Brilliant researchers Lillian Reynolds and Michael Brace have developed a system of recording and playing back actual experiences of people. Once the capability of tapping into "higher ... See full summary »
Two reporters, Tracy and Chuck, get a message from a third one who discovered something about "Futureworld" and was killed before he could tell anyone about it. They visit Futureworld to ... See full summary »
In the distant future, a police marshal stationed at a remote mining colony on the Jupiter moon of Io uncovers a drug-smuggling conspiracy, and gets no help from the populace when he later finds himself marked for murder.
In a future Earth barren of all flora and fauna, the planet's ecosystems exist only in large pods attached to spacecraft. When word comes in that the pods are to be jettisoned into space and destroyed, most of the crew of the Valley Forge rejoice at the prospect of going home. Not so for botanist Freeman Lowell who loves the forest and its creatures. He kills his colleagues taking the ship deep into space. Alone on the craft with his only companions being three small robots, Lowell revels in joys of nature. When colleagues appear to "rescue" him, he realizes he has only one option available to him. Written by
To keep costs down, Trumbull hired college students for modelmaking and other such special effects work. One of them, John Dykstra, went on to a distinguished special effects career of his own. See more »
When Lowell is playing pool, the robot is dropping the balls into the center pocket. There are two small air lines connected to the ball gripper. The camera cuts to a wider shot and you can see the robot has set the ball gripper on the table. The airlines have somehow disconnected themselves. It picks up the nine ball rack with its main gripper and drops it off on the table. It then picks up the ball gripper. There are no air lines connected to the ball gripper at this moment. The movie briefly cuts back to Lowell whilst the robot retrieves the first ball. When it returns, you can clearly see the air lines have been reconnected to the ball gripper. See more »
[gesturing toward a picture]
Look on the wall behind you. Look at that little girl's face. I know you've seen it. But you know what she's never going to be able to see? She's never going to be able to see the simple wonder of a leaf in her hand. Because theres not going to be any trees. Now you think about that.
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Not just special effects, but a poignant question: what would YOU do?
Recently someone asked me what was the best sci-fi movie I'd ever seen. "Best"? On what basis -- story, acting, special effects? Generally one would usually choose one of the high-tech, high-priced, superstar biggies.
But I had to say "Silent Running." Oh, it has special effects all right, and I think they're good enough for the purpose; I certainly felt the cramped dimness of the station against the vast implacability of space. Maybe you'd say it doesn't have enough action, surprises, or gore. But maybe this story doesn't need them.
Then why is it my nomination? Because when it was over, I had to turn off the TV -- couldn't let its mood and memory be violated by a late-nite commercial -- and just quietly weep for its poignancy. Anything less (or more) would have denied it the respect it deserved.
If you must, watch it as just more fodder for your entertainment urge. But if your soul is deeper than that... if you can, as Bruce Dern does, put yourself in the place of a character who so cares about the earth and its place in the cosmos ... you'll appreciate the eloquent statement of this film and the way it's presented.
A man, not a god. But if it were you, if you were there... would you, COULD YOU do what he did?
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