Kowalski works for a car delivery service. He takes delivery of a 1970 Dodge Challenger to take from Colorado to San Francisco, California. Shortly after pickup, he takes a bet to get the ... See full summary »
Insurance investigator Maindrian Pace and his team lead double-lives as unstoppable car thieves. When a South American drug lord pays Pace to steal 48 cars for him, all but one, a 1973 Ford... See full summary »
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"The Driver" is a specialist in a rare business: he drives getaway cars in robberies. His exceptional talent prevented him from being caught yet. After another successful flight from the ... See full summary »
It takes a while before image catches up with sound, and right then the view from the compartment of a Japanese express train quickly multiples in numerous layers until an impenetrable maze... See full summary »
Kowalski works for a car delivery service. He takes delivery of a 1970 Dodge Challenger to take from Colorado to San Francisco, California. Shortly after pickup, he takes a bet to get the car there in less than 15 hours. After a few run-ins with motorcycle cops and highway patrol they start a chase to bring him into custody. Along the way, Kowalski is guided by Supersoul - a blind DJ with a police radio scanner. Throw in lots of chase scenes, gay hitchhikers, a naked woman riding a motorbike, lots of Mopar and you've got a great cult hit from the early 70's. Written by
It is stated in trivia above that "Jim" is the character's first name because "Jake" his drug dealer calls him "Jim". This is incorrect. African-Americans often called white males "Jim" during the 1970's. In the 1978 film "Superman" in the scene where Kent changes to Superman, the African-American pimp says,"Say, Jim, whoo!" See more »
There are 2 scenes in the early part of the movie where a person can be seen in the passenger seat and one with a guy in a yellow shirt in the back seat. See more »
[after listening to Super Soul's broadcast]
Did you hear that?
Where the hell he get so much information?
Same place as you do, Charley.
You mean from our own frequency?
How long's he been at it?
Year 'n a half, maybe two.
Hell, that's against the law!
So's carryin' a transistor on duty.
[...] See more »
The Fox logo is shown without the fanfare making it one of the first times this has happened. See more »
Seeing it again is a real lesson on how certain cinematic language, if presented purely, transcends. And for a US-made movie, it is pretty pure.
If you do not know it, the primary narrative is essentially no narrative: a muscle car speeding across the desert chased by police, initially for speeding and ultimately just to exert power. This fellow is Kowalski, a name imported from a landmark film. He simply drives. It is his life now. We see flashbacks. Find he was a Medal of Honor winner in Vietnam, a star racer and then a cop. There's a backstory about his being a good cop and turning in some rotten apples, so by degrees we come to understand the moral landscape.
There is only one other character, a blind black disk jockey who is listened to by apparently everyone. Guided by his eavesdropping on police radio, and some psychic ability.
This was after "Easy Rider" and instead of bold men moving into a life, we have life chasing an honest man. Same ethic, could even have been the same man. But he knows himself. He knows he is a cinematic creature, someone to be observed and dreamed about. He knows he carries his world with him. Always borrowed.
You can see Malick here, the notion that the character sees us seeing him, that he knows he is fictional and knows we think him not. You can trace it to the female version in "Thelma and Louise," where they have their end only because they know someone will watch. Its not like "Cool Hand Luke," or "Bonnie and Clyde" at all where the man decides. That comes from the Hollywood western.
Its derived from the "Breathless" tradition.
A good third of this film is spent on the "audience," the rural townspeople. These parts are filmed in a documentary style, with it seems real people who have come to watch the filming, having heard on the radio from a borrowed soul. They look dumb and bored, clearly with nothing better to do than watch, just like us.
Ted's Evaluation -- 3 of 3: Worth watching.
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