In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences.
A soldier from Earth crash-lands on an alien world after sustaining battle damage. Eventually he encounters another survivor, but from the enemy species he was fighting; they band together ... See full summary »
Louis Gossett Jr.,
In a future Earth barren of all flora and fauna, the planet's ecosystems exist only in large pods attached to spacecraft. When word comes in that the pods are to be jettisoned into space and destroyed, most of the crew of the Valley Forge rejoice at the prospect of going home. Not so for botanist Freeman Lowell who loves the forest and its creatures. He kills his colleagues taking the ship deep into space. Alone on the craft with his only companions being three small robots, Lowell revels in joys of nature. When colleagues appear to "rescue" him, he realizes he has only one option available to him. Written by
The "Saturn sequence" was originally intended to be featured in Stanley Kubrick's 2001: A Space Odyssey (1968), but the technology needed for the visual effects team to do such a sequence was not ready for use. See more »
When Lowell is playing pool the robot is dropping the balls into the center pocket. There are two small air lines connected to the ball gripper. The camera cuts to a wider shot and you can see the robot has set the ball gripper on the table. The airlines have somehow disconnected themselves. It picks up the nine ball rack with its main gripper and drops it off on the table. It then picks up the ball gripper. There are no air lines connected to the ball gripper at this moment. The movie briefly cuts to back to Lowell while the robot retrieves the first ball. When it returns you can clearly see the air lines have been reconnected to the ball gripper. See more »
It calls back a time when there were flowers all over the Earth... and there were valleys. And there were plains of tall green grass that you could lie down in - you could go to sleep in. And there were blue skies, and there was fresh air... and there were things growing all over the place, not just in some domed enclosures blasted some millions of miles out in to space.
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Maybe one of the most moving things about this film is the fact that the drones (small droids) give such powerful performances without ever being able to utter a word. Maybe a "nod" in some ways to the days of the silent movie. The environmental message is as powerful today as it was in 1972.
An extremely good yet brief film that I felt I had to comment upon it. Enjoyed the hippy theme tune as well just because it fitted right in. These types of film are rare but precious. I remember watching this as a child and it had an impact on me then so I thought I should revisit the piece 20 years later. Absolutely not disappointed.
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