| Lea Massari | ... | Clara Chevalier | |
| Benoît Ferreux | ... | Laurent Chevalier | |
| Daniel Gélin | ... | Charles Chevalier | |
| Michael Lonsdale | ... | Father Henri | |
| Ave Ninchi | ... | Augusta | |
| Gila von Weitershausen | ... | Freda (the prostitute) | |
| Fabien Ferreux | ... | Thomas | |
| Marc Winocourt | ... | Marc | |
| Micheline Bona | ... | Aunt Claudine | |
| Henri Poirier | ... | Uncle Leonce | |
| Liliane Sorval | ... | Fernande | |
| Corinne Kersten | ... | Daphne | |
| Eric Walter | |||
| François Werner | ... | Hubert | |
| René Bouloc | ... | Man at Bastille Day party | |
| Jacqueline Chauvaud | ... | Helene | |
| Jacques Gheusi | ... | Hotel receptionist | |
| Yvon Lec | ... | Father Superior | |
| Jean-Pierre Pessoz | ... | Soldier | |
| Bernadette Robert | |||
| Annie Savarin | ... | Le cuisinière | |
| Jacques Sereys | |||
| rest of cast listed alphabetically: | |||
| Éric Burnelli | ... | Maitre d'Hotel (uncredited) | |
| Nicole Carrière | ... | Mother (uncredited) | |
| Michel Charrel | ... | Disquaire (uncredited) | |
| Huguette Faget | ... | Mother (uncredited) | |
| Isabelle Kloucowski | ... | Madeleine (uncredited) | |
| Lia Wanital | ... | Mother (uncredited) | |
Directed by | |||
| Louis Malle | |||
Writing credits | ||
| Louis Malle | (written by) | |
Produced by | |||
| Vincent Malle | .... | producer | |
| Claude Nedjar | .... | producer | |
Cinematography by | |||
| Ricardo Aronovich | |||
Film Editing by | |||
| Suzanne Baron | |||
Production Design by | |||
| Jean-Jacques Caziot | |||
Makeup Department | |||
| Jacky Reynal | .... | makeup artist | |
Production Management | |||
| Maurice Urbain | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Rida Draïs | .... | assistant director | |
| Fernand Moszkowicz | .... | assistant director (as Fernand Moscowicz) | |
| Ghislain Uhry | .... | collaborating director | |
Art Department | |||
| Philippe Turlure | .... | assistant art director | |
Sound Department | |||
| Jean-Claude Laureux | .... | sound | |
| Michel Vionnet | .... | assistant sound | |
Editorial Department | |||
| Catherine Brasier-Snopko | .... | assistant editor (as Catherine Snopko) | |
| Solange Leprince | .... | assistant editor | |
Music Department | |||
| Sidney Bechet | .... | composer: stock music | |
| Gaston Frèche | .... | composer: stock music | |
| Charlie Parker | .... | composer: stock music | |
| Henri Renaud | .... | composer: stock music | |
Other crew | |||
| Élisabeth Rappeneau | .... | script girl | |
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| My Own Private Idaho | The Children of the Century | The Witnesses | 8½ | El diputado |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
There have been a million coming of age stories in the history of the world, most of them probably in the film medium. What a pathetic thing to have to endure something as trite as the American film American Pie when something like The 400 Blows exists. Murmur of the Heart will remind most of that classic, and, akin to French films such as Zero for Conduct, The 400 Blows, and Malle's own Au Revoir Les Enfantes, it is excellently acted, both by the adults in the film and the children (here, though, they're teens), and it is infinitely more truthful than most American films of the same genre. Murmur of the Heart falls just short of The 400 Blows, but it is a worthy successor to it. Beware, though. This film's main theme is sexuality, and there are some very disturbing scenes, even thought the mood of the film is quite light-hearted. 9/10