Insurance investigator Maindrian Pace and his team lead double-lives as unstoppable car thieves. When a South American drug lord pays Pace to steal 48 cars for him, all but one, a 1973 Ford... See full summary »
Larry Rayder is an aspiring NASCAR driver, Deke Sommers is mechanic. As they feel they collectively are the best, the only thing that is holding them back is money to build the best vehicle... See full summary »
A grotesquely disfigured harpooner called Iguana is severely mistreated by his fellow sailors on a whaling ship in the 19th century. One night he escapes and takes up residence on a remote ... See full summary »
"The Driver" is a specialist in a rare business: he drives getaway cars in robberies. His exceptional talent prevented him from being caught yet. After another successful flight from the ... See full summary »
The Driver and The Mechanic are two car freaks driving a 1955 Chevy throughout the southwestern U.S. looking for other cars to race. They are totally dedicated to The Car and converse with each other only when necessary. At a gas station, The Driver and The Mechanic, along with a girl who has ingratiated herself into their world, meet G.T.O., a middle-aged man who fabricates stories about his exploits. It is decided to have a race to Washington, D.C., where the winner will get the loser's car. Along the way, the race and the highway metaphorically depict the lives of these contestants as they struggle to their destination. Written by
Rick Gregory <email@example.com>
The cost/gallons numbers on the gas pumps change several times during the gas station race set-up scene. See more »
[after being approached sexually by a male hitchhiker]
I'm not into that!
I just thought it might relax you while you drive.
This is competition, man. I've got no time.
See more »
The film ends with the last frames of the film itself being burned. See more »
In my view this is the best road movie ever made. Carping about the slow pace or minimal dialogue is like complaining Scorsese's movies are too violent or the Marx Brothers too zany.
Like the car the two friends drive, this is an exercise in stripping things down to their essentials in search of authenticity. Like a Ramones song or an Edward Hopper painting there is absolutely nothing here that doesn't need to be.
Warren Oates' character on the other hand is a study in inauthenticity. After visiting the US in the 80's and 90's with its malls and fast food chains (and indeed looking at the kind of product Hollywood churns out these days) it's clear that his kind won the race in the end.
I've seen this on TV and in art cinemas a couple of times and I'm glad to hear I can now get the DVD. A true American classic.
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