When his wife goes into a troubled labor while he is on the road over 1200 miles away James Kowalski, an ex race car driver and a former Army Ranger, attempts to elude police while trying ... See full summary »
Charles Robert Carner
Insurance investigator Maindrian Pace and his team lead double-lives as unstoppable car thieves. When a South American drug lord pays Pace to steal 48 cars for him, all but one, a 1973 Ford... See full summary »
Larry Rayder is an aspiring NASCAR driver, Deke Sommers is mechanic. As they feel they collectively are the best, the only thing that is holding them back is money to build the best vehicle... See full summary »
"The Driver" is a specialist in a rare business: he drives getaway cars in robberies. His exceptional talent prevented him from being caught yet. After another successful flight from the ... See full summary »
The story of two very different men, a horrific car accident, and a crime committed deep in the woods. Various facts and stories are cautiously presented, but the pieces of the puzzle don't fall into place straight away.
Kowalski works for a car delivery service. He takes delivery of a 1970 Dodge Challenger to take from Colorado to San Francisco, California. Shortly after pickup, he takes a bet to get the car there in less than 15 hours. After a few run-ins with motorcycle cops and highway patrol they start a chase to bring him into custody. Along the way, Kowalski is guided by Supersoul - a blind DJ with a police radio scanner. Throw in lots of chase scenes, gay hitchhikers, a naked woman riding a motorbike, lots of Mopar and you've got a great cult hit from the early 70's. Written by
According to Sarafian on the commentary, he made the film on a budget of 1.3 million. Sarafian also admitted that he had surpassed the allotted budget by $80k due to executive producer Richard Zanuck taking a liking to the film. Zanuck then hired eight different teams of Dolby artists to bring a visceral aesthetic to the Challenger. In the end, Sarafian lost 2.5 points which he joked were "Vanishing Points!" See more »
There are 2 scenes in the early part of the movie where a person can be seen in the passenger seat and one with a guy in a yellow shirt in the back seat. See more »
This radio station was named Kowalski, in honour of the last American hero to whom speed means freedom of the soul. The question is not when's he gonna stop, but who is gonna stop him.
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The Fox logo is shown without the fanfare making it one of the first times this has happened. See more »
This is the essential 1970s anti-hero movie. It is not supposed to make sense and I have often wondered if it were not meant to be someone's psychedelic dream. Nudity when nudity would not seem to fit; bad cops; beaten people out of sync with plot line. Sounds like a trip. The cast is excellent and this is one of Cleavon Little's last main roles as well as the last main role for the early love interest. John Amos is so underplayed he is almost unrecognizable, I'd love to see his commentary on the movie. And one guy is so ripping off James Dean (though as a racist) that it is unintentionally funny. I'd recommend it as an addition to any American tape library. A true cult classic.
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