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Cool black private eye John Shaft is hired by a crime lord to find and retrieve his kidnapped daughter.

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(screenplay), (screenplay) | 1 more credit »
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Won 1 Oscar. Another 4 wins & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
Christopher St. John ...
Ben Buford
Gwenn Mitchell ...
Ellie Moore
...
Tom Hannon
...
Charlie
Sherri Brewer ...
Marcy
Rex Robbins ...
Rollie
Camille Yarbrough ...
Dina Greene
Margaret Warncke ...
Linda
Joseph Leon ...
Byron Leibowitz
Arnold Johnson ...
Cul
Dominic Barto ...
Patsy
George Strus ...
Carmen
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Storyline

John Shaft is the ultimate in suave black detectives. He first finds himself up against Bumpy, the leader of the Black crime mob, then against Black nationals, and finally working with both against the White Mafia who are trying to blackmail Bumpy by kidnapping his daughter. Written by John Vogel <jlvogel@comcast.net>

Plot Summary | Add Synopsis

Taglines:

Shaft's his name. Shaft's his game. See more »

Genres:

Action | Crime | Thriller

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

2 July 1971 (USA)  »

Also Known As:

Les nuits rouges de Harlem  »

Box Office

Budget:

$1,125,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Charles 'Skip' Pitts played the guitar riff in the theme song. See more »

Goofs

The outline of a microphone is visible under Shaft's turtleneck at one point when Bumpty Jones visits Shaft at his office. See more »

Quotes

[first lines]
John Shaft: [holding up his middle finger to a cab driver who is honking his horn at him] Up yours! Get out the way!
See more »

Connections

Referenced in Forced Vengeance (1982) See more »

Soundtracks

Cafe Regio's
(uncredited)
Composed by Isaac Hayes
Performed by Isaac Hayes
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User Reviews

 
Timely Take On The Standard Private Detective Formula.
20 July 2001 | by (Decatur, Georgia) – See all my reviews

It is an innovative effort, and serves as a snapshot of the times. Shaft, written by Ernest Tidyman, stands as one of the best modern detective dramas. Written and filmed at a time of extreme social unrest throughout the U.S.; the movie shows how Jon Shaft uses his private detective status and ethnicity to retrieve the kidnapped daughter of a notorious Harlem kingpin. While the plot pieces of black militants, and a potential race war in New York City, may not be as relevant in 2001 as they were in 1971, the cast and crew do a good job to convey the importance of Shaft's mission. Shaft, indeed, is one cool cat. Not only is he a ladies' man, but he's also a man about town. He knows every iota of New York City, and uses his detective skills to the fullest. Ducking the city police, and handling his business with the crooks, Shaft plays it cool to the very end. Many people like to bundle the blaxploitation pictures into a neat little package; one to laugh at and check out the music score. Shaft proves there was more meaning to these films, and ends up as a classic display of substance with style.


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