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The Designated Victim (1971)
"La vittima designata" (original title)

 -  Thriller  -  22 April 1971 (Italy)
6.8
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Ratings: 6.8/10 from 305 users  
Reviews: 8 user | 16 critic

A wealthy, decadent count convinces a disillusioned playboy that they shall murder one another's relatives, to get away with the perfect crime. The count murders the playboy's unpleasant ... See full summary »

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Title: The Designated Victim (1971)

The Designated Victim (1971) on IMDb 6.8/10

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Cast

Cast overview:
...
Stefano Argenti
Pierre Clémenti ...
Count Matteo Tiepolo
Katia Christine ...
Fabienne Béranger
Luigi Casellato ...
Commissario Finzi
Marisa Bartoli ...
Luisa Argenti
Ottavio Alessi ...
Balsamo
Alessandra Cardini ...
Christina Müller (as Sandra Cardini)
Enzo Tarascio ...
Del Bosco
Carla Mancini
Bruno Boschetti ...
Servant in Argenti house
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Storyline

A wealthy, decadent count convinces a disillusioned playboy that they shall murder one another's relatives, to get away with the perfect crime. The count murders the playboy's unpleasant wife. Now the playboy finds he cannot keep his end of the bargain, while the police finger him for the murder. Written by Joe Arthur <tenebrae50@hotmail.com>

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Thriller

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22 April 1971 (Italy)  »

Also Known As:

The Designated Victim  »

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2.35 : 1
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Version of Strangers on a Train (1951) See more »

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User Reviews

 
A somewhat lacklustre affair I'm afraid
4 June 2012 | by (Edinburgh, Scotland, UK) – See all my reviews

This Italian re-working of Alfred Hitchcock's Strangers on a Train has Tomas Milian star as an immoral advertising executive who is frustrated with his wife's refusal to sell their business. Angry that he won't be cashing in any time soon, he goes on a trip to Venice where he has a chance meeting with a foppish aristocrat who looks like a cross between Russell Brand and Laurence Llewellyn-Bowen. The two of them make a pact where Brand-Llewellyn-Bowen will kill Milian's wife in return for the latter murdering the former's brother.

In its early stages The Designated Victim looks quite promising. The scenes in off-season Venice where Milian meets the Count and his mysterious lady friend are quite unusual and atmospheric. Unfortunately, the odd lady friend vanishes from the scene leaving Milian and the fop to lead the picture. You will sort of know roughly where the story is going if you are even vaguely familiar with the Hitchcock original. But it's not predictability that's the problem here; it's more the fact that there is a serious lack of suspense and thrills. The film drags for the most part and the dynamic between the two central characters isn't as interesting as it should be. I couldn't really wholeheartedly recommend this one. When you consider the other Italian thrillers on offer in the 70's, this one pales quite a bit by comparison.


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