Straw Dogs (1971)

Director:

Sam Peckinpah

Writers:

David Zelag Goodman (screenplay) and
Sam Peckinpah (screenplay) ...
(more)

Release Date:

29 December 1971 (USA)

Genre:

Drama | Thriller

Tagline:

The knock at the door meant the birth of one man and the death of seven others!

Plot:

A young American and his English wife come to rural England and face increasingly vicious local harassment.

Plot Keywords:

American | Assault | Construction | Violence | House

Awards:

Nominated for Oscar. Another 1 win

Cast

Dustin Hoffman	...	David Sumner
Susan George	...	Amy Sumner
Peter Vaughan	...	Tom Hedden
T.P. McKenna	...	Major John Scott
Del Henney	...	Charlie Venner
Jim Norton	...	Chris Cawsey
Donald Webster	...	Riddaway
Ken Hutchison	...	Norman Scutt
Len Jones	...	Bobby Hedden
Sally Thomsett	...	Janice Hedden
Robert Keegan	...	Harry Ware
Peter Arne	...	John Niles
Cherina Schaer	...	Louise Hood
Colin Welland	...	Reverend Barney Hood
rest of cast listed alphabetically:
June Brown	...	Mrs. Hedden (scenes deleted)
Chloe Franks	...	Emma Hedden (scenes deleted)
Michael Mundell	...	Bertie Hedden (uncredited)
David Warner	...	Henry Niles (uncredited)

Directed by
Sam Peckinpah

Writing credits
David Zelag Goodman		(screenplay) and
Sam Peckinpah		(screenplay)
Gordon Williams		(novel "The Siege of Trencher's Farm") (as Gordon M. Williams)

Produced by
Daniel Melnick	....	producer
James Swann	....	associate producer

Original Music by
Jerry Fielding

Cinematography by
John Coquillon		(director of photography)

Film Editing by
Paul Davies
Tony Lawson
Roger Spottiswoode

Casting by
Miriam Brickman

Production Design by
Ray Simm

Art Direction by
Ken Bridgeman

Makeup Department
Harry Frampton	....	makeup artist
Bobbie Smith	....	hairdresser
Peter Frampton	....	makeup assistant (uncredited)

Production Management
Derek Kavanagh	....	production supervisor

Second Unit Director or Assistant Director
Terry Marcel	....	assistant director
Nick Farnes	....	assistant director (uncredited)
Michael Murray	....	third assistant director (uncredited)

Art Department
Peter James	....	set dresser
Julia Trevelyan Oman	....	production design consultant

Sound Department
John Bramall	....	sound recordist
Garth Craven	....	sound editor
Michael Ellis	....	sound dialogue editor (uncredited)
Norman Savage	....	sound editor (uncredited)

Special Effects by
John Richardson	....	special effects
Peter Hutchinson	....	special effects assistant (uncredited)

Stunts
Bill Cornelius	....	stunt coordinator
Peter Brayham	....	stunts (uncredited)
Joe Dunne	....	stunts (uncredited)
Sue Longhurst	....	stunt double: Susan George (uncredited)

Camera and Electrical Department
Herbert Smith	....	camera operator
John Jay	....	still photographer (uncredited)

Costume and Wardrobe Department
Tiny Nicholls	....	wardrobe

Editorial Department
Robert L. Wolfe	....	editorial consultant (as Robert Wolfe)

Music Department
Jerry Fielding	....	conductor (uncredited)
Lennie Niehaus	....	orchestrator (uncredited)

Other crew
Pamela Davies	....	continuity
Anthony Goldschmidt	....	title designer
Katherine Haber	....	dialogue director (as Katy Haber)
George Davis	....	production accountant (uncredited)
Brian Doyle	....	unit publicist (uncredited)
Susan Shaw	....	body double: Susan George (uncredited)

Production Companies

• ABC Pictures (presents) (as ABC Pictures Corp.)
• Talent Associates (as Talent Associates Films, Ltd.)
• Amerbroco (as Amerbroco Films, Ltd.)

Distributors

• 20th Century Fox (1972) (France) (theatrical)
• British Film Institute (BFI) (1995) (UK) (theatrical)
• Centfox (1972) (West Germany) (theatrical)
• Cinerama Releasing Corporation (1971) (USA) (theatrical) (from)
• Cinerama Releasing UK (1971) (UK) (theatrical)
• Fox Films (1972) (Finland) (theatrical)
• Les Acacias (2009) (France) (theatrical) (re-release)
• Netherlands Fox Film Corporation (1971) (Netherlands) (theatrical)
• Anchor Bay Entertainment (1999) (USA) (DVD)
• Buena Vista Pictures (1995) (worldwide) (all media)
• Criterion Collection, The (2003) (USA) (DVD)
• Editora Europa (200?) (Brazil) (DVD)
• EuroVideo (1982) (West Germany) (VHS)
• EuroVideo (2009) (Germany) (DVD)
• FIS (2004) (France) (DVD)
• Gerit (1980s) (Finland) (VHS)
• Guild Home Video (UK) (video)
• MGM Home Entertainment (2004) (Canada) (DVD)
• MGM Home Entertainment (2004) (USA) (DVD)
• MRA Entertainment Group (2004) (Australia) (DVD)
• Magnetic Video (1981) (USA) (VHS)
• Nelonen (1998) (2007) (Finland) (TV)
• Omaxi (1980s) (Finland) (VHS)
• Pearson Television International (2002) (UK) (DVD)
• Scanbox Entertainment (2001) (2008) (Finland) (DVD) (both releases cropped to 1.33:1)
• Thorn-Emi Video (????) (West Germany) (VHS)
• Transvídeo (Brazil) (VHS)
• VTC-Video (1980s) (Finland) (VHS)
• Video Collection International (1999) (UK) (VHS)
• Yleisradio (YLE) (2010) (2011) (Finland) (TV)

