A mad scientist uses an army of androids and a device that can disintegrate metal to try to steal microchips containing top secret information. The government dispatches a beautiful female agent to stop him.
Myrl A. Schreibman
Sadie, the most beautiful Yellow Lab in the whole wide world, lives an idyllic, pampered life in the suburbs. One day, she comes into heat and has no idea what to do with her new found ... See full summary »
A young woman develops a taste for human blood after undergoing experimental plastic surgery, and her victims turn into rabid, blood-thirsty zombies who proceed to infect others, which turns into a city-wide epidemic.
From the producer of Friday the 13th and Freddy vs.Jason comes the next terrifying step in reality TV. An unpredictable and irresistible thriller about instant celebrity, primetime morality... See full summary »
Sean S. Cunningham
Jay Michael Ferguson
After seeing her as Marilyn Briggs in Together (1971), the Mitchell Brothers offered her a role in Behind the Green Door (1972)" giving her the option of taking a role in which she wasn't required to have sex. Originally, Briggs chose a non-sex role, but allowed the Brothers to talk her into taking the lead. For her gig, she was paid $25,000 and 1% of earnings (which in 1974, brought her between $2,000 and $2,500 per month), the highest amount ever paid a porn performer. Now called Marilyn Chambers, "Green Door" made her a porno superstar, and one of the only porn actresses to cross over into mainstream features. See more »
Granted this film in its own right is extremely rare and expensive when one does find it, beware. The film is usually dubbed in either Swedish or German, and is relatively pointless. Sure, there are a lot of naked people, but this film couldn't even be categorized as "softcore." It's mostly just people at a commune talking about their bodies and what they like about sex. Big deal. However, it is a crucial film, considering it is with revenue generated from its slight grind house/peepshow success that Craven and Cunningham were able to do "Last House on the Left," and subsequently "Hills Have eyes" with Peter Locke as producer. The rest is history.
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