Bank robbery in small town ends with one of the robbers being wounded. The loot from the robbery is just a asset for the even more spectacular heist. Simon, gang leader and Paris night club... See full summary »
Corey is a cool, aristocratic thief, released from prison on the same day that Vogel, a murderer, escapes from the custody of the patient Mattei, a cat-loving police superintendent. Corey ... See full summary »
A hit-man, with a fetish for sniffing boiling rice, fumbles his latest job, putting him into conflict with his treacherous wife, with a mysterious woman eager for death and with the phantom-like hit-man known only as Number One.
Using unprecedented degrees of violence, young Joey Tai becomes the head of Chinese mafia in New York and undisputed leader of the Chinese community. Stanley White, the most decorated cop ... See full summary »
The melancholy, homely Kamimura is a hit man who takes a job to kill a mob boss who's gotten greedy. The rival gang lord who hires Kamimura and his driver Shun pays them and sets them up in... See full summary »
Nicole is a Parisian streetwalker and Dede is her racketeer boyfriend, on the outs with his mob bosses because of a dispute over Nicole. When a police informant ("balance") is murdered, the... See full summary »
Favraux, an unscrupulous banker, receives a threatening note, signed by "Judex", demanding that he pay back the people he has swindled. He refuses, and apparently dies after a midnight ... See full summary »
Super Fly is a cocaine dealer who begins to realize that his life will soon end with either prison or his death. He decides to build an escape from the life by making his biggest deal yet, ... See full summary »
When an ambulatory TV news unit live broadcasts the embarrassing defeat of a police battalion by five bank robbers in a ballistic showdown, the credibility of the police force drops to a ... See full summary »
Bank robbery in small town ends with one of the robbers being wounded. The loot from the robbery is just a asset for the even more spectacular heist. Simon, gang leader and Paris night club owner, must also deal with police comissaire Edouard Colemane, who happens to be his good friend. Written by
Dragan Antulov <email@example.com>
While Alain Delon's character, Commissaire Coleman, examines a crime scene, we see a brief shot of a wall on which are inscribed several names including the one of his character in one of his previous collaborations with Jean-Pierre Melville: Jef Costello, the "hero" of Le Samouraï (1967). See more »
Films are often discussed in terms of genre. Most people view genre films as something that relates to Hollywood. Musical, Film Noir, Western... European cinema at the same time is often remembered as the cinema of the artist where each film is a one off event where the "message" transmitted dictates the visual form rather than its production as a generic film.
Nowadays the concensus is that the best of the Hollywoods generic films, such as Singin' in the Rain, The Big Sleep or The Searchers, stand comparison to the canon European filmmaking. However little attention has been given to generic films made in Europe.
If we leave aside national cinemas and genres and turn our attention to "Hollywood" genres in europe we find a couple of overlooked geniuses of cinema like Jacques Demy, Sergio Leone and the director of Un Flic: Jean- Pierre Melville.
They made generic films with a European twist: they borrowed from their more recognised colleagues the practice of only showing the essential. They learned their genres so well they were able to see what was essential. However where Godard or Bresson tried to understand what makes film a film and to make viewers aware of them watching a film Melville and Demy aimed at finding out why on earth Hollywood genre films can be so entertaining.
It is so difficult to understand why the French critics spend years of examining Hitchcock and legitimising our pleasure of watching genre films but totally neglect Melville and Demy.
As far as Un Flic goes, it is just a great film. I dare anyone who likes film noir to watch the opening bank robbery scene in the deserted Riviera holiday town in the middle of winter with the robbers' black buick sedan gliding on the rainy boulevard and not feel compelled to see the rest. Pretty much the same goes with the rest of his mature output, too.
Do yourself a favour and see this. And the Umbrellas of Cherbourg, too. (that's by Demy)
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