In a future where all flora is extinct on Earth, an astronaut is given orders to destroy the last of Earth's plant life being kept in a greenhouse on board a spacecraft.
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After an encounter with UFOs, a line worker feels undeniably drawn to an isolated area in the wilderness where something spectacular is about to happen.
Director:
Steven Spielberg
Stars:
Richard Dreyfuss,
François Truffaut,
Teri Garr
In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences.
Director:
Fritz Lang
Stars:
Alfred Abel,
Gustav Fröhlich,
Rudolf Klein-Rogge
A soldier from Earth crashlands on an alien world after sustaining battle damage. Eventually he encounters another survivor, but from the enemy species he was fighting; they band together ... See full summary »
Director:
Wolfgang Petersen
Stars:
Dennis Quaid,
Louis Gossett Jr.,
Brion James
An action thriller centered on a soldier who wakes up in the body of an unknown man and discovers he's part of a mission to find the bomber of a Chicago commuter train.
Director:
Duncan Jones
Stars:
Jake Gyllenhaal,
Michelle Monaghan,
Vera Farmiga
A diplomat is nearly assassinated. In order to save him, a submarine is shrunken to microscopic size and injected into his blood stream with a small crew. Problems arise almost as soon as they enter the bloodstream.
Two young children are stranded in the Australian outback and are forced to cope on their own. They meet an Aborigine on "walkabout": a ritualistic separation from his tribe.
In a future Earth barren of all flora and fauna, the planet's ecosystems exist only in large pods attached to spacecraft. When word comes in that the pods are to be jettisoned into space and destroyed, most of the crew of the Valley Forge rejoice at the prospect of going home. Not so for botanist Freeman Lowell who loves the forest and its creatures. He kills his colleagues taking the ship deep into space. Alone on the craft with his only companions being three small robots, Lowell revels in joys of nature. When colleagues appear to "rescue" him, he realizes he has only one option available to him. Written by
garykmcd
Freeman Lowell:
It calls back a time when there were flowers all over the Earth... and there were valleys. And there were plains of tall green grass that you could lie down in - you could go to sleep in. And there were blue skies, and there was fresh air... and there were things growing all over the place, not just in some domed enclosures blasted some millions of miles out in to space.
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Universal Studios funded several low-budget productions in the early seventies. By far the best to come out of this program was 'Silent Running', an ecologically-minded 'message film' that stands out today as one of the truly great films of the science-fiction genre.
Bruce Dern stars as Freeman Lowell, a futuristic Park Ranger minding Earth's last forests, sealed in gigantic domes aboard an equally gigantic freighter in space. When ordered to destroy the domes and return home, Lowell is forced to choose between his crewmates and his beloved forests.
The motif of a polluted, or simply, homogenized Earth, the ultimate triumph of human progress over nature and wilderness, is a standard theme of science fiction in the 20th century, and the film is not too different from many other films and episodic television programs seen since the postwar period. Rarely, however, has the theme been explored from the point of view of ecological ethics. The storyline is kept deliberately simple, and asks not the question 'How Would You Act In Such A Position', it merely shows how one particular man might. The characters are given seminal, yet subtle opportunities to flesh themselves out (comments made during meals and card games are particularly noteworthy), and even if the character of Lowell is ultimately dislikeable, he remains oddly sympathetic. Dern produces a remarkable performance here, as a tortured, perhaps even mentally-ill, loner. His work here is still fresh and understated and certainly not of the over-the-top calibre, despite the insistances of some.
The film possesses truly amazing visual images, from the spacecraft itself (the decommissioned and soon-to-be-scrapped aircraft carrier Valley Forge) to the domes (an aircraft hanger at Van Nuys Airport) to the unforgettable Drones, uncanny little robots designed around the amputee-actors that give them life. Visual effects are excellent, the direct prototypes of even more fantastical films to come. The music, composed for the film by Peter Schickele (known internationally as P.D.Q. Bach), is by turns boldly triumphant, softly mournful, and is quite effective; some viewers may hate the vocal work of Joan Baez, but she is a logical choice for this production and time period.
While many films have suffered since the release of 'Star Wars'(which is NOT, strictly speaking, science-fiction) due to dated visuals and obsolete effects technology, 'Silent Running' is still startlingly clean and visionary. A worthy film for all science-fiction fans to see.
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Universal Studios funded several low-budget productions in the early seventies. By far the best to come out of this program was 'Silent Running', an ecologically-minded 'message film' that stands out today as one of the truly great films of the science-fiction genre.
Bruce Dern stars as Freeman Lowell, a futuristic Park Ranger minding Earth's last forests, sealed in gigantic domes aboard an equally gigantic freighter in space. When ordered to destroy the domes and return home, Lowell is forced to choose between his crewmates and his beloved forests.
The motif of a polluted, or simply, homogenized Earth, the ultimate triumph of human progress over nature and wilderness, is a standard theme of science fiction in the 20th century, and the film is not too different from many other films and episodic television programs seen since the postwar period. Rarely, however, has the theme been explored from the point of view of ecological ethics. The storyline is kept deliberately simple, and asks not the question 'How Would You Act In Such A Position', it merely shows how one particular man might. The characters are given seminal, yet subtle opportunities to flesh themselves out (comments made during meals and card games are particularly noteworthy), and even if the character of Lowell is ultimately dislikeable, he remains oddly sympathetic. Dern produces a remarkable performance here, as a tortured, perhaps even mentally-ill, loner. His work here is still fresh and understated and certainly not of the over-the-top calibre, despite the insistances of some.
The film possesses truly amazing visual images, from the spacecraft itself (the decommissioned and soon-to-be-scrapped aircraft carrier Valley Forge) to the domes (an aircraft hanger at Van Nuys Airport) to the unforgettable Drones, uncanny little robots designed around the amputee-actors that give them life. Visual effects are excellent, the direct prototypes of even more fantastical films to come. The music, composed for the film by Peter Schickele (known internationally as P.D.Q. Bach), is by turns boldly triumphant, softly mournful, and is quite effective; some viewers may hate the vocal work of Joan Baez, but she is a logical choice for this production and time period.
While many films have suffered since the release of 'Star Wars'(which is NOT, strictly speaking, science-fiction) due to dated visuals and obsolete effects technology, 'Silent Running' is still startlingly clean and visionary. A worthy film for all science-fiction fans to see.