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Who Is Harry Kellerman and Why Is He Saying Those Terrible Things About Me? (1971)

R  |   |  Drama, Comedy  |  1 November 1971 (Denmark)
5.6
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Ratings: 5.6/10 from 589 users  
Reviews: 15 user | 13 critic

Georgie Soloway, a pop hit love song writer who cannot love, himself, or others. He spends his days with various women flying his plane, and dropping in to the world around him.

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Title: Who Is Harry Kellerman and Why Is He Saying Those Terrible Things About Me? (1971)

Who Is Harry Kellerman and Why Is He Saying Those Terrible Things About Me? (1971) on IMDb 5.6/10

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Cast

Cast overview, first billed only:
...
Georgie Soloway
...
...
Dr. Solomon F. Moses
David Burns ...
Leon Soloway
Gabriel Dell ...
Sidney Gill
Betty Walker ...
Margot Soloway
Rose Gregorio ...
Gloria Soloway
...
Irwin Marcy
Regina Baff ...
Ruthie Tresh
David Galef ...
Leonard Soloway
Ed Zimmermann ...
Peter Halloran
Amy Levitt ...
Susan
...
Marty (as Joe Sicari)
Rudy Bond ...
Newsdealer
Walter Hyman ...
Flower Vendor
Edit

Storyline

Georgie Soloway, a pop hit love song writer who cannot love, himself, or others. He spends his days with various women flying his plane, and dropping in to the world around him. Written by dharmabum <darmabum@li.net>

Plot Summary | Add Synopsis

Taglines:

Dustin Hoffman wants to know...

Genres:

Drama | Comedy

Motion Picture Rating (MPAA)

Rated R for brief nudity | See all certifications »
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Details

Country:

Language:

Release Date:

1 November 1971 (Denmark)  »

Also Known As:

¿Quién es Harry Kellerman?  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

To achieve maximum realism, Ulu Grosbard insisted that Dustin Hoffman appear live at the now-shuttered rock palace Fillmore East. Cameras captured the reaction of the regular Friday night audience gathered for an actual Grateful Dead concert. See more »

Quotes

Sidney Gill: Georgie, do not make funeral arrangements until you're dead. Oh, I've seen the way these Allisons operate. It's Robespierre, man. It's the Reign of Terror. She's just looking to cop a basket full of heads.
Georgie Soloway: Sid, if they're mostly losers, when are you gonna know when a winner shows up? I mean...
Sidney Gill: I am Baron von Richthofen and I am flying over enemy territory. When I go down it'll be an ace who gets me.
See more »


Soundtracks

Still Got Miles and Miles to Go
(uncredited)
Sung by Dustin Hoffman
See more »

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User Reviews

 
A clear-eyed, surprisingly meditative personal odyssey...
12 March 2009 | by (las vegas, nv) – See all my reviews

Despite the nudging, rambling title and Dustin Hoffman's mildly hippie appearance, "Who Is Harry Kellerman..." is rather old-fashioned in its quest to find substantial meaning in life, which screenwriter Herb Gardner sees as always being undermined by the inevitability of death. There are no pretenses here towards embracing a pseudo-hip scenario, and the lack of mod-ish overtones keeps the film relevant and fresh. Hoffman plays an East Coast songwriter, currently being hailed by Time magazine as a prophet, who sees nothing meaningful in his existence, hearkening back on his ordinary boyhood in order to make peace with the present. Accentuated by bursts of rock music, and defined by little bits of mordant truth, the film blessedly isn't a silly phantasmagoria, although some may see all this as a con--written by somebody who is out of step with the times (Gardner wrote the coy "A Thousand Clowns", after all). Yet, somehow, the movie strikes a melancholic, sobering, almost disenfranchised chord, and smart director Ulu Grosbard is actually interested in revealing something tangible through his characters. Hoffman's Georgie Soloway can't enjoy living without relating it to dying, and so has suicidal flights-of-fancy, paranoiac personal dramas, and surreal sessions with a Viennese analyst. It's a good role for Dustin, while Barbara Harris is wonderful in the small role of a struggling actress who's still in love with 1957. It takes a while to get into the movie's groove, but there are some worthwhile thoughts here, helped immeasurably by Victor Kemper's non-fussy cinematography and Grosbard's deep connection with the material. It's a near-triumph. **1/2 from ****


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