Tommy Gibbs is a tough kid, raised in the ghetto, who aspires to be a kingpin criminal. As a young boy, his leg is broken by a bad cop on the take, during a payoff gone bad. Nursing his ... See full summary »
Goldie returns from five years at the state pen and winds up king of the pimping game. Trouble comes in the form of two corrupt white cops and a crime lord who wants him to return to the ... See full summary »
Gravedigger Jones and Coffin Ed Johnson are two black cops with a reputation for breaking the odd head. Both are annoyed at the success of the Reverend Deke O'Mailey who is selling trips ... See full summary »
Raymond St. Jacques,
Truck is a bounty hunter who gets a job to track down a guy named Gator. When he and his partner find him, a chase ensues and Gator is killed. This makes Gator's woman, Dorinda, very angry ... See full summary »
New York beat cronies slumbering through Harry Smith, Burroughs and Ginsberg, University Columbia, Colombia, or the crazy is just what we need, not to "explain" tears in the fabric but to ... See full summary »
An army of gay/nazi bikers make their engines roar and ride the way to pain/pleasure as sexual and sadistic symbols are intercut into the dazing chaos and rhythmic experiences of this ... See full summary »
Melvin Van Peebles wrote, directed, produced, edited, composed and starred in this powerful and inflammatory attack on White America. After the body of a black man is discovered, Sweetback helps two white 'acquaintances' in the police force to look good by agreeing to go with them to the station as a suspect. But he is forced to go on the run after brutally attacking the two policemen when they arrest and beat up a young black man. Written by
David Claydon <firstname.lastname@example.org>
Considered the first "blaxploitation" movie. It preceded Shaft (1971) by a few months. See more »
The fire truck that appeared at the end of the car explosion was not originally supposed to appear. Due to a permit still not filed, the fire department was unaware and proceeded to appear unannounced. See more »
Like you gonna have to kinda lay out, stretch out a little while, be real cool. Kinda lay dead. Ol' Beetle'll let you know what's happenin', what's goin' down. You don't have to worry about nothin'. If you need anything, anything at all, brother, just keep the faith in Beetle, ol' Beetle goin' to bring you through, cause this is just a skirmish. You know how the game goes, baby. But you keep the faith in me and you my man. You my favorite man. Can you dig it, baby? Together, you know, maintain....
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Opening Credits Dedication: "Dedicated to all the Brothers and Sisters who had enough of the Man" See more »
1st watched 4/22/2001 - 8 out of 10 (Dir-Melvin Van Peebles): Important film for the black community because it portrays the realities of how in many places blacks were treated by whites. This had never been done before in the movies before Sweetback. Prior to this, Hollywood preferred portraying blacks as ok as long as they acted white(aka. Sidney Poitier), otherwise they were minor bit players or charicatures of how the white community saw blacks. The film is paced by the Director like a journey that we as the viewers are on as we follow Sweetback as he runs from the police and meets up with various friends, lovers etc.(not unlike a road picture) after he killed a couple of white cops who unfairly beat up a black brother. We become more interested in him than what he's running from and I believe that was the intent of the filmmaker. The movie is filled with unique styling and music that works with the movie, with chanting for the main character and motivation for him to keep on keeping on. To me this seems like Van Peebles pushing the black community to do the same. Well needed and deserved pats on the back should have been given by all people for this film to Van Peebles.
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