In 1943, in the Russian front, the decorated leader Rolf Steiner is promoted to Sergeant after another successful mission. Meanwhile the upper-class and arrogant Prussian Captain Hauptmann ... See full summary »
The host of an investigative news show is convinced by the CIA that the friends he has invited to a weekend in the country are engaged in a conspiracy that threatens national security in ... See full summary »
Upon moving to Britain to get away from American violence, astrophysicist David Sumner and his wife Amy are bullied and taken advantage of by the locals hired to do construction. When David finally takes a stand it escalates quickly into a bloody battle as the locals assault his house. Written by
Andrew Hyatt <firstname.lastname@example.org>
The future of the film was put in jeopardy when director Sam Peckinpah caught pneumonia after an all-night drinking session with Ken Hutchison in the sea at Land's End. Having recuperated at a clinic in London, Peckinpah was only reinstated after promising that he would remain sober. See more »
When Amy fires the shotgun at the last attacker both the hammers are in the 'uncocked' position. She would need to pull the hammer of the relevant barrel backwards to cock the gun. See more »
reacting as an animal to an animal doesn't make you an animal
Somehow this movie reminds me of a scene in "A King in New York" where the king (Charles Chaplin) goes to visit a school and the pupils start throwing pieces of cake at him. At the beginning he tries to act dignified and ignore it, but then he ends up also throwing pieces of cake. Dustin Hoffman is David, a peaceful guy who starts being provoked by the hoodlums he contracted to fix his garage. He does not know their real bad characters so he is caught off guard and his lack of reaction can be attributed to that. He is far from being a coward as the film will show later on. Susan George is his wife Amy who makes a point of being sexy. She starts feeling her husband is a coward and her contradictory feelings during the magnificently made rape scene are an unconscious reaction to that. When the second man shows up to rape her, the humiliation which was already unbearable is multiplied. A similar situation occurs between Niles, the town idiot, and a girl. David gives Niles shelter in his house. The irony of the film is that the hoodlums come to lynch Niles for a crime they just practiced. David answers them on the same level. Did he become an animal like them? Definitely not, the bitter truth is that one does not always choose the weapons he fights with. This is Peckinpah's best film.
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