Marshal Wyatt Earp kills a couple of men of the Clanton-gang in a fight. In revenge Clanton's thugs kill the marshal's brother. Thus, Wyatt Earp starts to chase the killers together with his friend Doc Holliday.
Having fled to Mexico from the U.S. many years ago for killing his father's murderer, Martin Brady travels to Texas to broker an arms deal for his Mexican boss, strongman Governor Cipriano ... See full summary »
In the early 1800's, a group of fur trappers and Indian traders are returning with their goods to civilisation and are making a desperate attempt to beat the oncoming winter. When guide ... See full summary »
Richard C. Sarafian
In the western frontier town of Cross Creek storekeeper George Temple is a polite and soft spoken man with a secret past.When three bank robbers on the lam stop in town to change horses George Temple's past comes back to haunt him.
Peter Gunn investigates the murder of Scarlotti, a mobster who once saved the detective's life. The primary suspect appears to be Fusco, who has taken over. In the middle of the case, an ... See full summary »
Ross Bodine and Frank Post are cowhands on Walt Buckman's R-Bar-R ranch. Bodine is older and broods a bit about how he will get along when he's too old to cowboy. Post is young and rambunctious and ambitious for a better life than wrangling cows. When one of their fellow cowboys is killed in a corral accident, Post suggests a way into a better life for himself and his friend: robbing a bank. Bodine reluctantly joins in the plan and the two contrive to rob the local bank. They make good their escape initially, but Walt Buckman and his two sons, John and Paul, are incensed at this betrayal by their own trusted employees. John and Paul set out to bring Bodine and Post to justice. Written by
Jim Beaver <email@example.com>
The Wild Rovers is one of the rare instances where Blake Edwards collaborated with another composer instead of his regular musical associate, Henry Mancini, who was working on another movie. In this case, Jerry Goldsmith came to the fore, providing a rich, vibrant, and sometimes stark score to accompany the story. See more »
You show me an old cowboy, a young cowboy or an in between cowboy with more than a few dollars in his poke and I'll show a cowboy that stopped being a cowboy and robbed banks.
Well, let's rob us a bank.
It'll be safer than getting married.
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The late sixties/early seventies was a great time for westerns -- McCabe and Mrs. Miller came out the same year as Wild Rovers, Butch Cassidy and the Sundance Kid two years before, and, of course, William Holden was just coming off of The Wild Bunch when he was cast here. Alas, this is not a great western. The first problem is that Blake Edwards seems intent on making a grand spectacle, along the lines of Duel In The Sun or The Big Country, rather than the more introspective westerns that reinvigorated the genre. Note, for instance, that the movie has an overture and an intermission, Hollywood spectacle staples. The photography is spectacular -- sometimes -- but poorly handled. For instance, in the movie's opening shots we see a pair of cowboys beautifully silhouetted against a big sky as they come riding, riding... Riding somewhere for a long time. This underscores the poor editing in this film: make your point and move on, don't just pile shot on shot of the same thing -- but perhaps I'm being too harsh here, as the "restored" version may not be true to Edwards' vision. But it is precisely that vision that is the movie's main flaw: there are numerous plot lines (some of which are never resolved) and the focus on the main characters is lost. Rambling and self-indulgent, this could have been a good western; instead, it gets lost in its own pretentiousness. What should have been a tale about two cowboys and their scheme to rob a bank becomes a steaming mess of plot lines. I find it interesting to compare this film to Edwards' comedy work with Peter Sellers or his ventures into the private detective genre, which are far better written, edited, and directed.
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