| Simon Chuckster | ... | Beetle | |
| Melvin Van Peebles | ... | Sweetback | |
| Hubert Scales | ... | Mu-Mu | |
| John Dullaghan | ... | Commissioner | |
| West Gale | |||
| Niva Rochelle | |||
| Rhetta Hughes | ... | Old Girl Friend | |
| Nick Ferrari | |||
| Ed Rue | |||
| John Amos | ... | Biker (as Johnny Amos) | |
| Lavelle Roby | |||
| Ted Hayden | |||
| Mario Van Peebles | ... | Young Sweetback / Kid (as Mario Peebles) | |
| Sonja Dunson | |||
| Michael Augustus | |||
| Peter Russell | |||
| Norman Fields | |||
| Ron Prince | |||
| Steve Cole | |||
| Megan Van Peebles | ... | Kid (as Megan Peebles) | |
| Joe Tornatore | |||
| Mikel Angel | (as Mike Angel) | ||
| Jeff Goodman | |||
| Curt Matson | |||
| Marria Evonee | |||
| Jon Jacobs | |||
| William Kirschner | (as Bill Kirschner) | ||
| Vincent Barbi | |||
| Chesley Noone | (as Chet Norris) | ||
| Joni Watkins | |||
| Jerry Days | |||
| John Allen | |||
| Bruce Adams | |||
| Brer Soul | |||
| rest of cast listed alphabetically: | |||
| Edson C. Kurose | ... | Coronor (as Ed Kurose) | |
| Max Van Peebles | ... | Young Sweetback | |
| Maggie Bembry | ... | Woman (uncredited) | |
Directed by | |||
| Melvin Van Peebles | |||
Writing credits | ||
| Melvin Van Peebles | (written by) | |
Produced by | |||
| Jerry Gross | .... | producer | |
| Melvin Van Peebles | .... | producer | |
Original Music by | |||
| Earth Wind & Fire | |||
| Melvin Van Peebles | |||
Cinematography by | |||
| Robert Maxwell | (director of photography) (as Bob Maxwell) | ||
Film Editing by | |||
| Melvin Van Peebles | |||
Makeup Department | |||
| Nora Maxwell | .... | makeup supervisor | |
Production Management | |||
| Clyde Houston | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Jose Garcia | .... | second unit director | |
| Clyde Houston | .... | assistant director | |
Sound Department | |||
| John H. Newman | .... | sound editor (as John Newman) | |
| Arthur Piantadosi | .... | dubbing (as Art Piantadosi) | |
| Clark Will | .... | sound | |
| Luke Wolfram | .... | sound editor | |
Special Effects by | |||
| Cliff Wenger | .... | special effects | |
Camera and Electrical Department | |||
| Jose Garcia | .... | camera operator | |
| Robert Maxwell | .... | camera operator (as Bob Maxwell) | |
Editorial Department | |||
| Jeremy Hoenack | .... | assistant editor | |
| J.F. Kinyon | .... | archival editorial services (uncredited) | |
Music Department | |||
| Earth Wind & Fire | .... | orchestrator (as Earth Wind and Fire) | |
Other crew | |||
| Chic Borland | .... | production assistant | |
| Skip Karnas | .... | production assistant | |
| Winfred Tennison | .... | production assistant | |
| Priscilla Watts | .... | production assistant | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
I saw this movie in Boulder CO in 1971 in an audience that was half black and half white in a community in the mountains that was 99.4% white. Blacks in the audience obviously got the raucous humor only the blacks could get living in America...the white's didn't have a clue. As a Welfare Rights Organizer at the time i obviously identified with the black situation. This was the FIRST movie from the black point of view.
Von Peebles is to be commended for doing the impossible and i have used his example of forbearance and excellance for the past three decades. He had been in Europe for ten years prior to the film. He wanted to do the film. He didn't have the money. No one wanted to write it. He wrote it. Black actors of stature didn't want to be associated with it. He stars in it. He gets the financial backing. He gets an "X" rating because he would not have it submitted for a rating and because the only venue he could get was the "X" rated theatres. He still out grossed Easy Rider, which was the big history maker of low budget big return films.
Von Peebles was the first black man to tell it like it was at the time... and he blasted the black myths on and off the screen.