A pair of working class lovers - a secretary and an accountant, scheme to marry into the rich landed gentry. Their targets are a professor, Vittorio Gordini Malvezzi ,(Glauco Mauri), who is... See full summary »
Rodolfo and Petrita each live in separate quarters in dilapidated Madrid, while looking to have a little apartment (or "pisito", in Spanish dialect). Unfortunately their low salaries ... See full summary »
Isidoro M. Ferry
José Luis López Vázquez,
Concha López Silva
Tina is on trial for the murder of her lover, Gino. The violent nature of their relationship, revealed in the trial, seems to make obvious that she accidentally killed him during a fight. ... See full summary »
This documentary celebrates the 100th anniversary of the cinema birth. It is an historic running through the technical and artistic evolution of the 7th art. We move from mute to sound, ... See full summary »
A quite serious and enigmatic Ferreri film, before his post-Grande Bouffe period.
This film somehow mixes the red tape nightmares depicted by Kafka with the Catholic church's man made organization and hierarchy in today's corporate world, making vis a vis contact with authorities impossible. Apart from the intrigue, this film has Ferreri directing his most dramatic film since "El Cochecito" (Spain, 1960), where his ability to create emotional conflict intermingles with his more satiric and absurdity touch, A facet that's is very interesting to explore, given that his output post-Grade Bouffe is his body of work that most Ferrei enthusiasts are familiar with. I would argue that this film, along with "Chiedo Asilo" (Italy, 1979) are films that explore Utopian gestures borne of the everyday Utopian man, as it faces the brick wall of bureaucracy and normality and convention. Walking the fine line cinema as "theater of the absurd" of the path explored by Buñuel, Raul Ruiz, Arrabal, Jodorowsky and many others, Ferreri champions (the dadaist-inspired) path less traveled in cinema.
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