| William Holden | ... | Ross Bodine | |
| Ryan O'Neal | ... | Frank Post | |
| Karl Malden | ... | Walter Buckman | |
| Lynn Carlin | ... | Sada Billings | |
| Tom Skerritt | ... | John Buckman | |
| Joe Don Baker | ... | Paul Buckman | |
| James Olson | ... | Joe Billings | |
| Leora Dana | ... | Nell Buckman | |
| Moses Gunn | ... | Ben | |
| Victor French | ... | Sheriff | |
| Rachel Roberts | ... | Maybell | |
| Sam Gilman | ... | Hansen | |
| Charles H. Gray | ... | Savage (as Charles Gray) | |
| William Bryant | ... | Hereford | |
| Jack Garner | ... | Cap Swilling | |
| Caitlin Wyles | ... | Bodine's Girl | |
| Mary Jackson | ... | Sada's Mother | |
| William Lucking | ... | Ruff | |
| Ed Bakey | ... | Gambler | |
| Ted Gehring | ... | Tucson Sheriff | |
| Alan Carney | ... | Palace Bartender | |
| Ed Long | ... | Cassidy | |
| Patrick Sullivan Burke | ... | Palace Tenor | |
| Lee de Broux | ... | Leaky (as Lee DeBroux) | |
| Hal Lynch | ... | Mack | |
| Boyd 'Red' Morgan | ... | Sheepman (as Red Morgan) | |
| Bennie E. Dobbins | ... | Sheepman (as Bennie Dobbins) | |
| Bob Beck | ... | Bathhouse Attendant | |
| Geoffrey Edwards | ... | Attendant's Son | |
| Herb Tanney | ... | Piano Player (as Studs Tanney) | |
| Bruno VeSota | ... | Cantina Bartender | |
| Dick Crockett | ... | Sheriff's Deputy | |
| rest of cast listed alphabetically: | |||
| Barbara Baldavin | ... | (uncredited) | |
| Phyllis Douglas | ... | (uncredited) | |
| Michael Haynes | ... | (uncredited) | |
| Gloria Hill | ... | (uncredited) | |
| Jay W. MacIntosh | ... | (uncredited) | |
| Beatriz Monteil | ... | (uncredited) | |
Directed by | |||
| Blake Edwards | |||
Writing credits | ||
| Blake Edwards | (written by) | |
Produced by | |||
| Blake Edwards | .... | producer | |
| Ken Wales | .... | producer | |
Original Music by | |||
| Jerry Goldsmith | |||
Cinematography by | |||
| Philip H. Lathrop | (director of photography) (as Philip Lathrop) | ||
Film Editing by | |||
| John F. Burnett | |||
Casting by | |||
| Joseph D'Agosta | (uncredited) | ||
Art Direction by | |||
| George W. Davis | |||
| Addison Hehr | |||
Set Decoration by | |||
| Reg Allen | |||
| Robert R. Benton | |||
Costume Design by | |||
| Jack Bear | |||
Makeup Department | |||
| Cherie | .... | hair stylist (as Chérie) | |
| Thomas Tuttle | .... | makeup artist (as Tom Tuttle) | |
| William Turner | .... | makeup artist (uncredited) | |
Production Management | |||
| Ridgeway Callow | .... | unit production manager | |
| Jack McEdward | .... | assistant production manager | |
Second Unit Director or Assistant Director | |||
| Alan Callow | .... | assistant director | |
| Dick Crockett | .... | second unit director | |
| William R. Poole | .... | second assistant director (uncredited) | |
| Lorin Bennett Salob | .... | dga trainee (uncredited) | |
Art Department | |||
| Ed Mulay | .... | props (uncredited) | |
| Robert Murdock | .... | props (uncredited) | |
| Don Pringle | .... | greensman (uncredited) | |
| Rick Simpson | .... | leadman (uncredited) | |
Sound Department | |||
| Harry W. Tetrick | .... | sound | |
| Bruce Wright | .... | sound | |
| George Songer | .... | cable person (uncredited) | |
| James Utterback | .... | boom operator (uncredited) | |
Special Effects by | |||
| Earl McCoy | .... | special effects (uncredited) | |
| Charles Schulthies | .... | special effects (uncredited) | |
Stunts | |||
| Michael Haynes | .... | stunts (uncredited) | |
| Michael Masters | .... | stunts (uncredited) | |
