A girl and her art professor get trapped inside a castle-museum after it closes at night. After a little resistance she agrees to have sex with him, but then she sues the professor for rape... See full summary »
Robert Colomb, a famous TV newscaster, is married to Catherine, but is continually unfaithful. He is about to replace his current mistress, Mireille, with Jacqueline when he meets, and ... See full summary »
In the countryside near Normandy's beaches lives Marie, unhappy. It's 1945, she's married to Jérôme, a somewhat fussy milquetoast, diffident to the war around him and unwilling to move his ... See full summary »
Elizabeth sends telegrams to her old boyfriend Ben in NYC and to her younger sister Leo in Rome to join her in Paris, where she is selling her dead father's estate. When Ben and Leo arrive, a mysterious adventure begins.
1938, in a French african colony. Lucien Cordier is the cop of this village, populated with blacks and a few whites (usually racialist and lustful). He is a washout, everyone (including his... See full summary »
In Montauban in 1944, Julien Dandieu in a surgeon in the local hospital. Frightened by the German army entering Montauban, he asks his friend Francois to drive his wife and his daughter in ... See full summary »
This is a story about "fitting in" where you (and everyone else for that matter) are the odd man.
"La Vieille Fille" is a chronological jig-saw puzzle. You get all the pieces in their proper order but as they are all laying "face down" you never know what the next piece will be until it's turned over and inserted into its' place. That's the way the story plays out.
Each scene is more like a series of still-photographs rather than a motion picture. Dialog is sparse. Actually, "dialog" is a bad choice of expression, as most scenes consist of a monologue. It must have been a very difficult film to direct. But as daunting a task in creating this film, as it must have been - it has succeeded! The short scenes and long, silent spaces give the male thinker time to identify himself. The mood is tangible.
Philippe Noiret has been around for a long time and he's always a welcomed contributor to any film. He does very well in "La Vieille Fille". If you choose to see this film your eye will be upon him the whole length of it and once you get settled into the story you'll begin to think it is you (yourself) prodding along, scene after scene - not Noiret right to the final, parting shot.
WARNING: "Matrix" and "Die Hard" fans - look elsewhere. You'll find no exploding automobiles and ticking bombs here and you'll end up slitting your wrists or stringing yourself up before the film is half-way through.
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