A psychiatrist, living in Vienna, enters a torrid relationship with a married woman. When she ends up in the hospital from an overdose, an Inspector becomes set on discovering the demise of their affair.
A privileged British family consisting of a mother, a geologist father and an adolescent daughter and son, live in Sydney, Australia. Out of circumstance, the siblings, not knowing exactly where they are, get stranded in the Outback by themselves while on a picnic. They only have with them the clothes on their backs - their school uniforms - some meagre rations of nonperishable food, a battery-powered transistor radio, the son's satchel primarily containing his toys, and a small piece of cloth they used as their picnic drop-cloth. While they walk through the Outback, sometimes looking as though near death, they come across an Australian boy who is on his walkabout, a rite of passage into manhood where he spends months on end on his own living off the land. Their largest problem is not being able to verbally communicate. The boy does help them to survive, but doesn't understand their need to return to civilization, which may or may not happen based on what the Australian boy ends up ... Written by
The poetry quoted by the narrator at the end of the film is Part 40 of A.E. Housman's "A Shropshire Lad": Into my heart an air that kills From yon far country blows: What are those blue remembered hills, What spires, what farms are those? That is the land of lost content, I see it shining plain, The happy highways where I went And cannot come again. See more »
The girl asks to be taken to the city of Adelaide, the children's destination in the novel. However, the city shown at the start and end of the film is clearly Sydney, which is several thousand kilometers (and two states) away from Adelaide. See more »
Outstanding commentary on cultural clashes, though a bit puzzling at times.
A sometimes puzzling, sometimes enigmatic, but always interesting movie, although it is a bit easier to understand if you've read the novel on which it's based. Jenny Agutter is particularly good as the English girl who suddenly finds herself stranded in the desert with her younger brother, and was at just the right age--about 16--to play the part. David Gulpilil as the aborigine youth "gone walkabout" who rescues them is also excellent. The uncomfortable contrasts between European and aboriginal cultures are undeniably accurate, and the use of A. E. Housman's poem, "Into my heart an air that kills" adds additional poignancy to the already bittersweet ending.
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