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Vanishing Point (1971)

7.2
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Ratings: 7.2/10 from 15,347 users  
Reviews: 142 user | 73 critic

Kowalski works for a car delivery service. He takes delivery of a 1970 Dodge Challenger to take from Colorado to San Francisco, California. Shortly after pickup, he takes a bet to get the ... See full summary »

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(screenplay), (from a story outline by), 1 more credit »
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Title: Vanishing Point (1971)

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Cast

Cast overview, first billed only:
...
...
...
Victoria Medlin ...
Vera
...
Young Cop
...
Older Cop (as Bob Donner)
Timothy Scott ...
Gilda Texter ...
Nude Rider
Anthony James ...
First Male Hitchhiker
...
Second Male Hitchhiker
...
Clerk at Delivery Agency
Severn Darden ...
J. Hovah
Delaney & Bonnie & Friends ...
J. Hovah's Singers
...
Jake
Cherie Foster ...
First Girl
Edit

Storyline

Kowalski works for a car delivery service. He takes delivery of a 1970 Dodge Challenger to take from Colorado to San Francisco, California. Shortly after pickup, he takes a bet to get the car there in less than 15 hours. After a few run-ins with motorcycle cops and highway patrol they start a chase to bring him into custody. Along the way, Kowalski is guided by Supersoul - a blind DJ with a police radio scanner. Throw in lots of chase scenes, gay hitchhikers, a naked woman riding a motorbike, lots of Mopar and you've got a great cult hit from the early 70's. Written by Matthew

Plot Summary | Plot Synopsis

Taglines:

Watch carefully because everything happens fast. The chase. The desert. The shack. The girl. The roadblock. The end. See more »

Genres:

Action | Thriller

Motion Picture Rating (MPAA)

Rated R for sensuality/nudity and drug content | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

Release Date:

13 March 1971 (USA)  »

Also Known As:

Carrera contra el destino  »

Filming Locations:

 »

Box Office

Gross:

SEK 880,385 (Sweden)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

There were actually four 440 Challenger R/Ts and one 383 Challenger R/T, which was an automatic with green interior. This one was used for some exterior shots and it pulled the 1967 Camaro up to speed so the Camaro could hit the bulldozers. As confirmed by property master Dennis J. Parrish, all of the cars were NOT originally white. They were just painted white for the film. During the scene where Kowalski has a flat tire, you can see green paint in the dents. See more »

Goofs

The blind character Super Soul wears a regular wrist watch. See more »

Quotes

Sandy: Kowalski, and the keys for a sawed-off weekend. Well you're both welcome.
See more »

Crazy Credits

The Fox logo is shown without the fanfare making it one of the first times this has happened. See more »

Connections

Featured in The Celluloid Closet (1995) See more »

Soundtracks

"Welcome To Nevada"
Composed by Don Lanier & Joe Bob Barnhill
Played by Jerry Reed
(Courtesy of R.C.A. Victor Records)
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

The road can work on your mind.
8 July 1999 | by (United States) – See all my reviews



Kowalski transports cars across the western US in 1970. He gets a gig transporting a 1970 Dodge Challenger R/T from Denver to San Francisco and sets out at maximum warp, stopping only for gas and strategy. He commits no crime outside of speeding, and fleeing the cops who are trying to stop him simply because he will not stop. He finds allies along the way, including an old prospector, a DJ named Super Soul, and a hippie who seems to me to be an alternate ending to the life of Peter Fonda's character Wyatt in "Easy Rider". He drives and drives and drives until he meets his destiny in a tiny town on the California-Nevada border at 10:04 AM on some unnamed Sunday.

Why? Is it because of his past; ex-cop, ex-racer, tragically bereaved? Is it because of the truckload of speed he takes at the beginning of the movie (draw your own metaphors between Kowalski's internal use of the noun and external use of the verb)?

Or is it the road, the infinite expanses of the Southwest, the silence, the freedom, the sound of the motor surging, the tires spinning, the wheels gobbling up and sitting out the black asphalt? Who knows? Kowalski seems indifferent as to why he drives, only that he must drive, must evade, must get to where he is going and will not - can not - be stopped.

Do yourself a favor. Rent the original, don't see the '97 made for TV movie (it has some high points, but it's like watching the '99 "Psycho" before seeing the Alfred Hitchcock original). In fact, rent this and "Two Lane Blacktop" from Monte Hellman, and "Mad Max" and/or "The Road Warrior". Watch all of them in as close to one sitting as you can get.

If after watching these movies, you don't understand how they're expressions of the same call to the open road, return them and give up. Not everyone was meant to hear it, just like not everyone has perfect pitch or the ability to wiggle their ears.

This movie drove me (pun intended) to take the handle kowalski and buy a Challenger of my own (flame red, 1973, you see the 1970 R/Ts are very hard to get).

It probably won't do the same for you, but if you've ever been driving down the open road and wondered what would happen if you _didn't_ get off at the next exchange, in fact if you never got off at all, then this film is for you.

And I hope the next ignoramus who compares this masterful film to "The Dukes of Hazzard" loses his brakes and plows into a line of parked Harleys outside some bar with a name like Whiskey Junction or the Dew Drop Inn.


104 of 117 people found this review helpful.  Was this review helpful to you?

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