Super Fly is a cocaine dealer who begins to realize that his life will soon end with either prison or his death. He decides to build an escape from the life by making his biggest deal yet, ... See full summary »
The story, set in Kansas during the 1920s, covers less than a year in the life of a black teenager, and documents the veritable deluge of events which force him into sudden manhood. The ... See full summary »
Tommy Gibbs is a tough kid, raised in the ghetto, who aspires to be a kingpin criminal. As a young boy, his leg is broken by a bad cop on the take, during a payoff gone bad. Nursing his ... See full summary »
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Based on the movies of the same name, John Shaft is a two-fisted black private eye along the lines of Mike Hammer and Phillip Marlowe. Each week presents a different case and a different ... See full summary »
John Shaft is the ultimate in suave black detectives. He first finds himself up against Bumpy, the leader of the Black crime mob, then against Black nationals, and finally working with both against the White Mafia who are trying to blackmail Bumpy by kidnapping his daughter. Written by
John Vogel <firstname.lastname@example.org>
Isaac Hayes originally auditioned to play the title role. Producers cast Richard Roundtree, but were so impressed with Hayes that they asked him to write the now legendary score to the film. See more »
In the beginning when Shaft is walking across a street, an overhead shot shows him walking past a taxi and nearly getting hit by a taxi. However, a street-level shot shows Shaft standing in front of and giving the finger to the brown car. See more »
[holding up his middle finger to a cab driver who is honking his horn at him]
Up yours! Get out the way!
See more »
John Shaft is a private detective in Harlem. He is hired by pimp and drug dealer Bumpy Jonas to find Bumpy's daughter who has been kidnapped by an unknown party. Shaft investigates the local Panther organisation but ultimately finds that an Italian mob is trying to move in on Bumpy's territory. With all parties at conflict Shaft must keep his cool to get the girl back.
Ay the start of a decade filled with cheap movies aimed at getting the black audience a product aimed at them in particular. Many of these were poor but Shaft stood out because it could have been a film in it's own right. The story is a normal detective movie with a black twist and that helps because it's not forced at all. The story is gritty and tough as befits the setting and the hero.
Shaft is tough but hadn't yet turned into 007 (as he did in Shaft's Big Score), this makes him tough but also keeps him down to earth. Roundtree handles himself sexily and looks great the film very much revolves around his performance and he holds the attention easily.
The film eventually gets into gun fights and an exciting conclusion but really this is all about mood and funk. And it delivers both.
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