Reviews & Ratings for
Who Is Harry Kellerman and Why Is He Saying Those Terrible Things About Me? More at IMDbPro »

Filter:

Best Chronological Prolific Authors Loved It Hated It Hide Spoilers:

Page 1 of 2:

[1] [2]

Index

12 reviews in total

---

20 out of 24 people found the following review useful:
Why don't people love this wonderful movie like I do?, 15 May 2004

Author: hokeybutt from Milwaukee, Wisconsin

Sometimes I am just sooooooo out of step with conventional movie wisdom. This is one of those movies that gets trounced every time it is mentioned by a critic or reviewer. But why??? It is funny, well-acted, moving, bizarre and the music kicks ass. Dustin Hoffman plays Georgie Solloway, a super-successful Bob Dylan-ish rock star who is going thru something of a mid-life crisis. A mysterious figure known as Harry Kellerman is spreading false rumours about him, sabotaging his personal and professional life. Solloway has no friends to talk to... just a shrink and, when he gets really desperate, his accountant (great scene with Dom DeLuise!) Okay, so maybe you hate Dustin Hoffman... or Bob Dylan... or movies about the problems of rich, successful people in general... how can you not love the heartbreaking performance by Barbara Harris? She was nominated for an Oscar for crying out loud (and it was a crime she didn't win, I tell ya). Don't listen to the nay-sayers... check out this wild and wonderful film!

---

3 out of 3 people found the following review useful:
A clear-eyed, surprisingly meditative personal odyssey..., 12 March 2009

Author: moonspinner55 from redlands, ca

Despite the nudging, rambling title and Dustin Hoffman's mildly hippie appearance, "Who Is Harry Kellerman..." is rather old-fashioned in its quest to find substantial meaning in life, which screenwriter Herb Gardner sees as always being undermined by the inevitability of death. There are no pretenses here towards embracing a pseudo-hip scenario, and the lack of mod-ish overtones keeps the film relevant and fresh. Hoffman plays an East Coast songwriter, currently being hailed by Time magazine as a prophet, who sees nothing meaningful in his existence, hearkening back on his ordinary boyhood in order to make peace with the present. Accentuated by bursts of rock music, and defined by little bits of mordant truth, the film blessedly isn't a silly phantasmagoria, although some may see all this as a con--written by somebody who is out of step with the times (Gardner wrote the coy "A Thousand Clowns", after all). Yet, somehow, the movie strikes a melancholic, sobering, almost disenfranchised chord, and smart director Ulu Grosbard is actually interested in revealing something tangible through his characters. Hoffman's Georgie Soloway can't enjoy living without relating it to dying, and so has suicidal flights-of-fancy, paranoiac personal dramas, and surreal sessions with a Viennese analyst. It's a good role for Dustin, while Barbara Harris is wonderful in the small role of a struggling actress who's still in love with 1957. It takes a while to get into the movie's groove, but there are some worthwhile thoughts here, helped immeasurably by Victor Kemper's non-fussy cinematography and Grosbard's deep connection with the material. It's a near-triumph. **1/2 from ****

---

4 out of 5 people found the following review useful:
daring but goes nowhere, 16 July 2003

Author: melinda2001 from San Francisco, CA

Labeling this movie as ahead of its time would be a bit too generous. In truth, it was ahead of its time but missed the mark. With lots of cuts between fantasy and what is probably reality, the movie does take you into the head of a disconnected music star. The only trouble is that once we're there, ... then what? In this case, nothing much, and that's a shame. At one point Hoffman's character meets a woman more screwed up than he is, and he sets about to help her a bit. Their interaction is poignant, but the movie is mostly devoid of emotion. It's nice enough to watch Hoffman walk through this movie, but i really can't recommend it for much else.

---

4 out of 5 people found the following review useful:
Something different from the average Hollywood entertainment, grown ups with real emotions and insights., 20 January 2001

Author: elsand from los angeles

This is a difficult movie, but worth staying with if you like fully developed characters, emotional depth and you don't mind something outside the normal linear Hollywood story telling format. Dustin Hoffman gives a fine nuanced performance and Barbara Harris is wonderful as a vulnerable woman all too aware that she has lost her youth. Her performance is touching and every moment she is on screen shines with her unique brilliance.

---

4 out of 5 people found the following review useful:
Something different from the average Hollywood entertainment, grown ups with real emotions and insights., 20 January 2001

Author: elsand from los angeles

This is a difficult movie, but worth staying with it if you like fully developed characters, emotional depth and you don't mind something outside the normal linear Hollywood story telling format. Dustin Hoffman gives a fine nuanced performance and Barbara Harris is wonderful as a vulnerable woman all too aware that she has lost her youth. Her performance is touching and every moment she is on screen shines with her unique brilliance.

---

5 out of 7 people found the following review useful:
Was it based on Bob Dylan?, 11 August 2005

Author: Lee Eisenberg (eisenberg.lee@gmail.com) from Portland, Oregon, USA

Georgie Soloway (Dustin Hoffman) is a Bob Dylan-esquire folk singer whose neurosis has sent him into drug addiction. He finds it hard to hold relationships for two reasons: 1) his own nature and 2) someone named Harry Kellerman keeps undermining his relationships.

