John Shaft is the ultimate in suave black detectives. He first finds himself up against Bumpy, the leader of the Black crime mob, then against Black nationals, and finally working with both against the White Mafia who are trying to blackmail Bumpy by kidnapping his daughter. Written by
John Vogel <email@example.com>
When Shaft gets hit with the machine gun, one of the wounds is to his head - you can clearly see blood there. Yet after the doctor works on him and gets him patched up, all signs of the head wound have vanished - there's no scar or patch there. See more »
[holding up his middle finger to a cab driver who is honking his horn at him]
Up yours! Get out the way!
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I am an old-school man from Motown, and I was at the premiere showing in June of 1971 at the Palms Theatre. The impact and impression that is left in your mind dictates how one feels about anything. Shaft, starring Richard Roundtree, made it's mark on me then, and does now. From the opening scenes in the streets, to the end theme, when John Shaft came through the window...at the time, no Black man exercised such a strength of will and character as he did. the music score of Issac Hayes did/does/will be as timeless as the movie. The storyline was compelling, characters well-developed and colorful, the direction of Gordon Parks set a new standard, and even the fashion and wardrobe made a statement. Can you dig it?
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