Basically an updating of Gene Barry's "Amos Burke, Secret Agent" character, Gene Bradley is a wealthy government agent, who, posing as an American movie star, travels the globe in search of... See full summary »
This spin-off from the earlier "Department S" continued the adventures of hedonistic, womanizing dandy Jason King. After leaving Department S, Jason settled down to a full-time career of ... See full summary »
David Callan is the top agent/assassin for the Security Service (British counterintelligence), but he is an embittered man who performs his duties "for Queen and country" under duress. This... See full summary »
An elite department within Interpol, Department S inherited those cases which the other member groups had failed to solve. The brains of the group was Jason King, a hedonistic maverick who ... See full summary »
McGill (known as "Mac") was a former U.S. intelligence agent based in London. After being thrown out of the agency for something he did not do, he finds his "false" reputation has preceded ... See full summary »
A religious sect led by Gustav Weil hunts all women suspected of witchcraft, killing a number of innocent victims. Young Katy, Gustav's niece, will involve herself in a devilish cult, and become an instrument of Justice in the region.
Amos Burke was a Los Angeles chief of detectives who was also a millionaire with a chauffeur-driven Rolls Royce, a mansion, and a high-wheeling lifestyle. The hallmarks of this series were ... See full summary »
Craig Stirling, Sharron Macready and Richard Barrett were agents for Nemesis, an international intelligence organization based in Geneva. Their first mission as a team was to investigate ... See full summary »
This groundbreaking series had three rotating stars, who were featured in independent episodes tied together by a loose common theme. The commonality was Howard Publications, the self-made ... See full summary »
Susan Saint James,
Basically an updating of Gene Barry's "Amos Burke, Secret Agent" character, Gene Bradley is a wealthy government agent, who, posing as an American movie star, travels the globe in search of adventure, intrigue and danger. Written by
Marty McKee <firstname.lastname@example.org>
In 1975 Barry Morse played Professor Victor Bergman in the sci fi series Space: 1999 (1975). He did not return in the second season and was replaced by his "The Adventurer" co-star Catherine Schell as the morphing alien Maya. See more »
The Adventurer is one of the least remembered of the ITC filmed series, and likely little seen or heard of since the mid-1970's. Along with The Protectors, it marks the start of the wind-down of the golden era of the genre. Both series may have benefited from being in an hour-long format like their predecessors, to develop the characters and plots and dispense with the quick editing. I believe they were made half-hour long due to the requirements of the US network.
Gene Barry seems rather tired throughout, and a bit old and overweight for the role, but he does bring a likable presence to the programme as the smart lead, set against the straight-laced & impeccably-mannered Barry Morse as the ministry man. In some respects they compare to Tony Curtis/Roger Moore in The Persuaders (1971) but there is less camaraderie & chemistry between them, and Morse is more like the authoritative judge (Laurence Naismith) character in that programme, rather than the adventurous Lord played by Moore.
The Adventurer has a larger regular support cast than usual for ITC, including Catherine Schell and Garrick Hagen, and they are more energetic than Morse and Barry. Progressions from previous ITC series include much of the incidental music and the extensive location footage (including much in industrial Europe). In tandem with traditional ITC stiff upper-lip these point to the concurrent Van Der Valk and later series like The New Avengers and The Professionals.
By 1973 though, seventies realism was replacing sixties optimism and substance was superseding style. Gene Barry at over 50 years old often looked incongruous in contemporary fashions.
His character, along with the Simon Templar and Jason King-types was on the way out, we already had Van Der Valk and were waiting for the imminent arrival of The Sweeney and The Professionals. Thus The Adventurer, though more entertaining than might be expected, fell rather unsatisfactorily between earlier and later genres perhaps explaining why it languishes in relative obscurity.
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