| Complete credited cast: | |||
| Jenny Agutter | ... |
Girl
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| Luc Roeg | ... |
White Boy
(as Lucien John)
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| David Gulpilil | ... |
Black Boy
(as David Gumpilil)
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| John Meillon | ... |
Father
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Robert McDarra | ... |
Man
(as Robert McDara)
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Peter Carver | ... |
No Hoper
(as Pete Carver)
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John Illingsworth | ... |
Husband
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Hilary Bamberger | ... |
Woman
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Barry Donnelly | ... |
Australian Scientist
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Noeline Brown | ... |
German Scientist
(as Noelene Brown)
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Carlo Manchini | ... |
Italian Scientist
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A privileged British family consisting of a mother, a geologist father and an adolescent daughter and son, live in Sydney, Australia. Out of circumstance, the siblings, not knowing exactly where they are, get stranded in the Outback by themselves while on a picnic. They only have with them the clothes on their backs - their school uniforms - some meagre rations of nonperishable food, a battery-powered transistor radio, the son's satchel primarily containing his toys, and a small piece of cloth they used as their picnic drop-cloth. While they walk through the Outback, sometimes looking as though near death, they come across an Australian boy who is on his walkabout, a rite of passage into manhood where he spends months on end on his own living off the land. Their largest problem is not being able to verbally communicate. The boy does help them to survive, but doesn't understand their need to return to civilization, which may or may not happen based on what the Australian boy ends up ... Written by Huggo
Goodness gracious it's amazing how many reviewers missed the most obvious aspect of the film. This tale is about innocence and it approaches that from many different angles. As for Roeg practicing camera tricks-maybe today these are tricks but at the time the style was a pioneering method of telling and showing psychological elements, wasted on todays audiences. Roeg presents innocence in juxtaposition with the hardness and neuroses of society, not as WHITEMAN BAD but as society, modern society makes us very neurotic by taking away our innocence. Roeg makes an brilliant point and stylizes a mostly nonverbal experience by letting us journey with children all on the cusp of some new stage of growth. This movie is a small masterpiece!!