| Thomas Hunter | ... | Tom Nilson - Reporter | |
| Gila von Weitershausen | ... | Miss Steffi (as Gila v. Weitershausen) | |
| Hans Hass Jr. | ... | Carlos Rivas | |
| Fernando Sancho | ... | Bill - Steward / Paco | |
| Esperanza Roy | ... | Annamaria Vidal | |
| Ewa Strömberg | ... | Mrs. Wilson (as Ewa Stroemberg) | |
| Siegfried Schürenberg | ... | Bankpräsident Alberto Rupprecht | |
| Howard Vernon | ... | Pedro | |
| Paul Muller | ... | John Somers (as Paul Müller) | |
| rest of cast listed alphabetically: | |||
| Antonio de Cabo | ... | Mr. Villa Rosa (uncredited) | |
| Beni Cardoso | ... | Lolita (uncredited) | |
| Jesus Franco | ... | Alfredo (uncredited) | |
Directed by | |||
| Jesus Franco | (as Jess Frank) | ||
Writing credits(in alphabetical order) | ||
| Artur Brauner | story and screenplay (credited, but not involved) (as Art Bern) | |
| Arne Elsholtz | dialogue | |
| Jesus Franco | screenplay | |
| Jesus Franco | story | |
| Mickey Knox | dialogue | |
Produced by | |||
| Artur Brauner | .... | producer | |
| Karl Heinz Mannchen | .... | executive producer (as Karl-Heinz Mannchen) | |
Original Music by | |||
| Wolf Hartmayer | |||
Cinematography by | |||
| Manuel Merino | |||
Film Editing by | |||
| Carl Otto Bartning | (as C.O. Bartning) | ||
Art Direction by | |||
| Klaus Meyenberg | |||
Makeup Department | |||
| Fredy Arnold | .... | makeup artist | |
Production Management | |||
| Rudolf Hertzog | .... | production manager (as Rudolph Hertzog Jr.) | |
Second Unit Director or Assistant Director | |||
| Franz Eichhorn | .... | assistant director | |
Sound Department | |||
| Max Galinsky | .... | sound engineer | |
Camera and Electrical Department | |||
| Gerhard Mohr | .... | assistant camera | |
Music Department | |||
| Bruno Nicolai | .... | musical director | |
Other crew | |||
| Nicole Guettard | .... | script supervisor | |
| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb West Germany section |
Not sure how to rate this. It's an ultra-low quality film which, in terms of what it set out to achieve, fails miserably. The plane crash (I hope I'm not giving away too much of the plot here) is conveyed to the audience principally by means of horrified expressions on bystanders' faces, plus a little flame-coloured lighting. Needless to say, the tension is non-existent.
However, it does have a redeeming feature. It's unintentionally hilarious. Minimalist special effects aside, the dubbed English dialogue is dreadfully stilted, well beyond the point at which a soap opera script editor would blanch, and the scene in which the, er, hunky guy picks up the love interest by means of his sexy whistling (honestly) is a golden moment in cinema history.
Get many, many beers in and enjoy.