| Photos (See all 34 | slideshow) | Videos (see all 4) |
| Dustin Hoffman | ... | David Sumner | |
| Susan George | ... | Amy Sumner | |
| Peter Vaughan | ... | Tom Hedden | |
| T.P. McKenna | ... | Major John Scott (as T. P. McKenna) | |
| Del Henney | ... | Charlie Venner | |
| Jim Norton | ... | Chris Cawsey | |
| Donald Webster | ... | Riddaway | |
| Ken Hutchison | ... | Norman Scutt | |
| Len Jones | ... | Bobby Hedden | |
| Sally Thomsett | ... | Janice Hedden | |
| Robert Keegan | ... | Harry Ware | |
| Peter Arne | ... | John Niles | |
| Cherina Schaer | ... | Louise Hood | |
| Colin Welland | ... | Reverend Barney Hood | |
| rest of cast listed alphabetically: | |||
| June Brown | ... | Mrs. Hedden (scenes deleted) | |
| Chloe Franks | ... | Emma Hedden (scenes deleted) | |
| Michael Mundell | ... | Bertie Hedden (uncredited) | |
| David Warner | ... | Henry Niles (uncredited) | |
Directed by | |||
| Sam Peckinpah | |||
Writing credits | ||
| David Zelag Goodman | (screenplay) and | |
| Sam Peckinpah | (screenplay) | |
| Gordon Williams | (novel "The Siege of Trencher's Farm") (as Gordon M. Williams) | |
Produced by | |||
| Daniel Melnick | .... | producer | |
| James Swann | .... | associate producer | |
Original Music by | |||
| Jerry Fielding | |||
Cinematography by | |||
| John Coquillon | (director of photography) | ||
Film Editing by | |||
| Paul Davies | |||
| Tony Lawson | |||
| Roger Spottiswoode | |||
Casting by | |||
| Miriam Brickman | |||
Production Design by | |||
| Ray Simm | |||
Art Direction by | |||
| Ken Bridgeman | |||
Makeup Department | |||
| Harry Frampton | .... | makeup artist | |
| Bobbie Smith | .... | hairdresser | |
| Peter Frampton | .... | makeup assistant (uncredited) | |
Production Management | |||
| Derek Kavanagh | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Terry Marcel | .... | assistant director | |
| Nick Farnes | .... | assistant director (uncredited) | |
| Michael Murray | .... | third assistant director (uncredited) | |
Art Department | |||
| Peter James | .... | set dresser | |
| Julia Trevelyan Oman | .... | production design consultant | |
Sound Department | |||
| John Bramall | .... | sound recordist | |
| Garth Craven | .... | sound editor | |
| Michael Ellis | .... | sound dialogue editor (uncredited) | |
| Norman Savage | .... | sound editor (uncredited) | |
Special Effects by | |||
| John Richardson | .... | special effects | |
| Peter Hutchinson | .... | special effects assistant (uncredited) | |
Stunts | |||
| Bill Cornelius | .... | stunt coordinator | |
| Peter Brayham | .... | stunts (uncredited) | |
| Joe Dunne | .... | stunts (uncredited) | |
| Sue Longhurst | .... | stunt double: Susan George (uncredited) | |
Camera and Electrical Department | |||
| Herbert Smith | .... | camera operator | |
| John Jay | .... | still photographer (uncredited) | |
Costume and Wardrobe Department | |||
| Tiny Nicholls | .... | wardrobe | |
Editorial Department | |||
| Robert L. Wolfe | .... | editorial consultant (as Robert Wolfe) | |
Music Department | |||
| Jerry Fielding | .... | conductor (uncredited) | |
| Lennie Niehaus | .... | orchestrator (uncredited) | |
Other crew | |||
| Pamela Davies | .... | continuity | |
| Anthony Goldschmidt | .... | title designer | |
| Katherine Haber | .... | dialogue director (as Katy Haber) | |
| George Davis | .... | production accountant (uncredited) | |
| Brian Doyle | .... | unit publicist (uncredited) | |
| Susan Shaw | .... | body double: Susan George (uncredited) | |
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| Black Belly of the Tarantula | Deep Red | The Bird with the Crystal Plumage | The Cat o' Nine Tails | Twitch of the Death Nerve |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Straw Dogs is an intense thriller that shows what can happen when you push even the most mild mannered man too far. Dustin Hoffman plays a mathematician who temporarily moves to a house in a rural village in England with his wife, a former resident of the town, played by Susan George. The two withstand incessant needling from several of the townsfolk until George is raped and assaulted and Hoffman is pushed over the edge.
Incidentally, right after watching this film I found a documentary on cable about filmmakers from the late '60s to late '70s and one of the directors profiled was Sam Peckinpah. I had always considered his films to be violent and vaguely shocking, which never surprised me, knowing that he was a hard-living maverick who did things his way - an element that is resplendent in most of his films. A brief mention of Straw Dogs was included in this documentary, where they described it as a "sexist film". There are obvious scenes in the film that could support this criticism, but I think that is overanalyzing the film with a political correctness that is out of place. While the two female characters are both victimized, Susan George also has her moments of empowerment. I may be a female, but I don't consider Peckinpah's tendency to make testosterone-driven films any more sexist than anything that Tarantino puts out, and I'm a big fan of his work as well. It's a dangerous line to draw when one labels a film due to what is *not* included in a film.
What this film does contain is much more stellar - Hoffman is beyond incredible in this film. His character development is amazing to experience. One criticism of the film that I heard from a friend who saw it before me was that it "dragged." I couldn't disagree more. The development of the story until the extremely violent climax is a perfect pace because it made me feel like I was sitting in a dentist chair, knowing that this low boil could explode at any time. After the dust settles, the viewer is left to decide whether Hoffman's character made the right decision, and left to speculate on the ramifications of the choices made. This is by far one of the best films I've seen in recent months and plan to seek out the newly released Criterion edition in my quest to find out as much about this film as I can.
--Shelly