Two-Lane Blacktop (1971)
That’s how Harry Dean Stanton first appears in “Paris, Texas,” the classic 1984 drama directed by Wim Wenders from a screenplay credited to Sam Shepard and L.M. Kit Carson. And while taking stock of the much-respected actor on the occasion of his passing — Stanton died Friday in Los Angeles at the age of 91 — I cannot help viewing that unforgettable image as metaphoric: After a long trudge through a wilderness of secondary roles, he finally broke through in this film to get the attention he so richly deserved.
With his hang dog demeanor and distinctive voice, Stanton made his mark over a 60 year career, and appeared in character roles in notable films such as “Cool Hand Luke” (1967), “Kelly’s Heroes” (1970), “The Godfather Part II” (1974), “Escape From New York” (1981), “Pretty in Pink” (1986) and “Last Temptation of Christ” (1988). He had bigger and more up front roles in “Repo Man” (1984), “Paris, Texas” (1984), “Wild at Heart” (1990), “The Straight Story” (1999), “The Green Mile” (1999) and the upcoming “Lucky” (2017).
Harry Dean Stanton in a Recent Photo
Photo credit: File Photo
Harry Dean Stanton was born in Kentucky, and was a World War II veteran in the Navy,
Harry Dean Stanton has died at the age of 91, it was confirmed over the weekend.
Actor Harry Dean Stanton died of natural causes in Los Angeles on Friday September 15th, his agent John Kelly announced. He was 91.
Stanton, who made his breakthrough in Wim Wenders’ Paris, Texas, submerged himself in over 250 movies since he began acting in the 1950s. That didn’t make him any less unforgettable, putting his subtle stamp on such films as Cool Hand Luke (1967), Two-Lane Blacktop (1971), Godfather II (1974), Ridley Scott’s Alien (1979) and John Carpenter’s Escape From New York (1981). Plus he taught Emilio Estevez how to boost cars in the cult classic Repo Man.
Stanton hit the mainstream in John Hughes’ Pretty In Pink (1986), he played Molly Ringwald’s unemployed father.
He played against Jack Nicholson, a lifelong friend, in The Missouri Breaks and Bob Rafelson’s Man Trouble. He also appeared in The Mighty,
Stanton died of natural causes in Los Angeles, Variety reports, with TMZ adding that the actor died peacefully Friday afternoon at the city's Cedars-Sinai Hospital.
Director David Lynch, who cast Stanton in Twin Peaks: Fire Walk With Me, Wild at Heart, The Straight Story and the recent Twin Peaks: The Return,
Read More:‘Lucky’ Review: 90-Year-Old Harry Dean Stanton Gives a Performance for the Ages in Wry Comedy Co-Starring David Lynch — SXSW 2017
Best known as a character actor, Stanton had his share of leading roles as well. None was more moving than Wim Wenders’ “Paris, Texas,” in which he plays a grief-stricken drifter who attempts to reconnect with his former life. Stanton frequently collaborated with David Lynch, appearing in “Wild at Heart,” “Twin Peaks: Fire Walk With Me,” “The Straight Story,” “Inland Empire,” and the just-concluded “Twin Peaks” revival.
Read More:‘Lucky’ Trailer: Harry Dean Stanton and David Lynch Reunite For This Wise Meditation on
Wonder Woman: The Art and Making of the Film by Sharon Gosling (Titan Books)
Patty Jenkins’ Wonder Woman is one of the biggest superhero success stories, and it deserves that designation. The classification makes reading a book like Wonder Woman: The Art and Making of the Film feel like a celebratory affair. After a brief account of the character’s comics history, we delve into designs for Themyscira, concept art of Dr. Maru’s laboratory, and somber depictions of battle. What stands out, however, are drawings and photographs showing the film’s winning costume designs. It is illuminating,
In 2012, when this piece was first posted, it seemed like a good moment to throw the country’s history and contradictions into some sort of quick relief, and the most expedient way of doing that for me was to look at the way the United States (and the philosophies at its core) were reflected in the movies, and not just the ones which approached the country head-on as a subject.
Told with an eye towards the current state of cinema — a blockbuster-driven machine that Taylor calls “nonsensical” and contributing to “the destruction of the idea of content” — the book is a loving look at some forgotten gems and the power of moviemaking that can often be ignored. In our excerpt from the book,
Read More: Cinelicious Pics to Release 4k Restoration of Lost Noir ‘Private Property’
Cinelicious gave it a brief theatrical distribution this year in New York, Chicago, Boston, Dallas, and other cities, and it will be released on Blu-ray this week. Watch an exclusive clip from the film below featuring Allen’s character finally alone with Anne. The scene was one of the reasons why the film was rejected by the Motion Picture Association for failure to comply with the code,
Cars have been a staple of motion pictures since the earliest Keystone Kops two-reel comedies a century ago, usually providing fodder for chase scenes and general mayhem. Whether they’re breaking land-speed records, flying through the air defying laws of aerodynamics, or driven by intrepid heroes pursuing bad guys, cars and movies go together like…well, like movies and popcorn.Like movies and tickets. Like cars and tickets. Wait…let’s just get on with the list, shall we?
Here are the ten coolest cars in movie history, in no particular order:
1. Rendezvous: 1976 Mercedes-Benz 450Sel 6.9
Director Claude Lelouch mounted a camera on his 1976 Mercedes and tore through the early morning streets of Paris at breakneck speeds, cheating only slightly in post-production by overdubbing the sound of a Ferrari 275 Gtb engine with that of his Benz’s. Three people were in the car, with Lelouch at the wheel,
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