Andrew Garfield, Mahershala Ali, Ruth Negga, and five others received their first-ever acting nominations for 2017. While these actors are new to the Academy Awards, you may recognize them from their earlier work.
Upon moving to Britain to get away from American violence, astrophysicist David Sumner and his wife Amy are bullied and taken advantage of by the locals hired to do construction. When David finally takes a stand it escalates quickly into a bloody battle as the locals assault his house. Written by
Andrew Hyatt <email@example.com>
In order to express a sick enjoyment in the scene where Dustin Hoffman beats the man on the floor to death, he requested that there would be coconuts there for him to smash. In one shot you can actually see a bit of coconut flying off, which Sam Peckinpah passed off as brain matter. See more »
In the scene where David is taken duck shooting, he fires his gun into the air at ducks flying overhead. We see ducks flying to the right and straightaway to the left. It is the same film reversed. See more »
David, give Niles to them. That's what they want. They just want him. Give them Niles, David!
They'll beat him to death.
I don't care! Get him out!
You really don't care, do you?
No, I don't.
No. I care. This is where I live. This is me. I will not allow violence against this house.
See more »
A courageous performance by Hoffman in a grimy, unseemly macho fantasy...
A passive American mathematician and his British wife move to a farm in rural England and are terrorized in their home by vicious locals. Gordon M. Williams' book "The Siege of Trencher's Farm" becomes a standardized Hollywood bout between Good and Evil, with Good having to stoop to the gutters in order to survive--which is really what life is all about, isn't it? Sam Peckinpah directed (and co-penned the script), and he delights in slavering savagery and carnality, with a motley gang of villainous goons taunting our hero, portrayed by actors who have no other character motivation to play beyond being villainous goons. It gets you worked up, all right, to the point of exasperation and exhaustion. Dustin Hoffman manages to create a tangible character, and his repressed anxiety and impotent anger is both frustrating and thought-provoking. However, there isn't much provocative about Peckinpah's staging of this violent tale; he's all about externals--how righteous anger destroys our common decency--and he can't even manage this without pushing the same old buttons, complete with a rape scene in which the victim, Susan George, does everything but smoke a cigarette afterward. The filmmaker has only one card to play, the tearing down of morality in the modern man, and he stretches this out so far his plot-points become battering rams. ** from ****
13 of 22 people found this review helpful.
Was this review helpful to you?