IMDb > L'udienza (1971)

L'udienza (1971) More at IMDbPro »


Overview

User Rating:
6.6/10   138 votes
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Up 14% in popularity this week. See why on IMDbPro.
Director:
Writers:
Marco Ferreri (story) &
Rafael Azcona (story) ...
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Contact:
View company contact information for L'udienza on IMDbPro.
Release Date:
12 January 1973 (France) more
Genre:
Awards:
1 win & 1 nomination more
User Reviews:
A quite serious and enigmatic Ferreri film, before his post-Grande Bouffe period. more (1 total)

Cast

  (Cast overview, first billed only)
Enzo Jannacci ... Amedeo

Claudia Cardinale ... Aiche
Ugo Tognazzi ... Aureliano Diaz
Michel Piccoli ... Padre Amerin
Vittorio Gassman ... Principe Donati
Alain Cuny ... Padre gesuita
Daniele Dublino ... Il cardinale spagnolo
Sigelfrido Rossi
Irena Oberberg ... Luisa (as Irene Oberberg)
Maalerer Bergier ... Cardinale tedesco (as Man Lerer Bergier)
Dante Cleri
Luigi Scavran
Giuseppe Ravenna ... Segretaria
Mario Jannilli ... Una guardia svizzera
Enzo Mondino
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Additional Details

Also Known As:
L'audience (France)
Papal Audience
The Audience
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Runtime:
Brazil:111 min | Argentina:116 min | Italy:112 min
Country:
Language:
Color:
Color (Eastmancolor)
Sound Mix:
Certification:

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7 out of 8 people found the following review useful.
A quite serious and enigmatic Ferreri film, before his post-Grande Bouffe period., 6 June 2006
7/10
Author: miljenko-skoknic from United States

This film somehow mixes the red tape nightmares depicted by Kafka with the Catholic church's man made organization and hierarchy in today's corporate world, making vis a vis contact with authorities impossible. Apart from the intrigue, this film has Ferreri directing his most dramatic film since "El Cochecito" (Spain, 1960), where his ability to create emotional conflict intermingles with his more satiric and absurdity touch, A facet that's is very interesting to explore, given that his output post-Grade Bouffe is his body of work that most Ferrei enthusiasts are familiar with. I would argue that this film, along with "Chiedo Asilo" (Italy, 1979) are films that explore Utopian gestures borne of the everyday Utopian man, as it faces the brick wall of bureaucracy and normality and convention. Walking the fine line cinema as "theater of the absurd" of the path explored by Buñuel, Raul Ruiz, Arrabal, Jodorowsky and many others, Ferreri champions (the dadaist-inspired) path less traveled in cinema.

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