A wealthy, decadent count convinces a disillusioned playboy that they shall murder one another's relatives, to get away with the perfect crime. The count murders the playboy's unpleasant ... See full summary »
Respectable lawyer Peter picks up Anna, an Italian woman of dubious virtue, from the club and takes her back to his Uncle's place. They soon discover they are not alone. A gunman Quill (Julian Mateos), is waiting for them.
A triangle of friendship, love, sex, and, perhaps, murder. Minou is newly married to Peter, a businessman in debt as he works to bring a new product to market. They met through Dominique, ... See full summary »
Pier Paolo Capponi,
A love triangle develops between three people who run a high tech chicken farm. It involves Anna (who owns the farm), her husband Marco (who kills prostitutes in his spare time) and ... See full summary »
A man is strangled by a female prostitute in his home at the same time as a woman is killed by a man with a spanner on an empty bus. In both cases the killer leaves an illustration from the... See full summary »
David Warbeck stars an instructor who marries a traumatized, crippled woman. The wife is tormented by a traumatic event that happended. What is even more unfortunate is that her marriage is... See full summary »
Alberto De Martino
A wealthy, decadent count convinces a disillusioned playboy that they shall murder one another's relatives, to get away with the perfect crime. The count murders the playboy's unpleasant wife. Now the playboy finds he cannot keep his end of the bargain, while the police finger him for the murder. Written by
Joe Arthur <firstname.lastname@example.org>
This Italian re-working of Alfred Hitchcock's Strangers on a Train has Tomas Milian star as an immoral advertising executive who is frustrated with his wife's refusal to sell their business. Angry that he won't be cashing in any time soon, he goes on a trip to Venice where he has a chance meeting with a foppish aristocrat who looks like a cross between Russell Brand and Laurence Llewellyn-Bowen. The two of them make a pact where Brand-Llewellyn-Bowen will kill Milian's wife in return for the latter murdering the former's brother.
In its early stages The Designated Victim looks quite promising. The scenes in off-season Venice where Milian meets the Count and his mysterious lady friend are quite unusual and atmospheric. Unfortunately, the odd lady friend vanishes from the scene leaving Milian and the fop to lead the picture. You will sort of know roughly where the story is going if you are even vaguely familiar with the Hitchcock original. But it's not predictability that's the problem here; it's more the fact that there is a serious lack of suspense and thrills. The film drags for the most part and the dynamic between the two central characters isn't as interesting as it should be. I couldn't really wholeheartedly recommend this one. When you consider the other Italian thrillers on offer in the 70's, this one pales quite a bit by comparison.
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