A constant runaway is given over to the care of the state and finds herself in a remand centre for girls. She is soon caught between the uncaring bureaucracy, the sometimes brutal treatment... See full summary »
Allyn Ann McLerie
Linda gets raped by a man in a hockey mask. She finds that a few other women have had the same treatment. Together they form a squad that starts looking for the man and also changes the ... See full summary »
Barbara gets secret plastic surgery in Switzerland in an attempt to save her marriage to Mark, but he doesn't seem interested in meeting her. She checks in to a ski resort to wait for Mark,... See full summary »
Linda Blair plays Carol, a young woman who must serve 18 months in prison after killing a man (by accident). The prison turns out to be brimming with decadence, corruption and sleaze, where... See full summary »
Gene and Finny are two boys who are best friends living in 1943, at the height of World War II. The idea that the boys will most likely be drafted when they turn eighteen is surrounding ... See full summary »
Sergeant Foggers and two confederate soldiers lay their hands on gold bullion belonging to the army, taking at the same time a certain Ben Akajnian hostage. Then they bury the loot near an ... See full summary »
William A. Graham
When the President and Speaker of the House are killed in a building collapse, and the Vice-President declines the office due to age and ill-health, Senate President pro tempore Douglas ... See full summary »
James Earl Jones,
A gang of crazed punkers breaks into a family's vacation home in the mountains and slaughters the entire family, except for one daughter who gets away. As the gang pursues the girl through ... See full summary »
Flawed but fascinating New Hollywood era drama from writer Thos. McGuane
God bless the New Hollywood era of the late 1960's and early 1970's: it seems to be a bottomless well of offbeat (and often criminally overlooked) gems like Frank Perry's PLAY IT AS IT LAYS, Bill Norton's CISCO PIKE, Noel Black's PRETTY POISON -- and even the flawed but still-fascinating THE SPORTING CLUB. This was the first of several films based on the novels of (or screenwritten by) author Thomas McGuane, followed by the wonderful pot-addled western RANCHO DELUXE and the equally-good 92 IN THE SHADE with Peter Fonda and Warren Oates. THE SPORTING CLUB sadly isn't quite as good as these two, but it's still pretty interesting in its own right. The plot revolves around a woodsy retreat for wealthy sportsmen (and women) called The Centennial Club where they gather sporadically to drink heavily and congratulate themselves on being so rich. James Quinn (played by Nicolas Coaster in a fine, understated performance) is a soon-to-be-broke member of this fraternity whose one close connection is with his former college buddy Verner Stanton (Robert Fields), who has a dangerous obsession with dueling pistols, and Verner's girlfriend (Margaret Blye). There are some parallels here with DELIVERANCE (which came a year later): both movies feature heavily-armed businessmen trying to find themselves out in the woods, although SPORTING CLUB is much more satirical. The movie achieves a kind of cock-eyed brilliance when Jack Warden arrives, playing a boozey former bait-shop owner whose been picked as the Club's new groundskeeper. His performance suggests something that's been stewing in grain alcohol for a bit too long and captures the off-center flavor and rhythms of McGuane's writing better than almost anything else in the film. (It also strangely reminds me of Burl Ives's great performance as a grizzled swamp poacher in Nicholas Ray's WIND ACROSS THE EVERGLADES.) Warden's final anarchic act of payback against the Club members is truly classic. Director Larry Peerce's early 1970's career included some fine dramas such as "Goodbye Columbus," "A Separate Peace" and "Ash Wednesday" and deserves re-appreciation. One of the best sequences here comes early in the film when Fields and his friends hijack and destroy a bus during a Presidential appearance at the local dam; the sight of two wealthy capitalists literally trashing their own Establishment is the kind of contradiction that makes McGuane's writing so memorable. To be honest, the film is far from perfect -- the plot tends to meander too much and lose focus, and if anything, the movie feels a bit too consciously "literary" -- but its definitely worth checking out especially if you're a fan of early 1970's New Hollywood films. Note: although it doesn't seem to be listed on Amazon.com, there is a late 1980's video release of the film on Charter Entertainment so it's available if you can find it.
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