Countess Edna Luise Von Stein keeps her disturbed sister Milly prisoner. Confined to her bed, Milly suffers from a deep sexual trauma resulting from being raped as a child by a muscular ... See full summary »
"Red Lips" are two female detectives trying to find missing models and dancers. A pop artist called Klaus Thriller and his werewolf-like assistant, Morpho, are the main suspects for the ... See full summary »
New inmate Marie arrives at an island prison in the women's sector and receives the number 99. The inmates are controlled by the sadistic lesbian warden Thelma Diaz and Governor Santos and ... See full summary »
Women's prison tale, with Lina Romay as Maria who is jailed after killing her father, played by director Jess Franco, who tries to rape her. Lesbian wardens, torture, nudity, sex, insanity and conspiracy round out the formula.
A woman is seducing men only to kill them, and afterwards confessing about her crimes at church. A man, witnessing her visits to the church, feels attracted to her and boards an appartment near hers and begins to watch her secretly.
Silly spy film that is worth seeing for Soledad Miranda
This spy film from prolific exploitation director Jess Franco is probably most notable for being the final film the gorgeous actress Soledad Miranda appeared in before her untimely and tragic death very soon afterwards. In this one she is a secret service agent who goes undercover as a go-go dancer in order to track down international criminals who stole a precious mineral that can turn base metals into gold and people into zombie-like creatures. It's a nonsense plot-line, although it's one of the more plot-driven films I have actually seen Franco attempt.
Its strengths lie in other areas, most notably Miranda, who is easily the best thing about this. Like in all the Franco films she starred in, she once again displays an effortless magnetism and sensuality. The very fact that she operates partially as a stripper of course plays up the latter aspect quite a bit but like her other appearances in erotic roles, it always feels somewhat classy with Soledad. Aside from her there is a regular gaggle of stock Euro actors who will be very familiar to anyone who has seen other Franco films from the period. Also in common with those films is the soundtrack of glorious kitsch groovetastic sounds. So essentially seek this out if you either (a) appreciate this very particular brand of retro lounge music or (b) like Soledad Miranda (who wouldn't?) or (c) must see all things Franco (in which case you're probably insane but in a good way). It's not as good as other Franco/Miranda collaborations such as Vampyros Lesbos or She Killed in Ecstasy but it still has enough about it to make it an entertaining watch.
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