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They Might Be Giants (1971)

7.1
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Ratings: 7.1/10 from 1,828 users  
Reviews: 45 user | 19 critic

In a Manhattan psychiatric hospital a man, convinced he is Sherlock Holmes, is treated by a female doctor who happens to be named Watson.

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Title: They Might Be Giants (1971)

They Might Be Giants (1971) on IMDb 7.1/10

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Nominated for 1 BAFTA Film Award. See more awards »
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Cast

Cast overview, first billed only:
...
Justin Playfair
...
...
Wilbur Peabody
Lester Rawlins ...
Blevins Playfair
...
Messenger
...
Daisy Playfair
Ron Weyand ...
Dr. Strauss
Oliver Clark ...
Mr. Small
...
Peggy
Jenny Egan ...
Miss Finch
Jane Hoffman ...
2nd Telephone Operator
Michael McGuire ...
Telephone Guard
...
Policeman
...
Mr. Brown
...
Grace
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Storyline

They Might be Giants chronicles the adventures of Sherlock Holmes and Dr. Watson in modern-day New York City. The fact that Sherlock Holmes is a psychotic paranoid and Dr. Watson is a female psychiatrist fascinated by his case is almost beside the point. Dr. Watson follows Holmes across Manhattan and is, against her better judgment, drawn into the master detective's world of intrigue and danger. This is a sweet, goofy and fairly romantic film that asks the questions "Whose reality is right...and does it really matter?" Written by John Gerrath <jagerrat@uoguelph.ca>

Plot Summary | Add Synopsis

Taglines:

When they reach out for each other... they touch every heart... with warmth, charm and laughter!


Certificate:

G | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

21 February 1972 (Sweden)  »

Also Known As:

Bledny detektyw  »

Filming Locations:

 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Paul Benedict plays a bit part as a chestnut man in the street. The next shot shows George C. Scott investigating a poster in Times Square advertising the play "The Front Page". Paul Benedict was cast in Billy Wilder's film adaptation of the play three years later. See more »

Goofs

When Scott and Woodward are riding in a taxi, from his angle the cab is stopped; from her angle the cab is moving. See more »

Quotes

Maud: God bless ya, Barbara Stanwyck!
See more »

Connections

References Don Kikhot (1957) See more »

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User Reviews

 
Forgotten Favorite
12 October 2005 | by (United States) – See all my reviews

Being American and inadvertently an avid viewer (consumer) of cinema of all genres and qualities, I have to say that this is one of my all-time, forgotten favorites.

Not being a film student or critic, I fall into that overlooked and easily dismissed category called "the audience" which is humorously described as having no knowledge of art, but knowing with certainty what one likes. As such, I can say, unequivocally, that I like this film.

Most important to me as a viewer, above all other aspects of a film, is the story that is being told. If the story is winning, endearing and meaningful, then all else can be forgiven, production quality, even poor acting. Sans the poor acting, "They Might Be Giants" is just such a film.

I won't bore you with the wealth of meaning and depth of insight that I have gleaned from this wonderful story. Suffice it to say that despite what some have chosen to call its' "saccharine" quality (and what I call its' endearing quality), this story has the metaphysical import that elevates it to the level of a modern-day fable for the Western World.

Because I am unstudied and basically an "illiterate" in terms of Western Literature, the references to Don Quiote were completely invisible to me until now. For this enlightenment, I give thanks to the other reviewers. This comparison rings true throughout the story, and has enriched its' overall meaning for me. However, because I was initially unaware of this now obvious reference, for me the "They" in the title of "They Might Be Giants" referred to the very characters, themselves, all of whom are socially flawed, socially marginalized individuals, all of whom are void of "desirability".

As such, these characters, very aptly portrayed by the cast, although quirky, stand-alone individuals respectively, collectively come to represent the "everyman". The impersonal facelessness and the spirit-killing angst of personal worthlessness in midst of the post-industrial age of "modernity" are the windmills at which our Don Quiote, Justin Playfair, tilts. More importantly, we come to understand that this mask of facelessness may well be hiding individuals of truly gigantic spiritual dimensions and human worth. Our fellow human beings, who we pass, nameless, in the streets, "They Might Be Giants"!


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