Basically an updating of Gene Barry's "Amos Burke, Secret Agent" character, Gene Bradley is a wealthy government agent, who, posing as an American movie star, travels the globe in search of...
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English Lord Brett Sinclair and American Danny Wilde are both wealthy playboys, they are teamed together by Judge Fullton to investigate crimes which the police can't solve. These two men ... See full summary »
The Protectors were Harry Rule, the Contessa di Contini and Paul Buchet, three freelance troubleshooters who ran an international crime fighting agency. Based in London, Harry was the ... See full summary »
Nyree Dawn Porter,
The wealthy playboy son of an assassinated South American diplomat discovers that his father was really murdered on orders of the corrupt president of the country--a man who was his ... See full summary »
Craig Stirling, Sharron Macready and Richard Barrett were agents for Nemesis, an international intelligence organization based in Geneva. Their first mission as a team was to investigate ... See full summary »
This spin-off from the earlier "Department S" continued the adventures of hedonistic, womanizing dandy Jason King. After leaving Department S, Jason settled down to a full-time career of ... See full summary »
Mini-series on the life of Charles Dickens, the great English author. Charles grew up in a family where his father was larger than life. The elder Dickens is a teller of tales and always ... See full summary »
John F. Landry,
Jeff Randall and Marty Hopkirk are private detectives who specialize in divorce cases. Their long-running partnership seems to come to an abrupt end when Marty is killed by a hit-and-run, ... See full summary »
After the murder of her lover Julius Caesar, Egypt's queen Cleopatra needs a new ally. She seduces his probable successor Mark Antony. This develops into real love and slowly leads to a war with the other possible successor, Octavius.
Basically an updating of Gene Barry's "Amos Burke, Secret Agent" character, Gene Bradley is a wealthy government agent, who, posing as an American movie star, travels the globe in search of adventure, intrigue and danger. Written by
Marty McKee <email@example.com>
In 1975 Barry Morse played Professor Victor Bergman in the sci fi series Space: 1999 (1975). He did not return in the second season and was replaced by his "The Adventurer" co-star Catherine Schell as the morphing alien Maya. See more »
The Adventurer is one of the least remembered of the ITC filmed series, and likely little seen or heard of since the mid-1970's. Along with The Protectors, it marks the start of the wind-down of the golden era of the genre. Both series may have benefited from being in an hour-long format like their predecessors, to develop the characters and plots and dispense with the quick editing. I believe they were made half-hour long due to the requirements of the US network.
Gene Barry seems rather tired throughout, and a bit old and overweight for the role, but he does bring a likable presence to the programme as the smart lead, set against the straight-laced & impeccably-mannered Barry Morse as the ministry man. In some respects they compare to Tony Curtis/Roger Moore in The Persuaders (1971) but there is less camaraderie & chemistry between them, and Morse is more like the authoritative judge (Laurence Naismith) character in that programme, rather than the adventurous Lord played by Moore.
The Adventurer has a larger regular support cast than usual for ITC, including Catherine Schell and Garrick Hagen, and they are more energetic than Morse and Barry. Progressions from previous ITC series include much of the incidental music and the extensive location footage (including much in industrial Europe). In tandem with traditional ITC stiff upper-lip these point to the concurrent Van Der Valk and later series like The New Avengers and The Professionals.
By 1973 though, seventies realism was replacing sixties optimism and substance was superseding style. Gene Barry at over 50 years old often looked incongruous in contemporary fashions.
His character, along with the Simon Templar and Jason King-types was on the way out, we already had Van Der Valk and were waiting for the imminent arrival of The Sweeney and The Professionals. Thus The Adventurer, though more entertaining than might be expected, fell rather unsatisfactorily between earlier and later genres perhaps explaining why it languishes in relative obscurity.
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