Quincy Drew and his black friend Jason O'Rourke have pulled off every dodge known for conning a well-heeled sucker, but it wasn't until they hit on the old skin game that they started to ... See full summary »
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Quincy Drew and his black friend Jason O'Rourke have pulled off every dodge known for conning a well-heeled sucker, but it wasn't until they hit on the old skin game that they started to clean up. The game is simple. Jason, though born a free man in New Jersey, poses as Quincy's slave as the pair ride through Missouri and Kansas in 1857. Quincy picks a likely mark in each town, sells Jason to him for top money and rides out of town. Then Quincy and Jason get back together on the road to another town, because if Jason can't just run off after dark, Quincy finds a way to spring him loose. Written by
The 1,500th release in Warner Bros.'s history. See more »
Susan Clark's character explains to Quincy that there is to be a vote whether Kansas will join the Union as a slave state like Missouri or a free state like Nebraska. Nebraska wasn't admitted to the Union until 1867, 6 years after Kansas. See more »
Thank goodness for Encore Westerns. They keep showing films that rarely see the light of day, but ones that, for whatever reason, were either ignored or forgotten. This is one, from the paucity of reviews, that has slipped through the cracks.
Skin Game is slightly, and only one star slightly, less than the sum of its parts. By that I mean..watch this film for the acting (one, in these PC days, can complain about the possible racial slurs). Not one sour note in this cast. We know Garner can act, can do his Maverick/Rockford thing to perfection, but how about Susan Clark? Lost in the silliness of the Webster TV show 80's phenomenon, she shows an amazingly playful sensuality throughout. I don't think I have seen a more erotic scene than between her and Garner, relaxing near a stream after she breaks him out of jail, finding that a con can love a con, with a camera fixed on the close-up the entire time. What a marvel of chemistry that is created (and forms the basis for the rest of the plot). Paul Bogart, that master TV director of nearly 100 All in the Family episodes, finds his angle and just stays there. Well Crafted and on the money.
Throw in well-rounded performances from Lou Gossett and Brenda Sikes (watch THEIR sensuous hayloft scene!), and absolutely solid support from a gang of supporting stars who anchored many a 60/70's movie...Duggan, Jones, Dano, Baer, O'Malley...and Asner is such a hoot as the slave trading merchant. Not sure any white actor could deliver a line with the "n" word in it and not make it sound anything other than business-like!
This film holds up well, and its acting pleasure are numerous. Not to be missed.
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