El Topo decides to confront warrior Masters on a trans-formative desert journey he begins with his 6 year old son, who must bury his childhood totems to become a man. El Topo (the mole) ... See full summary »
Alejandro Jodorowsky was born in 1929 in Tocopilla, a coastal town on the edge of the Chilean desert where this film was shot. It was there that Jodorowsky underwent an unhappy and ... See full summary »
A young man is confined in a mental hospital. Through a flashback we see that he was traumatized as a child, when he and his family were circus performers: he saw his father cut off the ... See full summary »
The fragile Lia suffers from a deep depression. Her relationship with her boyfriend Viktor is getting worse and worse and in the last desperate attempt to cure herself, Lia goes to visit her old aunt Agata in her creepy 18th century villa.
El Topo decides to confront warrior Masters on a trans-formative desert journey he begins with his 6 year old son, who must bury his childhood totems to become a man. El Topo (the mole) claims to be God, while dressed as a gunfighter in black, riding a horse through a spiritual, mystical landscape strewn with old Western movie, and ancient Eastern religious symbols. Bandits slaughtered a village on his path, so El Topo avenges the massacred, then forcibly takes their leader's woman Mara as his. El Topo's surreal way is bloody, sexual and self-reflective, musing of his own demons, as he tries to vanquish those he encounters. Written by
I saw this movie about a dozen times from the early to mid '70's. It was labeled "a cult movie." While I never joined a cult, I was moved to see it a many times as I did because it was a metaphor that spoke strongly to my own spiritual searches at the time. The western motif and travels of our hero/anti hero spoke eloquently of the "mole's search for the light." While the violence was overwhelming at times, I didn't think is redundant or too much. Western society, perhaps all great civilizations, was built on a tremendous amount of violence. The scenes in the mountain with those marginalized from society and their subsequent "liberation" out of the mountain and into the light was an awesome scene. The violence that took place after wards and our own here's self immolation was very poignant. I continue to look for the movie today and hope that whatever is preventing it from being available in North America will be resolved soon. I am very curious to observe my own responses to this film today. I have seen other movies by Jordorowsky and none equaled the impact that El Topo had upon me.
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