Francesa Kinsolving, a very pregnant widow whose husband was rescently killed in action in Vietnam, travels to visit her late husband's mother in a snowy Minnesota town only to get snowed ... See full summary »
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A disaster movie opening with an enormous multi-vehicle crash on a Californian highway. After the opening stunt-filled action, a flashback of the crash victims' lives prior to and leading ... See full summary »
John Llewellyn Moxey
Sian Barbara Allen,
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A young girl lives with her mother and grandmother. One day her estranged father returns home with a female companion he introduces as his fiance. Soon the girl finds herself in the midst ... See full summary »
When Jimmy's idol, James Dean, dies on September 30, 1955, the small-town Arkansas college undergraduate goes berserk. He and his friends hold a vigil which turns into a drunk and, finally,... See full summary »
During summer vacation on Fire Island, three young people--a girl and two guys--become so close that they form a sort-of threesome. When an uncool girl tries to infiltrate the trio's newly ... See full summary »
Based on the true story of '60s thrill-killer Charles Schmidt ("The Pied Piper of Tucson"), Skipper Todd (Robert F. Lyons) is a charismatic 23-year old who charms his way into the lives of ... See full summary »
Robert F. Lyons,
Francesa Kinsolving, a very pregnant widow whose husband was rescently killed in action in Vietnam, travels to visit her late husband's mother in a snowy Minnesota town only to get snowed in during a fierce blizard where she's forced to wait it out only to slowly uncover some terrible dark secrets that Mrs. Kinsolving has been hiding, one of them is her psychotic other son, a recent escapee from a lunatic asylum, who is shacked up in the basement of the house. Written by
Filmed at the Congdon Mansion in Duluth, MN. After the murder of mansion owner and prominent heiress Elisabeth Congdon in 1977, a movie theatre in Duluth revived the movie at midnight showings (much to the chagrin of the Congdon family). See more »
The closing credits roll down instead of up. See more »
"You'll Like My Mother" is reminiscent in terms of subject matter to the British, Hammer-produced thriller "Die! Die, My Darling", as both movies deal with a recently widowed women acquainting their mothers-in-law only after the husbands' deaths and almost literally ending in hell. And since "Die! Die, My Darling" was such an absorbing and creepy little thriller; I really wanted to check out this movie as well, particularly because this is an "Americanized" 70's version with exploitation undertones and complementary raw atmosphere. Francesca, eight months pregnant and widowed since seven months as she lost her husband Matthew when his plane crashed in Vietnam, travels all the way up to Matthew's parental house to pay an unannounced visit to his mother. From the very first minute, Mrs. Kinsolving turns out to be hateful and cynical person who hasn't got the slightest intention to get friendly with Francesca or the baby. But there's more, as Matthew mute and mentally underdeveloped sister Kathleen whom Francesca never heard about before seems petrified of the mother and slips bizarre little newspaper clippings into her hands like she's trying to warn her about something sinister. With the snowy weather getting worse, Francesca and her unborn child are trapped in a mansion with a potentially very dangerous psychopath. "You'll Like My Mother" is a very tense and unnerving 70's thriller with a solid script that gradually becomes more convoluted through effective twists and a couple of powerful moments that are simultaneously disturbing and saddening. Particularly halfway through the movie, the story becomes unusual and nightmarish (all comparisons with "Die! Die, My Darling" abruptly end at that point as well) and you'll need a very strong nerve system to make it through some of the sudden twists. This movie is another perfect example to show you don't necessarily require a big budget to deliver a spine-chilling thriller. "You'll Like My Mother" contains no special effects or particular gimmicks, but thrives exclusively on dreary atmosphere and offbeat plotting. It's an incomprehensibly underrated 70's highlight with great acting performances (Patty Duke is sublime as the mother in distress) that urgently needs a much wider audience.
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