The scientist father of a teenage girl and boy accidentally shrinks his and two other neighborhood teens to the size of insects. Now the teens must fight diminutive dangers as the father searches for them.
The world is astounded when Willy Wonka, for years a recluse in his factory, announces that five lucky people will be given a tour of the factory, shown all the secrets of his amazing candy, and one will win a lifetime supply of Wonka chocolate. Nobody wants the prize more than young Charlie, but as his family is so poor that buying even one bar of chocolate is a treat, buying enough bars to find one of the five golden tickets is unlikely in the extreme. But in movieland, magic can happen. Charlie, along with four somewhat odious other children, get the chance of a lifetime and a tour of the factory. Along the way, mild disasters befall each of the odious children, but can Charlie beat the odds and grab the brass ring? Written by
Rick Munoz <firstname.lastname@example.org>
Peter Ostrum said in the DVD commentary that he and Jack Albertson were very excited to do the Fizzy Lifting Drink scene, thinking it would be a lot of fun, but that it wasn't due to the metal surrounding them being rather sharp and the harnesses being extremely tight in the crotch area. Albertson joked that music from Pyotr Ilyich Tchaikovsky's Nutcracker Suite should be played in the background of that scene. See more »
At the beginning of 'Cheer Up, Charlie' Mrs. Bucket's lips aren't moving with the music (at 22:44, but there is no synchronization issue on the wide screen version). See more »
Most excellent works in the arts are seen and enjoyed at a variety of "levels." That is true of this movie in general and of Gene Wilder in specific.
Wilder has been known in the circles of movie creators as a creative genius for many years. Here, his acting ability showcases that genius. To be sure, at the level of good fun for kids and Moms and Dads, he comes through. But writers must have loved his work. Watch for the "look" in his eyes. You will see "changes" in them as he speaks or as he listens to the kids. Those unheard, barely seen changes can be read many ways. And that is the genius. They put more into the lines than the words themselves.
Art should be clearly and quickly understood. It should also be the tool used to make us wonder a bit. Think a little. Or find meaning we didn't see at first look.
In this movie, Gene Wilder's almost imperceptible nuances speak volumes.
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