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Gian Maria Volonté,
On a journey to find the cure for a Tatarigami's curse, Ashitaka finds himself in the middle of a war between the forest gods and Tatara, a mining colony. In this quest he also meets San, the Mononoke Hime.
El Topo decides to confront warrior Masters on a trans-formative desert journey he begins with his 6 year old son, who must bury his childhood totems to become a man. El Topo (the mole) claims to be God, while dressed as a gunfighter in black, riding a horse through a spiritual, mystical landscape strewn with old Western movie, and ancient Eastern religious symbols. Bandits slaughtered a village on his path, so El Topo avenges the massacred, then forcibly takes their leader's woman Mara as his. El Topo's surreal way is bloody, sexual and self-reflective, musing of his own demons, as he tries to vanquish those he encounters. Written by
"El Topo" was one of the first midnight-movie cult hits because of its visually stunning, mentally exciting indulgence in gratuitous sex and exaggerated violence
Avenging angel El Topomeant to be wise and mysticalrides into a town whose population has just been massacred He guns down some of the cruel and perverse bandits responsible and brutally punishes their leader He leaves his seven-year-old son with some monks and goes away with the gang leader's woman, Mara
In the desert sands, El Topo and Mara make love, and she quickly falls in love with him After their frantic love-making, she tells him that he can prove that he's the 'best' by killing the Four Masters
For no apparent reason other than to please Mara, El Topo begins his mission, defeating and killing each of the Four Masters
The film has been quite controversial It lacks clarity and has painful emotions that make it quite compelling
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