| Marie-Pierre Castel | ... | Marie | |
| Mireille Dargent | ... | Michelle | |
| Philippe Gasté | ... | Frédéric | |
| Dominique | |||
| Louise Dhour | ... | Louise | |
| Michel Delesalle | |||
| Antoine Mosin | |||
| Agnès Petit | |||
| Olivier François | |||
| Dominique Toussaint | ... | Erica | |
| Agnes Jacquet | |||
| Anne-Rose Kurra | |||
| Paul Bisciglia | ... | L'homme au vélo |
Directed by | |||
| Jean Rollin | |||
Writing credits(in alphabetical order) | ||
| Jean Rollin | writer | |
Produced by | |||
| Sam Selsky | .... | executive producer (as $am $elsky) | |
Original Music by | |||
| Pierre Raph | |||
Cinematography by | |||
| Renan Pollès | |||
Film Editing by | |||
| Michel Patient | |||
Makeup Department | |||
| Carol Fiedler | .... | makeup artist (as Carol Fidler) | |
Production Management | |||
| Lionel Wallmann | .... | general production manager (as Lionel Wallman) | |
Second Unit Director or Assistant Director | |||
| Jean-Noël Delamarre | .... | assistant director | |
| Jean-Marie Marguet | .... | assistant director | |
Sound Department | |||
| Patrick Dard | .... | sound | |
| Jack Jullian | .... | sound technician (as Jack Julian) | |
| Gérard Tilly | .... | sound technician | |
Other crew | |||
| Natalie Perrey | .... | script | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb France section |
Two lovely ladies are on the run (why? I'm not sure} and find shelter in a rather Gothic, sprawling castle in the French countryside. They soon run into the lord of the manor, an aged vampire looking to use their luscious, virgin (yeah, right!) bodies as vessels for his progeny. A lot of flesh, a bit of bondage and a touch of lesbianism punctuate another erotic horror masterpiece from French filmmaker Jean Rollin.
It's somewhat hard to recommend a Rollin film to the uninitiated. Often surreal but almost always beautiful, thanks in part to the lovely ladies frequently in the buff and the photography pf the locations. Rollin clearly has an eye for beauty. However the plots and story lines are often very slight. Heck there is hardly any dialogue in the first thirty to forty minutes of 'Requiem'. But man does he have an eye.