Stan works in drudgery at a slaughterhouse. His personal life is drab. Dissatisfaction and ennui keep him unresponsive to the needs of his adoring wife, and he must struggle against ... See full summary »
Henry G. Sanders,
A man wanders out of the desert after a four year absence. His brother finds him, and together they return to L.A. to reunite the man with his young son. Soon after, he and the boy set out ... See full summary »
Harry Dean Stanton,
Pinky is an awkward adolescent who starts work at a spa in the California desert. She becomes overly attached to fellow spa attendant, Millie when she becomes Millie's room-mate. Mille is a... See full summary »
The Driver and The Mechanic are two car freaks driving a 1955 Chevy throughout the southwestern U.S. looking for other cars to race. They are totally dedicated to The Car and converse with each other only when necessary. At a gas station, The Driver and The Mechanic, along with a girl who has ingratiated herself into their world, meet G.T.O., a middle-aged man who fabricates stories about his exploits. It is decided to have a race to Washington, D.C., where the winner will get the loser's car. Along the way, the race and the highway metaphorically depict the lives of these contestants as they struggle to their destination. Written by
Rick Gregory <email@example.com>
Problems with music rights have kept this film from being seen much since its release, which is a real shame. Recently, the Roan Group released a laserdisc version (not sure if there is a VHS or DVD version), which I rented on a total whim. It turned out to be one of those rare treasures that not only lives up to its hype--it exceeds it. Anyone who wants to know why so many of today's films are sub-par would do themselves a favor by exploring this title. The problem with movies today is that everything is so formulaic, characters (if any are present) are forced to react in completely illogical ways just so the plot can hit prefabricated beats. "Two Lane Blacktop" follows the characters and lets the plot flow from the dynamics between them. Add to that some really unique characters and what you end up with is a movie that's always coming at you from the most unexpected angles, and not one second of it feels false or forced. The writing, directing and acting are dead-on, with Warren Oates a stand-out (his performance should be studied by anyone who wants to act), and James Taylor surprisingly intense and charismatic. It should be noted that this is not an action movie, so don't go into it looking for suspense or great racing scenes. Rather, you should sit back and let this movie work its almost invisible magic on you. And don't be surprised if you're still thinking about it days later.
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