Quiet young Orfamay Quest from Kansas has hired private detective Philip Marlowe to find her brother. After two leads turn up with ice picks stuck in them, he discovers blackmail photos ... See full summary »
While investigating his friend Chin Ku's (Hwang Jang Lee) death, martial artist Billy Lo (Bruce Lee) is killed. His younger brother, Bobby Lo (Kim Tai Chung), investigates both deaths. His ... See full summary »
Legendary martial artist Bruce Lee is the subject of this thoughtful documentary by Lee aficionado John Little. Using interviews, behind-the-scenes footage and action sequences from Lee's ... See full summary »
A successful singer is forced to retire and marry a man she despises. She takes in a pupil to teach and falls in love with him, but - of course - takes no action on her feelings... even ... See full summary »
Chein is a city boy who moves with his cousins to work at a ice factory. He does this with a family promise never to get involved in any fight. However, when members of his family begin disappearing after meeting the management of the factor, the resulting mystery and pressures forces him to break that vow and take on the villainy of the Big Boss. Written by
Kenneth Chisholm <firstname.lastname@example.org>
The international (English) title of this film was "The Big Boss". In the United States the English dubbed version was originally to be released under the title "The Chinese Connection", a play on the title of the highly popular film The French Connection (1971). For some reason the title was changed to "Fists of Fury". As a result, to avoid confusion with Bruce Lee's following film The Chinese Connection (1972) (known elsewhere in the world as "Fist of Fury"), the latter film's title for its U.S. release became first "The Iron Hand" and then "The Chinese Connection". See more »
When the foreman hits Ah Kun across the face, Ah Kun suffers a bloody cut across his face. However, in the next scene the cut is gone. See more »
Uncle, is this it?
Yes, right over there. That's the town, Cheng. That's right. Not much further to go.
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Sometimes a genre's "defining films" are some of the most unusual. In Bruce Lee's debut, Lo Wei's uncharacteristically interesting directing takes us to moody, almost giallo-esque nooks and crannies (the "red room scene" is outstanding), and some of the violence goes way beyond the boundaries of good taste and into horror/splatter territory as well. There's a sleazy sexist exploitation vibe I could do without (that, ironically enough, wouldn't be carried over into the cheaper mid/late 70s films Bruce Lee inspired), but it's fairly negligible.
Some people might criticize the movie for being "slow," but it has a deliberate, meaningful narrative arc that gives emotional value to the action that does occur. Give me this sort of pacing over this five-cuts-a-second MTV style movies have had since the 90s any day.
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