Goldie returns from five years at the state pen and winds up king of the pimping game. Trouble comes in the form of two corrupt white cops and a crime lord who wants him to return to the ... See full summary »
Truck is a bounty hunter who gets a job to track down a guy named Gator. When he and his partner find him, a chase ensues and Gator is killed. This makes Gator's woman, Dorinda, very angry ... See full summary »
Cleopatra Jones is a United States Special Agent assigned to crack down on drug-trafficking in the U.S. and abroad. After she burns a Turkish poppy field, the notorious drug-lord Mommy is ... See full summary »
Based on the movies of the same name, John Shaft is a two-fisted black private eye along the lines of Mike Hammer and Phillip Marlowe. Each week presents a different case and a different ... See full summary »
John Shaft is the ultimate in suave black detectives. He first finds himself up against Bumpy, the leader of the Black crime mob, then against Black nationals, and finally working with both against the White Mafia who are trying to blackmail Bumpy by kidnapping his daughter. Written by
John Vogel <firstname.lastname@example.org>
Moses Gunn's character is called Bumpy Jonas after real Bumpy Johnson, an African-American mobster in the 30's years. See more »
At the beginning of the movie, in Shaft's office, Shaft changes back and forth between a lighter brown coat and a dark coat. The difference can be seen by noticing the horizontal seam on the back of each coat, one is straight and the other is not. See more »
[holding up his middle finger to a cab driver who is honking his horn at him]
Up yours! Get out the way!
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I am an old-school man from Motown, and I was at the premiere showing in June of 1971 at the Palms Theatre. The impact and impression that is left in your mind dictates how one feels about anything. Shaft, starring Richard Roundtree, made it's mark on me then, and does now. From the opening scenes in the streets, to the end theme, when John Shaft came through the window...at the time, no Black man exercised such a strength of will and character as he did. the music score of Issac Hayes did/does/will be as timeless as the movie. The storyline was compelling, characters well-developed and colorful, the direction of Gordon Parks set a new standard, and even the fashion and wardrobe made a statement. Can you dig it?
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