Thinking this will prevent war, the US government gives an impenetrable supercomputer total control over launching nuclear missiles. But what the computer does with the power is unimaginable to its creators.
In the distant future, a police marshal stationed at a remote mining colony on the Jupiter moon of Io uncovers a drug-smuggling conspiracy, and gets no help from the populace when he later finds himself marked for murder.
In a future Earth barren of all flora and fauna, the planet's ecosystems exist only in large pods attached to spacecraft. When word comes in that the pods are to be jettisoned into space and destroyed, most of the crew of the Valley Forge rejoice at the prospect of going home. Not so for botanist Freeman Lowell, who loves the forest and its creatures. He kills his colleagues taking the ship deep into space. Alone on the craft with his only companions being three small robots, Lowell revels in joys of nature. When colleagues appear to "rescue" him, he realizes he has only one option available to him. Written by
One of the ships is named Berkshire, where director Trumbull lives. See more »
Early in the movie it's established that the galley is on the starboard side of the ship; the final shot of the vessel shows the lighted galley window on the port side. See more »
It calls back a time when there were flowers all over the Earth... and there were valleys. And there were plains of tall green grass that you could lie down in - you could go to sleep in. And there were blue skies, and there was fresh air... and there were things growing all over the place, not just in some domed enclosures blasted some millions of miles out in to space.
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This film doesn't hit you over the head with million-dollar special effects. It doesn't contain action scenes every two seconds for the easily distracted. It just rips your heart out, and makes you think long after the movie is over. It is about isolation, alienation, lost causes, and the inevitable future. In short, it is a genuine science fiction film, not a gunfight covered with techno-glitz and special effects calling itself science fiction. Star Wars is great science fantasy, but the essence of science fiction is about what could happen, and is happening, and by the end of the film we have the disturbing feeling that it is a prediction of the future that will happen without intervention.
The feelings of sadness and hope this film evokes are inextricably linked in this film, right up until the end. If you rent this movie, you will be haunted by its images long after you have forgotten other films.
Ten out of ten stars; from the writing, directing and acting, right down to the three robot drones (Huey, Dewey and Louie), there is nothing to fault with in this film.
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