The Devil's Widow
(1970)
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The Devil's Widow
(1970)
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| Cast overview, first billed only: | |||
| Ava Gardner | ... |
Michaela Cazaret
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| Ian McShane | ... | ||
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Richard Wattis | ... |
Elroy
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| Cyril Cusack | ... |
Vicar Julian Ainsley
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| Stephanie Beacham | ... |
Janet Ainsley
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David Whitman | ... |
Oliver
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Fabia Drake | ... |
Miss Gibson
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| Sinéad Cusack | ... |
Rose
(as Sinead Cusack)
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| Joanna Lumley | ... |
Georgia
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Jenny Hanley | ... |
Caroline
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Madeline Smith | ... |
Sue
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| Bruce Robinson | ... |
Alan
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Victoria Fairbrother | ... |
Vanna
(as Pamela Farbrother)
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Rosemary Blake | ... |
Kate
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Michael Bills | ... |
Michael
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Based on the ancient Scottish ballad "Tam Lin" (one of it's many titles), the plot concerns an aging, beautiful woman who uses her wealth (and occasionally, witchcraft) to control a decadent pack of attractive young people she surrounds herself with. But when her latest young stud falls for the local vicar's daughter, she vows revenge. Written by phillindholm
I enjoyed Ava Gardner's sense of age of Aquarius presence for the film. I would have appreciated seeing more films directed by Roddy McDowall. True works of art always have always been birthed from turmoil. The male leads were memorable (Ian McShane) ."You wasted my life .You won't let me go ". The movie helped me respect my middle-age and desire to have something more to life than impending old age and empty nest syndrome. I can't wait to find a bright orange outfit like the one Ava wore in the opening scene. "Give him back ." (so memorable). The character's Scottish retreat appears to offer the viewer a permanent round of relaxation and welcome (along with a picnic basket of memorable one liners!) All the characters were interesting to watch unfold - male accountant; (my favorite was the fortune teller. The plot moves too quickly to convey very mature feelings in a immature world of valley of the doll babies. Tom makes the potentially fatal error of falling in love with the daughter of the local vicar he should have stayed with Micky. This movie was not sluggish and uneventful; it gets better as it progresses into the story. I would recommend this film as a sleeper and a keeper! (smile)