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A privileged British family consisting of a mother, a geologist father and an adolescent daughter and son, live in Sydney, Australia. Out of circumstance, the siblings, not knowing exactly where they are, get stranded in the Outback by themselves while on a picnic. They only have with them the clothes on their backs - their school uniforms - some meagre rations of nonperishable food, a battery-powered transistor radio, the son's satchel primarily containing his toys, and a small piece of cloth they used as their picnic drop-cloth. While they walk through the Outback, sometimes looking as though near death, they come across an Australian boy who is on his walkabout, a rite of passage into manhood where he spends months on end on his own living off the land. Their largest problem is not being able to verbally communicate. The boy does help them to survive, but doesn't understand their need to return to civilization, which may or may not happen based on what the Australian boy ends up ... Written by
Due to Jenny Agutter's full-frontal nudity, film originally drew an "R" rating from the MPAA. It was reduced to "PG" on appeal. See more »
The girl asks to be taken to the city of Adelaide, the children's destination in the novel. However, the city shown at the start and end of the film is clearly Sydney, which is several thousand kilometers (and two states) away from Adelaide. See more »
Opening caption: In Australia, when an Aborigine man-child reaches sixteen, he is sent out into the land. For months he must live from it. Sleep on it. Eat of its fruit and flesh. Stay alive. Even if it means killing his fellow creatures. The Aborigines call it the WALKABOUT. This is the story of a "WALKABOUT". See more »
Beautiful lead character and a film with a subtle message
I first remember seeing this film as a late teenager in about 1979. Therefore what most vividly stuck in my mind was the lead character played by a beautiful blonde English girl, Jenny Agutter, Specifically the nude scenes of her swimming and washing.
On a less superficial level it is a film with a point-something along the lines of the graciousness of Aborigines and their ability to live in harsh surrounds, and the destructive nature of suburban life in a flat in a major city.
I think it would be a film, like Jedda, that will always be on reference for the Australian Outback, Aboriginals and the modern society which brought a European civilisation to their land.
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