Kowalski works for a car delivery service. He takes delivery of a 1970 Dodge Challenger to take from Colorado to San Francisco, California. Shortly after pickup, he takes a bet to get the ... See full summary »
Insurance investigator Maindrian Pace and his team lead double-lives as unstoppable car thieves. When a South American drug lord pays Pace to steal 48 cars for him, all but one, a 1973 Ford... See full summary »
The story of two men on different sides of a prison riot -- the inmate leading the rebellion and the young guard trapped in the revolt, who poses as a prisoner in a desperate attempt to survive the ordeal.
The youngest son of an alcoholic former boxer returns home, where he's trained by his father for competition in a mixed martial arts tournament - a path that puts the fighter on a collision corner with his older brother.
In the depression, Chaney, a strong silent streetfighter, joins with Speed, a promoter of no-holds-barred street boxing bouts. They go to New Orleans where Speed borrows money to set up ... See full summary »
In the second film of the Lone Wolf and Cub series, Ogami Itto battles a group of female ninja in the employ of the Yagyu clan and must assassinate a traitor who plans to sell his clan's ... See full summary »
Kowalski works for a car delivery service. He takes delivery of a 1970 Dodge Challenger to take from Colorado to San Francisco, California. Shortly after pickup, he takes a bet to get the car there in less than 15 hours. After a few run-ins with motorcycle cops and highway patrol they start a chase to bring him into custody. Along the way, Kowalski is guided by Supersoul - a blind DJ with a police radio scanner. Throw in lots of chase scenes, gay hitchhikers, a naked woman riding a motorbike, lots of Mopar and you've got a great cult hit from the early 70's. Written by
According to Sarafian on the commentary, he made the film on a budget of 1.3 million. Sarafian also admitted that he had surpassed the allotted budget by $80k due to execute producer Richard Zanuck taking a like for the film. Zanuck then hired eight different teams of Dolby artists to bring a visceral aesthetic to the Challenger. In the end, Sarafian lost 2.5 points which he joked were "Vanishing Points!" See more »
When naked girl motorcycle rider is talking to Kowalski near passenger side of car, her arms are at her side and she is a step back from the car. In the next shot, she is leaning against the car with her arms on the roof. See more »
And there goes the Challenger, being chased by the blue, blue meanies on wheels. The vicious traffic squad cars are after our lone driver, the last American hero, the electric centaur, the, the demi-god, the super driver of the golden west! Two nasty Nazi cars are close behind the beautiful lone driver. The police numbers are gettin' closer, closer, closer to our soul hero, in his soul mobile, yeah baby! They about to strike. They gonna get him. Smash him. Rape... the last beautiful free soul ...
See more »
The Fox logo is shown without the fanfare making it one of the first times this has happened. See more »
One thing I realised about carfilms, or whatever you might call them, is that a certain degree of monotony is always required (check out the wonderful Two Lane Blacktop too see what I mean). If you waste too much time with backgrounds, character development, story etc the really important stuff starts lacking (the car as an instrument of freedom, the road, the desert...). In this way Vanishing Point is the perfect carmovie: it's about the most monotonous, yet beautiful things i've ever seen! It's about:
1. The car
2. The road
3. The desert
4. The music
And nothing else! Some vague attempts are made to make a character out of Kowalski, but fortunely they're small in numbers. The car is the true main character of the film.
I recommend this film with all my heart.
81 of 110 people found this review helpful.
Was this review helpful to you?