played a NYC detective who retires to a farm in California. NBC, the network for whom Universal was producing the show, had second thoughts about the concept, and instead asked Widmark to reprise "Madigan," the 1968 theatrical film that earned strong ratings when it was broadcast on the network in 1969. Widmark agreed providing half the shows were filmed in Europe. See more »
No one has ever played a detective (the kind that bends the rules) as well as the great and often overlooked Richard Widmark. The six 90-minute episodes that comprise this series remain fresh in my memory despite the fact that I have not seen the show since its rebroadcasts on the CBS Late Movie in the U.S. during the mid-70s. Without Widmark, there may not have been a whole lot to distinguish the show from a lot of other cop dramas of the decade, but his performance always made it more than a cut above routine. I find these shows (especially "The Manhattan Beat" and "The London Beat" episodes) far superior to director Don Siegel's 1968 theatrical feature that inspired this short-lived NBC-TV series. Now if only these shows were available on video or even in syndication.
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