Stories of the journeys of a wagon train as it leaves post-Civil War Missouri on its way to California through the plains, deserts and Rocky Mountains. The first treks were led by gruff, ... See full summary »
Sam McCloud is a Marshal from a Taos, New Mexico, who takes a temporary assignment in the New York City Police. His keen sense of detail and detecting subtle clues, learned from his experience, enable him nab unsuspecting criminals despite his unbelieving boss.
Lt. Frank Dain worked for the California State Police as a dogged investigator of missing persons cases. No one was better at piecing together clues and solving mysteries, as Dain's cases took him all over the Golden State.
This groundbreaking series had three rotating stars, who were featured in independent episodes tied together by a loose common theme. The commonality was Howard Publications, the self-made ... See full summary »
Susan Saint James,
A scientific expedition in the Atlantic Ocean becomes lost in the Bermuda Triangle and washes up on an uncharted island. They meet up with travelers from other times, planets and dimensions... See full summary »
Glenn Garth Gregory possessed a terrific weapon: a photographic memory. This made him an easy recruit into the Delphi Bureau, a government intelligence agency answerable only to the President of the United States. Even though Gregory never really warmed up to the idea of being a spy, he was a good one, battling a number of nefarious foes and using his photographic memory to decode mysterious messages. His contact was a middle-aged Washington debutante named Sybil. Written by
Marty McKee <email@example.com>
Wow! The commenter who called this show "dull" based on viewing a single episode was way off base.
This was one of the first intelligent series! It had a highbrow star, Laurence Luckenbill, who was *supposed to be* not your typical action hero. He was a genius with a photographic memory, but he had little experience in the ways of the world, the ways of spies, and certainly the nefarious ways of Bad Guys.
Not only was the concept intelligent, the execution was all that and funny, too. I remember clearly the hero getting into as much trouble as any action hero ever can, being chased around a field of crops by a guy in a harvester whose blades threatened to chew him up. He kept dodging around until finally he ended up hanging from the undercarriage, bumping along while the driver tried to figure out where he'd gone. Suddenly his perfect memory kicks in as he examines the machine from below. Technical diagrams go through his head and he sees a hydraulic line within easy reach. Aha! He can disable the threat! So he gets out his pocket knife and cuts through the rubber hose. But when he does the black liquid squirts out and gets him right in the face! Sure, he was brilliant, but he couldn't think things through with any kind of common sense.
They had a lot of fun with the concept, and Luckenbill was just the right man to star in the role. The rest of the cast and the guest stars each week, as you can see here on IMDb, reads like a who's who of the top actors of the time.
This was a first rate, light hearted TV show, and I think it helped pave the way from Dragnet and Gunsmoke to the modern era of much better programming.
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