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Shaft (1971)

 -  Action | Crime | Thriller  -  2 July 1971 (USA)
6.6
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Ratings: 6.6/10 from 10,869 users  
Reviews: 75 user | 50 critic

Cool black private eye John Shaft is hired by a crime lord to find and retrieve his kidnapped daughter.

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(screenplay), (screenplay), 1 more credit »
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Title: Shaft (1971)

Shaft (1971) on IMDb 6.6/10

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Won 1 Oscar. Another 4 wins & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
Charles Cioffi ...
Vic Androzzi
Christopher St. John ...
Ben Buford
Gwenn Mitchell ...
Ellie Moore
...
Tom Hannon
Victor Arnold ...
Charlie
Sherri Brewer ...
Marcy
Rex Robbins ...
Rollie
Camille Yarbrough ...
Dina Greene
Margaret Warncke ...
Linda
Joseph Leon ...
Byron Leibowitz
Arnold Johnson ...
Cul
Dominic Barto ...
Patsy
George Strus ...
Carmen
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Storyline

John Shaft is the ultimate in suave black detectives. He first finds himself up against Bumpy, the leader of the Black crime mob, then against Black nationals, and finally working with both against the White Mafia who are trying to blackmail Bumpy by kidnapping his daughter. Written by John Vogel <jlvogel@comcast.net>

Plot Summary | Add Synopsis

Taglines:

SHAFT's his name. SHAFT's his game. See more »

Genres:

Action | Crime | Thriller

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

2 July 1971 (USA)  »

Also Known As:

Les nuits rouges de Harlem  »

Box Office

Budget:

$1,125,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Much of the action in the movie centers around 125th Street in Harlem. Shaft's apartment (exterior only) was located in Manhattan's Greenwich Village at 55 Jane Street, across the street from the (real) "No Name Bar" at 621 Hudson Street. The former bar was ultimately transformed into deli. See more »

Goofs

During Bumpy's visit to Shaft's office, the hat Bumpy is wearing changes. As Bumpy faces Shaft, the brim is turned down all the way around the hat. There is also a small gold buckle seen on the leather hat band. When the camera moves to Bumpy's left, to include Shaft, the hat's brim is turned up in back, and the buckle is missing. See more »

Quotes

[first lines]
John Shaft: [holding up his middle finger to a cab driver who is honking his horn at him] Up yours! Get out the way!
See more »

Connections

Featured in Indie Sex: Censored (2007) See more »

Soundtracks

Soulsville
(uncredited)
Composed by Isaac Hayes
Performed by Isaac Hayes
See more »

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User Reviews

 
Roundtree's performance
15 June 2007 | by (United States) – See all my reviews

This is not a great film, but it is one of the most important films in American history.

The film suffers primarily because Parks isn't sure whether he wants to direct a 'relevant' black crime drama - for which he doesn't really have the money - or a film of the genre that became infamous as "blaxploitation", which had at that time not yet achieved definition. In other words, Parks is breaking new ground, and he wasn't sure exactly what ground he is breaking. So the film tends to amble, and sometimes even stagger, as it tries to define a goal for itself.

Nonetheless, this is the first film where a strong black man in a truly heroic role - without the props of white liberal social blather, and without being borderline criminal - is portrayed without excuses or apologies. Shaft is truly a hero of his time, part Sam Spade (& no jokes here, please), part James Bond - and all man - intelligent, fast to act, direct and always true to himself - he's nobody's "boy".

Although these qualities are in the script, the communication of the message depends entirely on Richard Roundtree - one of the truly great action actors of Hollywood history - hey, I'm a white boy, and I still want to be this John Shaft! he's that cool. The marginalization of this savvy and witty actor, due to the racism of Hollywood, is a real crime.

Well, for now, never mind; his performance alone carries this film, and makes it a treasure; and no matter how badly Hollywood marginalizes black action cinema, Roundtree's performance will continue to stand tall, for many generations to come.


19 of 25 people found this review helpful.  Was this review helpful to you?

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