El Topo decides to confront warrior Masters on a trans-formative desert journey he begins with his 6 year old son, who must bury his childhood totems to become a man. El Topo (the mole) ... See full summary »
On a journey to find the cure for a Tatarigami's curse, Ashitaka finds himself in the middle of a war between the forest gods and Tatara, a mining colony. In this quest he also meets San, the Mononoke Hime.
History Professor Brad Fletcher heads west for his health, but falls in with Soloman Bennett's outlaw gang. Fascinated by their way of life, Fletcher finally takes over the gang, leading ... See full summary »
Gian Maria Volonté,
El Topo decides to confront warrior Masters on a trans-formative desert journey he begins with his 6 year old son, who must bury his childhood totems to become a man. El Topo (the mole) claims to be God, while dressed as a gunfighter in black, riding a horse through a spiritual, mystical landscape strewn with old Western movie, and ancient Eastern religious symbols. Bandits slaughtered a village on his path, so El Topo avenges the massacred, then forcibly takes their leader's woman Mara as his. El Topo's surreal way is bloody, sexual and self-reflective, musing of his own demons, as he tries to vanquish those he encounters. Written by
Since the early 90's, Jodorowsky has been attempting to make a sequel to "El Topo," originally called "The Sons Of El Topo" (Los Hijos Del Topo). Sometime between 1996-2002, this was changed to "Abelcain," due to ownership disputes with Allen Klein. Additionally, the name of the character El Topo (The Mole) was changed to 'El Toro' (The Bull). Jodorowsky stated, "I am now working on a Franco-Canadian production called Abelcain, which is a new version of the same project. The character El Topo has become El Toro. A single slash added on letter P changed a subterranean rat into a charging bull." A 2002 article in The Guardian had stated that long-time Jodorowsky fan Marilyn Manson was attached to star in the film as Cain. Set in a post-apocalyptic world, the plot would follow Cain as he teams up with his long-lost brother Abel to battle an enemy adept at technological witchery, and in doing so overcome the curse that marks their destiny. In 1996, a teaser poster was released, even though no footage had actually been shot. However, due to Jodorowsky's difficulty to raise money for the project, as of 2007, the project appears to have been put on hold indefinitely. See more »
[to his son]
You are seven years old. You are a man. Bury your first toy and your mother's picture.
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The closing credits in the English-dubbed version of El Topo state that ABKCO Films copyrighted the film in 1967; however, ABKCO didn't purchase (any rights to) it until June of 1971! See more »
A religious allegorical western of redemption with surrealist imagery.
"El Topo", is probably Jodorowsky's most talked about film next to "Santa Sangre". Like all his films it is bizarre and full of symbolism. El Topo is a cowboy dressed in black. He is out for vengeance, kind of like the Biblical God of the old testament. Him and his son ride through a town of massacred civilians. He wants justice and to win the heart of a girl, Mara. He gives up his only son, in an act that could be looked at like God, or even Abraham. He has to kill seven master gunfighters. After all the violence and carnage, he is injured and taken under the care of cripples, dwarfs and other various misfits. He is reborn, almost like a Bhuddist monk. He becomes like the new testament God, Jesus Christ. El Topo is now like a savior to the oppressed. He vows to dig a tunnel out of the cave so the cripples can live among the villagers. The town is taken over by religious fanatics. Poor villagers are branded with the religious icon by force. An upper class of elitists now dominate the town. "El Topo" is beautiful, and chocked full of violent and disturbing imagery. The film became a popular cult sensation in the early 70's. It was embraced by the likes of John Lennon, Dennis Hopper, Jack Nicholson, Peter Gabriel and Pink Floyd. More recently celebrities like Marilyn Manson and the Coen Brothers have talked about being strongly influenced by Jodorowsky's work. "El Topo" is important, because it was the first midnight movie. If people could forget about "the Rocky Horror Picture Show" just for a second, they'd realize that this is one of the most important cult films. A bizarre and surreal western that can never be imitated. The only 3 surreal westerns I can think of to pre-date "El Topo" that have many similarities are Brazilian director Glauber Rocha's "Black God, White Devil" (1964) and his follow up "Antonio Das Mortes" (1969) and the Italian Spaghetti western "Django, Kill if you Live, Shoot" (1967).
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