Intent on seeing the Cahulawassee River before it's turned into one huge lake, outdoor fanatic Lewis Medlock takes his friends on a river-rafting trip they'll never forget into the dangerous American back-country.
In 1943, in the Russian front, the decorated leader Rolf Steiner is promoted to Sergeant after another successful mission. Meanwhile the upper-class and arrogant Prussian Captain Hauptmann ... See full summary »
Upon moving to Britain to get away from American violence, astrophysicist David Sumner and his wife Amy are bullied and taken advantage of by the locals hired to do construction. When David finally takes a stand it escalates quickly into a bloody battle as the locals assault his house. Written by
Andrew Hyatt <email@example.com>
A courageous performance by Hoffman in a grimy, unseemly macho fantasy...
A passive American mathematician and his British wife move to a farm in rural England and are terrorized in their home by vicious locals. Gordon M. Williams' book "The Siege of Trencher's Farm" becomes a standardized Hollywood bout between Good and Evil, with Good having to stoop to the gutters in order to survive--which is really what life is all about, isn't it? Sam Peckinpah directed (and co-penned the script), and he delights in slavering savagery and carnality, with a motley gang of villainous goons taunting our hero, portrayed by actors who have no other character motivation to play beyond being villainous goons. It gets you worked up, all right, to the point of exasperation and exhaustion. Dustin Hoffman manages to create a tangible character, and his repressed anxiety and impotent anger is both frustrating and thought-provoking. However, there isn't much provocative about Peckinpah's staging of this violent tale; he's all about externals--how righteous anger destroys our common decency--and he can't even manage this without pushing the same old buttons, complete with a rape scene in which the victim, Susan George, does everything but smoke a cigarette afterward. The filmmaker has only one card to play, the tearing down of morality in the modern man, and he stretches this out so far his plot-points become battering rams. ** from ****
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