| Alain Delon | ... | Jean Lavigne | |
| Simone Signoret | ... | Veuve Couderc Tati | |
| Ottavia Piccolo | ... | Félicie | |
| Jean Tissier | ... | Henri | |
| Monique Chaumette | ... | Françoise | |
| Boby Lapointe | ... | Désiré | |
| Jean-Pierre Castaldi | |||
| Pierre Collet | ... | Le commissaire Mallet | |
| Robert Favart | |||
| André Rouyer | ... | Policeman | |
| François Valorbe | ... | Le colonel croix-de-feu |
Directed by | |||
| Pierre Granier-Deferre | |||
Writing credits | ||
| Georges Simenon | (novel "La veuve Couderc") | |
| Pierre Granier-Deferre | adaptation and | |
| Pascal Jardin | adaptation & dialogue | |
Produced by | |||
| Raymond Danon | .... | producer | |
| Maurice Jacquin | .... | associate producer | |
Original Music by | |||
| Philippe Sarde | |||
Cinematography by | |||
| Walter Wottitz | |||
Film Editing by | |||
| Jean Ravel | |||
Production Design by | |||
| Jacques Saulnier | |||
Set Decoration by | |||
| Charles Merangel | |||
Costume Design by | |||
| Jacques Cottin | (uncredited) | ||
Makeup Department | |||
| Maud Begon | .... | makeup artist | |
| Michel Deruelle | .... | makeup artist | |
| Jacqueline Juillard | .... | hair stylist | |
Production Management | |||
| Ralph Baum | .... | production manager | |
| Alain Belmondo | .... | unit manager | |
| Lionel de Sousa | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Jean-François Delon | .... | assistant director | |
| Philippe Lefebvre | .... | assistant director | |
Art Department | |||
| Robert André | .... | assistant art director | |
| Georges Glon | .... | assistant art director | |
| Charles Merangel | .... | set dresser | |
Sound Department | |||
| Yves Marie Dacquay | .... | assistant sound | |
| Jean Labussière | .... | sound engineer | |
| Alex Pront | .... | sound mixer: S.I.S. - Le Garenne | |
| Jean Rieul | .... | sound mixer: S.I.S. - Le Garenne | |
Camera and Electrical Department | |||
| Philippe Brun | .... | camera operator | |
| Valery Ivanow | .... | assistant camera (as Valéry Ivanow) | |
| Yves Pouffary | .... | assistant camera | |
| Victor Rodrigue | .... | still photographer | |
Editorial Department | |||
| Michèle Robert-Lauliac | .... | assistant editor (as Michèle Robert) | |
Music Department | |||
| Jean-Michel Defaye | .... | orchestrator | |
| William Flageollet | .... | music engineer | |
Other crew | |||
| Nicole Cateux | .... | administrator | |
| Odette Darrigol | .... | production secretary | |
| Mauricette Laglasse | .... | administrator | |
| Hélène Sébillotte | .... | script supervisor | |
| Henri Vergnes | .... | location manager | |
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| Lady Chatterley | Strayed | Spider-Man 3 | My Mother's Castle | The Passenger |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Italy section |
At the time ,French cinema was updating the rural thriller ,a genre which had begun in the late thirties/forties with such works as "Goupi Mains Rouges" "l'Assassinat du Père Noël" or "la Ferme aux Loups".The early seventies began with Granier-Deferre's "La Horse " (Gabin) and continued with another Granier-Deferre (this one) as well as with "L'Affaire Dominici" (Gabin) and "Les GRanges Brulées" (Signoret and Delon teaming up again).
These movies from the seventies were more realistic ,more "precise in their depictions of rural life than those released earlier."La Veuve Couderc",like one of his precedent movies ("Le Chat" also feat Signoret) was first a novel by Georges Simenon.In France ,people were amazed to see Delon playing opposite Signoret ,but most of the actresses Delon played with in the seventies ,with the exception of Romy Schneider or Jeanne Moreau,were starlets.There was really a special chemistry between them which was not as effective in their later effort "les Granges Brûlées" .Both are well cast,Signoret as a strong middle -age peasant woman and Delon as the fugitive .
Granier-Deferre helped pave a way to a new "Cinema de Qualité" which made us forget the pretensions of the new wavelet.