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El Topo (1970)
"El topo" (original title)

Not Rated  |   |  Western  |  15 April 1971 (Mexico)
7.5
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Ratings: 7.5/10 from 15,550 users  
Reviews: 112 user | 115 critic

A mysterious black-clad gunfighter wanders a mystical Western landscape encountering multiple bizarre characters.

Director:

(as Alexandro Jodorowsky)

Writer:

(as Alexandro Jodorowsky)
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Title: El Topo (1970)

El Topo (1970) on IMDb 7.5/10

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Edit

Cast

Cast overview, first billed only:
...
Brontis Jodorowsky ...
José Legarreta ...
Moribundo
...
Bandido 1
José Luis Fernández ...
Bandido 2
Alf Junco ...
Bandido 3 (as Alí Junco)
Gerardo Zepeda ...
Bandido 4 (as Gerardo Cepeda)
René Barrera ...
Bandido 5
René Alís ...
Bandido 6
Federico Gonzáles ...
Bandido 7
Vicente Lara ...
Bandido 8
Pablo Leder ...
Monje 1
Giuliano Girini Sasseroli ...
Monje 2
Cristian Merkel ...
Monje 3
Aldo Grumelli ...
Monje 4
Edit

Storyline

El Topo decides to confront warrior Masters on a trans-formative desert journey he begins with his 6 year old son, who must bury his childhood totems to become a man. El Topo (the mole) claims to be God, while dressed as a gunfighter in black, riding a horse through a spiritual, mystical landscape strewn with old Western movie, and ancient Eastern religious symbols. Bandits slaughtered a village on his path, so El Topo avenges the massacred, then forcibly takes their leader's woman Mara as his. El Topo's surreal way is bloody, sexual and self-reflective, musing of his own demons, as he tries to vanquish those he encounters. Written by David Stevens

Plot Summary | Add Synopsis

Taglines:

The Definitive Cult Spaghetti Western

Genres:

Western

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

15 April 1971 (Mexico)  »

Also Known As:

The Gopher  »

Filming Locations:

 »

Box Office

Budget:

$1,000,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Klangfilm)

Color:

Aspect Ratio:

1.33 : 1
See  »
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Did You Know?

Trivia

Since the early 90's, Jodorowsky has been attempting to make a sequel to "El Topo," originally called "The Sons Of El Topo" (Los Hijos Del Topo). Sometime between 1996-2002, this was changed to "Abelcain," due to ownership disputes with Allen Klein. Additionally, the name of the character El Topo (The Mole) was changed to 'El Toro' (The Bull). Jodorowsky stated, "I am now working on a Franco-Canadian production called Abelcain, which is a new version of the same project. The character El Topo has become El Toro. A single slash added on letter P changed a subterranean rat into a charging bull." A 2002 article in The Guardian had stated that long-time Jodorowsky fan Marilyn Manson was attached to star in the film as Cain. Set in a post-apocalyptic world, the plot would follow Cain as he teams up with his long-lost brother Abel to battle an enemy adept at technological witchery, and in doing so overcome the curse that marks their destiny. In 1996, a teaser poster was released, even though no footage had actually been shot. However, due to Jodorowsky's difficulty to raise money for the project, as of 2007, the project appears to have been put on hold indefinitely. See more »

Quotes

[first lines]
El Topo: [to his son] You are seven years old. You are a man. Bury your first toy and your mother's picture.
See more »

Crazy Credits

The closing credits in the English-dubbed version of El Topo state that ABKCO Films copyrighted the film in 1967; however, ABKCO didn't purchase (any rights to) it until June of 1971! See more »

Connections

Referenced in Editors: Formaldehyde (2013) See more »

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User Reviews

 
An obscure western with a difference
29 October 1999 | by (England) – See all my reviews

This was Alexandro Jodorowsky's first recognised cult movie in the early seventies. Shot in Mexico, El Topo (or the mole in English) is a gunslinger (played by Jodorowsky), who, dressed completely in black leather, rides on his horse with his seven-year-old son through the desert; until they come across a massacre of people. One of the survivors tells El Topo who the culprits are, and he then takes on the guise of God and seeks revenge. There is a lot of surrealistic imagery from then on as Jodorowsky explores violence, racism and religious themes, but it is absorbing and the ending is very obscure. An easy candidate for a cult movie.


20 of 32 people found this review helpful.  Was this review helpful to you?

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