| Ron Nix | .... | expert rider (uncredited) | |
| Al Wyatt Sr. | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Frank Stanley | .... | photographer: second unit | |
| Mel Anderson | .... | grip (uncredited) | |
| Robert J. Banks | .... | best boy (uncredited) | |
| Wilbert Bratton | .... | lamp operator (uncredited) | |
| Duke Callaghan | .... | camera operator (uncredited) | |
| Eric Carpenter | .... | still photographer (uncredited) | |
| Ray De La Motte | .... | second assistant camera (uncredited) | |
| George Holt | .... | grip (uncredited) | |
| Don Howard | .... | video recordist (uncredited) | |
| Cliff King | .... | first assistant camera (uncredited) | |
| Don Larson | .... | grip (uncredited) | |
| George Lasher | .... | gaffer (uncredited) | |
| Leo Monlon | .... | grip (uncredited) | |
| Jim Porter | .... | lamp operator (uncredited) | |
| Norman Punter | .... | lamp operator (uncredited) | |
| Cliff Ralke | .... | grip (uncredited) | |
| Lee Smith | .... | generator operator (uncredited) | |
| Robert Willoughby | .... | special still photographer (uncredited) | |
Casting Department | |||
| Frank Kennedy | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Norman A. Burza | .... | wardrobe (uncredited) | |
| Elva Martien | .... | wardrobe (uncredited) | |
Music Department | |||
| William Saracino | .... | music editor | |
| Jerry Goldsmith | .... | conductor (uncredited) | |
Transportation Department | |||
| Lloyd Hanlon | .... | transportation gaffer (uncredited) | |
Other crew | |||
| Linda Friedman | .... | assistant: producers | |
| Peter Benoit | .... | unit publicist (uncredited) | |
| Hal Driscoll | .... | animal handler (uncredited) | |
| Marie Kenney | .... | script supervisor (uncredited) | |
| Frank D. Lane | .... | ramrod wrangler (uncredited) | |
| John Morrison | .... | location manager (uncredited) | |
| Jerry Parker | .... | first aid (uncredited) | |
| Paul Roedl | .... | location auditor (uncredited) | |
| John Suhrada | .... | location timekeeper (uncredited) | |
| Ed Villa | .... | craft service (uncredited) | |
| Jack N. Young | .... | location manager (uncredited) | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Western section | IMDb USA section |
I saw WILD ROVERS when it first came out - in the early 70s. It had been butchered by the powers that be at MGM. Still there was a lot to recommend the western: William Holden at his post-WILD BUNCH grizzled best, Jerry Goldsmith's classic, Copelandesque score that somehow manages to be lyrical, evocative but not a bit cloying (learn something, James Horner and Hans Zimmer), and the stunning cinematography. I saw it again in the late 80s restored to its original length (on a double bill with the restored PAT GARRETT AND BILLY THE KID, also butchered by MGM in the early 70s). I found more to like about the movie: the unexpected spurts of humor, the observations of the connectedness between cowboy and animal life, and Blake Edward's staging of the scenes of violence - he never does the same thing twice, and the barroom shootout is an object lesson in blocking and editing. (If there is any complaint one can level against Clint Eastwood's UNFORGIVEN was how uninterestingly the action scenes were staged.) Anyway, I just caught WILD ROVERS again on HD.Net Movies during 4th of July weekend, and its virtues have actually grown with age. And it looks gorgeous on a 16:9 Hi-Def screen. Give it a few more years and it might attain classic status.