| Photos (see all 16 | slideshow) |
| Peter Finch | ... | Dr. Daniel Hirsh | |
| Glenda Jackson | ... | Alex Greville | |
| Murray Head | ... | Bob Elkin | |
| Peggy Ashcroft | ... | Mrs. Greville | |
| Tony Britton | ... | George Harding | |
| Maurice Denham | ... | Mr. Greville | |
| Bessie Love | ... | Telephone Operator | |
| Vivian Pickles | ... | Alva Hodson | |
| Frank Windsor | ... | Bill Hodson | |
| Thomas Baptiste | ... | Prof. Johns | |
| Richard Pearson | ... | Middle-aged Patient | |
| June Brown | ... | Female Patient | |
| Hannah Norbert | ... | Daniel's Mother | |
| Harold Goldblatt | ... | Daniel's Father | |
| Marie Burke | ... | Aunt Astrid | |
| Caroline Blakiston | ... | Rowing Woman | |
| Peter Halliday | ... | Husband | |
| Douglas Lambert | ... | Man at Party | |
| Jon Finch | ... | Scotsman | |
| Kimi Tallmadge | ... | Lucy Hodson | |
| Russell Lewis | ... | Timothy Hodson | |
| Emma Schlesinger | ... | Tess Hodson | |
| Carl Ferber | (as Karl Ferber) | ||
| Patrick Thornberry | ... | Baby John Stuart Hodson | |
| Robert Rietty | ... | Daniel's Brother | |
| Liane Aukin | |||
| Robin Presky | |||
| Edward Evans | |||
| Gabrielle Daye | |||
| George Belbin | |||
| Richard Loncraine | ... | Tony (Bob's partner) | |
| Royce Mills | |||
| Monica Vassiliou | |||
| John Rae | |||
| Ellis Dale | |||
| Joe Wadham | |||
| Henry Danziger | |||
| Ann Firbank | ... | Party Guest | |
| Derek Gilbert | |||
| William Job | |||
| Nike Arrighi | ... | Party Guest (as Nikki Arrighi) | |
| Francis Ghent | |||
| Donald Sumpter | |||
| Rohan McCullough | |||
| Barbara Markham | |||
| Robert Wilde | |||
| Esta Charkham | |||
| Hilary Hardiman | |||
| Simon Joseph | |||
| Gideon Kolb | |||
| Martin Lawrence | |||
| Mercia Mansfield | |||
| Reuben Elvy | |||
| Jovey Douben | |||
| rest of cast listed alphabetically: | |||
| Henry Gilbert | ... | 1930s Flashback Rabbi (scenes deleted) | |
| Helen Lindsay | ... | (scenes deleted) | |
| David Webb | ... | Restaurant Owner (scenes deleted) | |
| Cindy Burrows | ... | (uncredited) | |
| Daniel Day-Lewis | ... | Child Vandal (uncredited) | |
| Petra Markham | ... | Designer's girlfriend (uncredited) | |
| John Warner | ... | Party Guest (uncredited) | |
Directed by | |||
| John Schlesinger | |||
Writing credits(in alphabetical order) | ||
| Penelope Gilliatt | writer | |
| David Sherwin | uncredited | |
Produced by | |||
| Joseph Janni | .... | producer | |
| Edward Joseph | .... | associate producer | |
Original Music by | |||
| Ron Geesin | |||
Cinematography by | |||
| Billy Williams | |||
Film Editing by | |||
| Richard Marden | |||
Production Design by | |||
| Luciana Arrighi | |||
Art Direction by | |||
| Norman Dorme | |||
Costume Design by | |||
| Jocelyn Rickards | |||
Makeup Department | |||
| Betty Glasow | .... | hairdresser | |
| Freddie Williamson | .... | makeup artist | |
Production Management | |||
| Hugh Harlow | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Michael Green | .... | third assistant director | |
| Simon Relph | .... | first assistant director | |
| Nigel Wooll | .... | second assistant director (uncredited) | |
Sound Department | |||
| David Campling | .... | sound editor | |
| Gerry Humphreys | .... | sound re-recording mixer | |
| Alan Jones | .... | assistant sound editor | |
| Eddy Joseph | .... | assistant sound editor | |
| Simon Kaye | .... | sound recordist | |
Camera and Electrical Department | |||
| David Harcourt | .... | camera operator | |
Music Department | |||
| Douglas Gamley | .... | musical director | |
Other crew | |||
| Ann Skinner | .... | continuity | |
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| 101 Reykjavík | Maurice | Prick Up Your Ears | Stage Beauty | The Hanging Garden |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
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I first saw this at 17 in 1971 and was of course struck by the frankness in the portrayal of the relationship between Murray Head and Peter Finch. People in the suburban audience where I saw it SCREAMED when the two men first kissed. (Someone screamed at a director's screening of the film, much to Schlesinger's consternation. It turned out to be Finch's wife.) One of the reviewers complained about Head's acting, but he is playing a very shallow character whose youth and beauty attract Glenda Jackson and Finch. The film holds up really well today with its complex characters and lack of stereotypes and simple judgments about people. There is also enormous charm and humor in the film, especially in the supporting players. The imagery in the film stays with me--the dog killed by a car, the Mummy's milk in the fridge, the inner workings of telephone switching, driving through the rain in London, men and women making love, precocious children smoking dope, and so much more. It feels like life. It also made me a lifelong fan of Finch, who went on to win a posthumous Oscar for "Network," and Jackson, a two-time Oscar winner, who represents Hampstead in Parliament now. Probably my favorite film of all time.