An old detective does not want to retire, especially if the reason for his retire is to free a place for stupid young "promoted-by-the-tops" guy. The only way out is to convince the boss ... See full summary »
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An old detective does not want to retire, especially if the reason for his retire is to free a place for stupid young "promoted-by-the-tops" guy. The only way out is to convince the boss that hero still can effectively investigate complex crimes. Together with his going-to-be-retired engineer friend he decides to commit a perfect crime himself and then quickly solve it. But the first attempt of ideal crime is unexpectedly unnoticed by anyone; and after convincing their female fried, a bank employee, to participate in another "fake crime" scenario, they face a real trouble: money are finally grabbed by actual criminal. Written by
Konstantin Dlutskii <firstname.lastname@example.org>; Hleb Rubanau <email@example.com>
People are usually divided concerning this Ryazanov movie. It's rather hard for an unprepared watcher and many, including Nikulin himself, did not like it. But it's an important milestone both in Ryazanov work as well as in Soviet cinema. Not everyone can read behind the lines, but it's a very deep social and moral satire. Already in this movie Ryazanov made a decisive step towards tragicomedy. Nikulin as the honest and very naive detective actually parodies his former "Gorbunkov" impersonations, coming close to grotesque. The final trial scene is excellent and surrealistic. Short contributions from Andrey Mironov, Georgiy Burkov are excellent. Olga Aroseva was know as TV comedy actress before this movie, and this film makes some insight into her deeper personality and talent. The film is also famous for showing the medieval architecture of Lvov and old vintage trams on its streets.
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