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IMDb > Das Unheil (1972)

Das Unheil (1972) More at IMDbPro »


Overview

User Rating:
7.6/10   13 votes
MOVIEmeter: ?
Up 9% in popularity this week. See rank & trends on IMDbPro.
Director:
Peter Fleischmann
Writers:
Peter Fleischmann (writer)
Martin Walser (screenplay)
Contact:
View company contact information for Havoc on IMDbPro.
Release Date:
23 March 1972 (West Germany) more
Genre:
Thriller
Awards:
1 nomination more
User Comments:
Unnervingly artistic more

Cast

  (Cast overview, first billed only)
Vitus Zeplichal ... Hille
Reinhard Kolldehoff ... Pfarrer
Silke Kulik ... Dimuth
Helga Riedel-Hassenstein ... Mutter
Ingmar Zeisberg ... Sibylle
Werner Hess ... Dr. Raucheisen
Christoph Geraths ... Drogist
Ulrich Greiwe ... Student
Frédérique Jeantet ... Roswitha
Gabi Will ... Gabi
Eugen Pletsch ... Schüler
Kurt Wörtz ... Schüler
Bernhard Kimmel ... Deserteur
Ludwig Beyer ... Alter Waldhornspieler
Rex Aquam Aquarillo ... Rentner
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Additional Details

Also Known As:
Havoc (USA)
Les cloches de Silésie (France)
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Runtime:
Germany:106 min
Language:
German
Color:
Color (Eastmancolor)
Aspect Ratio:
1.66 : 1 more
Sound Mix:
Mono
Certification:
West Germany:12 | West Germany:12 (bw)
Filming Locations:
Wetzlar, Hessen, Germany

FAQ

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0 out of 1 people found the following comment useful:-
Unnervingly artistic, 3 August 2004
Author: Chip_douglas from Rijswijk (ZH), The Netherlands

A local priest is organizing the return to town of the original church bells sold off during the war. The preparations call for both a rock- and a brass band, a mens choir and little children dressed up as bells to visit him at home. Meanwhile is son Hille is trying to study for his exams. Also causing a lot of distractions is elder sister Sibylle (the redheaded sheep of the family), leading to many confusing flashbacks involving their ill tempered father. On top of this the whole town seems to be going crazy: striking garbage men spoil an adulterous woman's fun, while nearly all the animals at the local pet shop die over night. Does it have something to do with the water or are the nearby factories to blame?

Shot documentary style with incredibly long and elaborate shots that would make even Brian De Palma jealous, we are constantly looking over peoples shoulders or even at their backs. Most scenes feature disconnected background noises like workmen in the street, alarms going off or church bells ringing (especially when our whiny narrator Hille interacts with girls – talk about being obvious). It succeeds in giving the viewer a feeling of unease (the titular Unheil) and makes us expect something awful to happen at any moment. But the uneventful finale serves up more questions than answers. For aspiring steady camera operators and analyzing art house lovers only.

4 our of 10 (for the camera work)

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