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Un Flic (1972)

Un flic (original title)
PG | | Crime, Thriller | 1975 (USA)
Bank robbery in small town ends with one of the robbers being wounded. The loot from the robbery is just an asset for the even more spectacular heist. Simon, gang leader and Paris night ... See full summary »

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Cast

Cast overview, first billed only:
...
...
...
...
Paul Weber
...
Louis Costa
...
Morand
Simone Valère ...
Paul's wife
André Pousse ...
Marc Albouis
...
Distinguished gentleman who was robbed a statue
Valérie Wilson ...
Henri Marteau ...
Police officer instructor of shooting
Catherine Rethi
Louis Grandidier
Philippe Gasté ...
Un policier
Dominique Zentar
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Storyline

Bank robbery in small town ends with one of the robbers being wounded. The loot from the robbery is just an asset for the even more spectacular heist. Simon, gang leader and Paris night club owner, must also deal with police comissaire Edouard Colemane, who happens to be his good friend. Written by Dragan Antulov <dragan.antulov@altbbs.fido.hr>

Plot Summary | Add Synopsis

Genres:

Crime | Thriller

Certificate:

PG | See all certifications »
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Details

Country:

|

Language:

Release Date:

1975 (USA)  »

Also Known As:

Dirty Money  »

Box Office

Opening Weekend:

$10,341 (USA) (19 April 2013)

Gross:

$48,040 (USA) (16 August 2013)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.66 : 1
See  »
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Did You Know?

Trivia

The opening shot closely resembles Hokusai's famous woodcut "The Wave". See more »

Quotes

Commissaire Edouard Coleman: People will do the wrong thing, they always do.
See more »

Connections

Referenced in Le petit lieutenant (2005) See more »

Soundtracks

L'ambiguïté et la Dérision
Music by Michel Colombier
See more »

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User Reviews

 
very stylish
15 December 2005 | by (Tijuana, Baja California, Mexico) – See all my reviews

What takes place occurs in a determined and efficient manner, and things don't always go according to plan, but the participants resolutely carry out their assignments. The opening bank robbery is a prime example: a taciturn group of five men led by Richard Crenna rob a seaside bank on a very windy and rainy day. They're all business, from the drive up the street, to each member leaving the car at timed intervals, into the rain and wind, and walking into the bank. When the job starts to go bad, they finish as best they can and drive off into the storm. Later, Crenna is lowered from a helicopter onto a moving train in the middle of the night in order to rob a bag man of the drugs he's carrying. No one says a word, it's all action. It may be laughably fake looking, but it's done very seriously, even when Crenna combs his hair not out of vanity but in order to look less suspicious. This is the mood Melville perfected and Walter Hill recreated so well in The Driver. It's very stripped down, deliberate, and spontaneous. The actors don't say too much, the violence is extremely matter of fact, and everyone goes off into the sunset in their own existential worlds if they don't die first. Which isn't to say that there isn't a story here, there is, one concerning Crenna and cop Alain Delon, and Catherine Denueve, and enough character development to flesh out Crenna's associates quite well, each of them, while also providing for a great dancing scene in Crenna's night club, his strained friendship with Delon, Delon's almost fatalistic approach to policing, all done without the benefit of many words, just a director with a certain style and aesthetic, a very good camera man, and a nice soundtrack.


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