Other Companies

• Lee Lighting  grip and lighting equipment (uncredited)

Also Known As:

"Strawdogs" - USA (review title)

Runtime:

118 min | USA:113 min (R-rated version)

Country:

USA | UK

Language:

English

Color:

Color (Eastmancolor) (uncredited) | Black and White (opening credits)

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono

Certification:

Argentina:18 | Australia:MA (DVD re-rating) (2004) | Australia:R (original rating) | France:-16 | Hong Kong:III | Ireland:18 | Italy:VM14 (re-rating) | Italy:VM18 (original rating) | Japan:R-15 | New Zealand:R18 | Norway:18 | Spain:18 | Sweden:15 | UK:(Banned) (video rating) (1999) | UK:18 (video re-rating) (2002) (uncut) | UK:X (original rating) | USA:R | Finland:K-18 (cut) (1971) | Finland:K-18 (uncut) (1981) | Canada:13+ (Quebec) | Iceland:16 | Germany:16 (re-rating) (2007) | West Germany:18 (original rating) | USA:R (cut) | USA:Unrated (uncut) | Brazil:18 | South Korea:18 | Peru:18 | Portugal:M/16 | UK:18 (re-rating) (1995) | UK:18 (tv rating) | Netherlands:18 (orginal rating)

Filming Locations:

Lamorna Cove, Lamorna, Cornwall, England, UK

Company:

ABC Pictures

Trivia:

In order to express a sick enjoyment in the scene where Dustin Hoffman beats the man on the floor to death, he requested that there would be coconuts there for him to smash. In one shot you can actually see a bit of coconut flying off, which Sam Peckinpah passed off as brain matter.

Goofs:

Crew or equipment visible: As David and Amy Sumner drive up to their house for the first time, the camera crew is reflected in the car's side window.

Quotes:

David Sumner:Ok, you've had your fun. I'll give you one more chance, and if you don't clear out now, there'll be real trouble. I mean it.

Movie Connections:

Referenced in Hanging Perverts (2010)

Soundtrack:

Cara Nome

Years ahead of its time

Sam Pecknpah followed his extremely violent and critically acclaimed 'The Wild Bunch' with the even more violent 'Straw Dogs', which didn't sit as well with the critics; in fact, 'Straw Dogs' was shocking enough to be banned in the UK where it was filmed, although in the US it was released with an X rating. Critics attacked it as being overtly violent and sexual, and entirely missed the message Peckinpah was making. Three and a half decades later, though, it's easier to appreciate 'Straw Dogs' for the groundbreaking creation that it was, and its influence can clearly be seen in the works of such contemporary directors as David Fincher, David Lynch and Todd Solondz, among others.

With hindsight, it's hard to miss the fact that the sexual and violent content of 'Straw Dogs' isn't a whole lot more shocking than that of Kubrick's 'A Clockwork Orange', released that very same month. 'A Clockwork Orange' also created its own share of controversy, of course; yet somehow it was more rapidly recognized as the masterpiece it is by critics than 'Straw Dogs'. In part, I think that's due to the fact that while 'A Clockwork Orange' is an ultra-violent surreal fantasy from its very beginning, 'Straw Dogs' seems entirely innocent at first, like a very realistic and light-hearted drama, and the violence builds gradually throughout the film. That sense of realism, which 'A Clockwork Orange' never pretends to, makes 'Straw Dogs' much more difficult to take as an analogy; it cries out to be taken at face value, which makes it much more difficult to swallow.

Dustin Hoffman was never an actor to fear controversy, and 'Straw Dogs' catches him right at the peak of his best years as an actor, after 'The Graduate', 'Midnight Cowboy' and 'Little Big Man', and before 'Lenny', 'Papillon' and 'All The President's Men'. His performance is as amazing as in any of these, and again Hoffman proves his rare range, as well as his sensitivity; his performance carries the film to true excellence, and perhaps that's the other reason that the film was a bit more difficult to take than 'A Clockwork Orange' – to take nothing away from the wonderful Malcolm McDowell, what 'A Clockwork Orange' simply didn't have was a protagonist for the viewer to identify with, and therefore, like I stated before, it was easier to take as an analogy, and Alex functioned more as a symbolic and iconic character than as a real human being. David Sumner, on the other hand, is a remarkably realistic and convincing character, and one that is very easy to relate to, which makes the change that comes over him towards the end of the film all the more shocking. Again, it is that building up of tension that makes 'Straw Dogs' such a powerful experience.

'Straw Dogs' is a film that creates controversy and disagreements, and so it should. It's easy to create controversy with sex and violence; but many years later that initial shock fades, and the real test is whether or not the film stands the trial of time and still manages to shock and engross. Like 'A Clockwork Orange', 'Straw Dogs' stands that test. Love it or hate it, it's hard to deny that it's an important and influential film, and it's essential viewing for any film lover.