Legendary martial artist Bruce Lee is the subject of this thoughtful documentary by Lee aficionado John Little. Using interviews, behind-the-scenes footage and action sequences from Lee's ... See full summary »
While investigating his friend Chin Ku's (Hwang Jang Lee) death, martial artist Billy Lo (Bruce Lee) is killed. His younger brother, Bobby Lo (Kim Tai Chung), investigates both deaths. His ... See full summary »
Chein is a city boy who moves with his cousins to work at a ice factory. He does this with a family promise never to get involved in any fight. However, when members of his family begin disappearing after meeting the management of the factor, the resulting mystery and pressures forces him to break that vow and take on the villainy of the Big Boss. Written by
Kenneth Chisholm <firstname.lastname@example.org>
The mansion of the film's villain was, and still is, a Thai mausoleum. Usually, due to Chinese superstition, another location would be chosen to avoid a movie from being cursed. However, whether it was time restraints or the appearance of the location, it was not made public that it was a mausoleum until the film was completed. See more »
During Cheng's final battles wearing the long sleeve shirt, the sleeves start to roll up and down on their own. See more »
Uncle, is this it?
Yes, right over there. That's the town, Cheng. That's right. Not much further to go.
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Sometimes a genre's "defining films" are some of the most unusual. In Bruce Lee's debut, Lo Wei's uncharacteristically interesting directing takes us to moody, almost giallo-esque nooks and crannies (the "red room scene" is outstanding), and some of the violence goes way beyond the boundaries of good taste and into horror/splatter territory as well. There's a sleazy sexist exploitation vibe I could do without (that, ironically enough, wouldn't be carried over into the cheaper mid/late 70s films Bruce Lee inspired), but it's fairly negligible.
Some people might criticize the movie for being "slow," but it has a deliberate, meaningful narrative arc that gives emotional value to the action that does occur. Give me this sort of pacing over this five-cuts-a-second MTV style movies have had since the 90s any day.
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