"Who Is Harry Kellerman and Why Is He Saying Those Terrible Things About Me?" is one of those movies where you're never sure about what you're seeing on the screen. Is it real or is it his imagination? And what about Harry Kellerman? Either way, it's a good look at how a mixture of neurosis and drugs can drive a person over the edge. Georgie finds that out to the extreme. Not exactly a masterpiece, but worth seeing.

---

6 out of 9 people found the following review useful:
Best Part is Hoffmans Performance, 5 July 2001
Author: richard winters (rwint) from Chicago, Illinois

Potentially brilliant character study misses the mark as Hoffman plays a successful singer/songwriter who ends up badly tormented. Excessive smugness permeates a otherwise well crafted, well mounted production. Clearly the filmmakers thought they had a important "statement" picture. Unfortunately the statement becomes evasive and eventually muddled. Worth seeing just for Hoffman, who gives one of his best performances

---

3 out of 4 people found the following review useful:
Another Angst Ridden Forty Something, 2 April 2009

Author: bkoganbing from Buffalo, New York

Harry Kellerman was a most unfulfilling film for me, as unfulfilling as Dustin Hoffman found his life to be in this movie. Hoffman plays a successful rock composer who is going through a mid life crisis and finds all of a sudden in his middle Thirties he's not a really happy guy despite all the money in the world and the toys that money can buy. His best time is flying his private plane, talk about toys.

For some reason I couldn't get into this film or feel any kind of sympathy for Hoffman's character of George Soloway. Hoffman's best friend seems to be his analyst Jack Warden, hamming it up in his best Viennese accent. Dustin has more real and imagined time with Warden than anyone else in the film. In fact Warden functions as an alter ego for him, more inside his head than in real life on the couch.

The last straw for Hoffman seems to be some mysterious dude named Harry Kellerman who for some reason is calling up all of Hoffman's friends of both sexes and badmouthing him all over the place. As his relationships crumble all around him, Hoffman goes on a frantic manhunt for Kellerman.

With all the imaginary sequences in this film, if you can't figure out who Harry Kellerman is before a quarter of the film is over you haven't seen too many films at all. Think a kinder, gentler Fight Club.

Hoffman does the best he can to make some coherent sense out of his character, but in the end he's not someone I care terribly about. Rose Gregorio as his ex-wife, David Burns as his father, and Gabriel Dell as his cheerfully hedonistic songwriting partner are the best in the film.

Barbara Harris as a woman who seems to have as much angst as Hoffman got an Academy Award nomination for Best Supporting Actress, she lost in the Oscar sweepstakes to Cloris Leachman for The Last Picture Show, an infinitely better film. Harris's character is interesting, she represents a last chance for Hoffman at love. She has her problems, but without as much money, she seems to be coping a lot better. Another reason for me to not care about Hoffman's George Soloway.

The ambiance of the early Seventies rock scene is captured well. Would that George Soloway in Harry Kellerman be someone you could actually get worked up over.

---

4 out of 6 people found the following review useful:
A praiseworthy movie with top-notch performances for viewers who don't mind a slow pace., 12 August 2004
Author: ebercaw from Atlanta, GA

Any movie that takes place over the course of just one day can tend to drag unless it's filled with non-stop action. This film is no exception. If you love Acting with a capital "A" over Action, this is your film.

What makes this a movie worth seeing are the actors; Dustin Hoffman, Barbara Harris, and Jack Ward all turn in supreme performances. Even the bit parts are well-written and equally well-acted. The dialogue is sharp, witty and sadly comic.

Dustin Hoffman plays a highly successful songwriter who suffers from insomnia and the dementia it brings as he looks back on the relationships he's had throughout his life, hoping to break his loneliness.

Hoffman does an excellent job of portraying a creative genius, one whose creativity is so abundant he seems unable to turn it off. In most of the scenes, Hoffman is strumming a guitar, singing under his breath, presumably writing a new song with each emotion he feels at any given moment. Because the music that flows through him occupies so much of his brain, he seems unable to focus on human relationships and by middle age the loneliness catches up with him.

Hoffman drifts in and out of reality. Deciding which scenes are real, and which are his imagination is up to the viewer. Or as Hoffman tells his psychiatrist "Why should I come back to reality? What's it ever done for me?"

It should also be noted that as much as Simon and Garfunkel did for "The Graduate," so does this film's soundtrack accentuate the overall feel of the movie with music from Ray Charles and Dr. Hook and the Medicine Show.

---

4 out of 6 people found the following review useful:
The experience of being trapped in neurosis., 15 February 1999

Author: anonymous from Atlanta, GA USA

Harry Kellerman is the best portrait I have ever seen on celluloid of the inescapable nature of neurotic pain. The fixated, tortured soul--albeit tortured on the small, inner scale of suffering--awakens to his pain, sees a possible escape route, and struggles to hurl himself through it. But then he only finds himself bank again at square one, the tether of his Gordian knot unbroken and unfrayed. Told with humor and absurdity appropriate to the subject matter, Harry is a delightful, original, and insightful movie.

---

---

Page 1 of 2:

[1] [2]

Add another review

---

Related Links

Plot summary	Ratings	Awards
External reviews	Plot keywords	Main details
Your user reviews	Your vote history