| Photos (See all 34 | slideshow) | Videos (see all 4) |
| Dustin Hoffman | ... | David Sumner | |
| Susan George | ... | Amy Sumner | |
| Peter Vaughan | ... | Tom Hedden | |
| T.P. McKenna | ... | Major John Scott | |
| Del Henney | ... | Charlie Venner | |
| Jim Norton | ... | Chris Cawsey | |
| Donald Webster | ... | Riddaway | |
| Ken Hutchison | ... | Norman Scutt | |
| Len Jones | ... | Bobby Hedden | |
| Sally Thomsett | ... | Janice Hedden | |
| Robert Keegan | ... | Harry Ware | |
| Peter Arne | ... | John Niles | |
| Cherina Schaer | ... | Louise Hood | |
| Colin Welland | ... | Reverend Barney Hood | |
| rest of cast listed alphabetically: | |||
| June Brown | ... | Mrs. Hedden (scenes deleted) | |
| Chloe Franks | ... | Emma Hedden (scenes deleted) | |
| Michael Mundell | ... | Bertie Hedden (uncredited) | |
| David Warner | ... | Henry Niles (uncredited) | |
Directed by | |||
| Sam Peckinpah | |||
Writing credits | ||
| David Zelag Goodman | (screenplay) and | |
| Sam Peckinpah | (screenplay) | |
| Gordon Williams | (novel "The Siege of Trencher's Farm") (as Gordon M. Williams) | |
Produced by | |||
| Daniel Melnick | .... | producer | |
| James Swann | .... | associate producer | |
Original Music by | |||
| Jerry Fielding | |||
Cinematography by | |||
| John Coquillon | (director of photography) | ||
Film Editing by | |||
| Paul Davies | |||
| Tony Lawson | |||
| Roger Spottiswoode | |||
Casting by | |||
| Miriam Brickman | |||
Production Design by | |||
| Ray Simm | |||
Art Direction by | |||
| Ken Bridgeman | |||
Makeup Department | |||
| Harry Frampton | .... | makeup artist | |
| Bobbie Smith | .... | hairdresser | |
| Peter Frampton | .... | makeup assistant (uncredited) | |
Production Management | |||
| Derek Kavanagh | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Terry Marcel | .... | assistant director | |
| Nick Farnes | .... | assistant director (uncredited) | |
| Michael Murray | .... | third assistant director (uncredited) | |
Art Department | |||
| Peter James | .... | set dresser | |
| Julia Trevelyan Oman | .... | production design consultant | |
Sound Department | |||
| John Bramall | .... | sound recordist | |
| Garth Craven | .... | sound editor | |
| Michael Ellis | .... | sound dialogue editor (uncredited) | |
| Norman Savage | .... | sound editor (uncredited) | |
Special Effects by | |||
| John Richardson | .... | special effects | |
| Peter Hutchinson | .... | special effects assistant (uncredited) | |
Stunts | |||
| Bill Cornelius | .... | stunt coordinator | |
| Peter Brayham | .... | stunts (uncredited) | |
| Joe Dunne | .... | stunts (uncredited) | |
| Sue Longhurst | .... | stunt double: Susan George (uncredited) | |
Camera and Electrical Department | |||
| Herbert Smith | .... | camera operator | |
| John Jay | .... | still photographer (uncredited) | |
Costume and Wardrobe Department | |||
| Tiny Nicholls | .... | wardrobe | |
Editorial Department | |||
| Robert L. Wolfe | .... | editorial consultant (as Robert Wolfe) | |
Music Department | |||
| Jerry Fielding | .... | conductor (uncredited) | |
| Lennie Niehaus | .... | orchestrator (uncredited) | |
Other crew | |||
| Pamela Davies | .... | continuity | |
| Anthony Goldschmidt | .... | title designer | |
| Katherine Haber | .... | dialogue director (as Katy Haber) | |
| George Davis | .... | production accountant (uncredited) | |
| Brian Doyle | .... | unit publicist (uncredited) | |
| Susan Shaw | .... | body double: Susan George (uncredited) | |
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| Black Belly of the Tarantula | Deep Red | The Bird with the Crystal Plumage | The Cat o' Nine Tails | A Bay of Blood |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
In the same year as Clockwork Orange, at the height of the Vietnam War, Peckinpah tried to bring his message into the present. Behind the thin veneer of civilization lies a monster worse than the barbarians of the hill country. By refusing to meet each challenge and take the consequences, the protagonist, like Western Civilization, allows the conflict to escalate to the point where extreme horror appears justified. The inevitable march to the macabre resolution, leaves lots of room for speculation about who the villains are and how much of the world around us is our own doing. This movie, like its Kubrick contemporary, was major ratings controversy because the sex and violence was "disturbing" - unlike the real thing which seems like so much fun on TV.