7.7/10
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Walkabout (1971)

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Two young siblings are stranded in the Australian Outback and are forced to cope on their own. They meet an Australian boy on "walkabout": a ritual separation from his tribe.

Director:

Writers:

(screenplay), (novel)
Reviews
1 nomination. See more awards »

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Cast

Complete credited cast:
...
Girl
...
White Boy (as Lucien John)
...
Black Boy (as David Gumpilil)
...
Father
Robert McDarra ...
Man (as Robert McDara)
Peter Carver ...
No Hoper (as Pete Carver)
John Illingsworth ...
Husband
Hilary Bamberger ...
Woman
Barry Donnelly ...
Australian Scientist
Noeline Brown ...
German Scientist (as Noelene Brown)
Carlo Manchini ...
Italian Scientist
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Storyline

A privileged British family consisting of a mother, a geologist father and an adolescent daughter and son, live in Sydney, Australia. Out of circumstance, the siblings, not knowing exactly where they are, get stranded in the Outback by themselves while on a picnic. They only have with them the clothes on their backs - their school uniforms - some meagre rations of nonperishable food, a battery-powered transistor radio, the son's satchel primarily containing his toys, and a small piece of cloth they used as their picnic drop-cloth. While they walk through the Outback, sometimes looking as though near death, they come across an Australian boy who is on his walkabout, a rite of passage into manhood where he spends months on end on his own living off the land. Their largest problem is not being able to verbally communicate. The boy does help them to survive, but doesn't understand their need to return to civilization, which may or may not happen based on what the Australian boy ends up ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

Filmed in its entirety in the Australian wilderness See more »

Genres:

Adventure | Drama

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

| | |

Release Date:

1 July 1971 (USA)  »

Also Known As:

A Longa Caminhada  »

Box Office

Budget:

AUD 1,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (1997 reissue) | (original)

Sound Mix:

Color:

(Eastman Colour)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

The poetry quoted by the narrator at the end of the film is Part 40 of A.E. Housman's "A Shropshire Lad": Into my heart an air that kills From yon far country blows: What are those blue remembered hills, What spires, what farms are those? That is the land of lost content, I see it shining plain, The happy highways where I went And cannot come again. See more »

Goofs

Jenny's stockings variously disappear and reappear with no continuity. It seems earlier scenes with her wearing them are intermingled with later scenes where she doesn't wear them. See more »

Quotes

The Girl: Put your shirt on.
White Boy: He hasn't got his shirt on!
The Girl: He hasn't got a shirt.
White Boy: He can have mine.
The Girl: It wouldn't fit him.
See more »

Crazy Credits

Opening caption: In Australia, when an Aborigine man-child reaches sixteen, he is sent out into the land. For months he must live from it. Sleep on it. Eat of its fruit and flesh. Stay alive. Even if it means killing his fellow creatures. The Aborigines call it the WALKABOUT. This is the story of a "WALKABOUT". See more »

Connections

Referenced in Gulpilil: One Red Blood (2002) See more »

Soundtracks

Los Angeles
By Warren Marley
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User Reviews

 
Outstanding commentary on cultural clashes, though a bit puzzling at times.
1 May 1999 | by (Ukiah, California) – See all my reviews

A sometimes puzzling, sometimes enigmatic, but always interesting movie, although it is a bit easier to understand if you've read the novel on which it's based. Jenny Agutter is particularly good as the English girl who suddenly finds herself stranded in the desert with her younger brother, and was at just the right age--about 16--to play the part. David Gulpilil as the aborigine youth "gone walkabout" who rescues them is also excellent. The uncomfortable contrasts between European and aboriginal cultures are undeniably accurate, and the use of A. E. Housman's poem, "Into my heart an air that kills" adds additional poignancy to the already bittersweet ending.


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