Sleepy-eyed nice guy Lee Ritter and his vapid, but pretty wife, Susan accept the invitation of mysterious vixen Diane LeFanu to visit her in her secluded desert estate. Tensions arise when ... See full summary »
A man suffers from the curse of lyncanthropy and seeks out the aid of a German doctor and his wife who are experts in the occult. Unknowingly, the cursed man has summoned two vampires ... See full summary »
Enrique López Eguiluz
The ageing Countess discovers that the blood of a maid can temporarily restore her youth and great beauty. She falls in love with a dashing young soldier but is compelled to kill again and ... See full summary »
Tara B. True is a flight attendant who makes a weekly swing through New York, Miami, and Los Angeles. In each city, she has a man: Edward, older and wealthy; Johnny, a beach bum with ... See full summary »
A young woman weds a seemingly charming young man, and moves into his ancient mansion. She quickly learns to hate the old mansion and its inhabitants, while she gets frustrated with her ... See full summary »
A woman is tormented by dreams that she is the reincarnation of a dead countess. Her father, trying to get her to stop the dreams, takes her to a village near the castle of the late ... See full summary »
Sleepy-eyed nice guy Lee Ritter and his vapid, but pretty wife, Susan accept the invitation of mysterious vixen Diane LeFanu to visit her in her secluded desert estate. Tensions arise when the couple, unaware at first that Diane is in reality a centuries-old vampire, realize that they are both objects of the pale temptress' seductions. Written by
Doug Sederberg <firstname.lastname@example.org>
Female Vampire Stalks Her Next Victims. Shivery, stylish trash,
With the Womens Lib movement in full dudgeon in the early 1970s, a few horror movies reflected this revolutionary turn-of-events with varying degrees of success. By far the best was the ravishing Dutch thriller "Daughters of Darkness," with Delphine Seyrig's hypnotic portrayal of a bisexual, blood-thirsty modern-day vampire. But the little-known American trailblazer, Stephanie Rothman's "The Velvet Vampire," should not be overlooked. "B" actress Celeste Yarnall acquits herself beautifully as an enigmatic young temptress who lures a pair of blond, beautiful newlyweds (Michael Blodgett, from the unforgettable "Beyond the Valley of the Dolls"; and Sherry Miles, an embarrassing actress but a certifiable voluptuary) to her isolated abode in the Mojave desert, where she plans to have her way with them. Or does she? "The Velvet Vampire" runs hot and cold--at once a camp hoot, then suddenly a disturbingly erotic example of a perhaps dubious genre. But it casts a unique spell of its own, thanks to Ms. Rothman's artfully detached direction, and the audacious performances of the three leads. Truely "a guilty pleasure" for fans of it's (perhaps) dubious genre, and a haunting oddity worth checking out.
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