Super Fly is a cocaine dealer who begins to realize that his life will soon end with either prison or his death. He decides to build an escape from the life by making his biggest deal yet, ... See full summary »
The story, set in Kansas during the 1920s, covers less than a year in the life of a black teenager, and documents the veritable deluge of events which force him into sudden manhood. The ... See full summary »
Tommy Gibbs is a tough kid, raised in the ghetto, who aspires to be a kingpin criminal. As a young boy, his leg is broken by a bad cop on the take, during a payoff gone bad. Nursing his ... See full summary »
Truck is a bounty hunter who gets a job to track down a guy named Gator. When he and his partner find him, a chase ensues and Gator is killed. This makes Gator's woman, Dorinda, very angry ... See full summary »
Goldie returns from five years at the state pen and winds up king of the pimping game. Trouble comes in the form of two corrupt white cops and a crime lord who wants him to return to the ... See full summary »
Cleopatra Jones is a United States Special Agent assigned to crack down on drug-trafficking in the U.S. and abroad. After she burns a Turkish poppy field, the notorious drug-lord Mommy is ... See full summary »
Based on the movies of the same name, John Shaft is a two-fisted black private eye along the lines of Mike Hammer and Phillip Marlowe. Each week presents a different case and a different ... See full summary »
John Shaft is the ultimate in suave black detectives. He first finds himself up against Bumpy, the leader of the Black crime mob, then against Black nationals, and finally working with both against the White Mafia who are trying to blackmail Bumpy by kidnapping his daughter. Written by
John Vogel <email@example.com>
Was rumored to be written as just another detective movie, with a white detective in the lead, but, after the success of Sweet Sweetback's Baadasssss Song (1971), the film was rewritten and recast as a blaxploitation movie. This story has been told several times by director Melvin Van Peebles. However, it is probably apocryphal. The Ernest Tidyman novel which was the basis for the film is about a black detective and not a white one. See more »
When Shaft pushes one of Bumpy's goons into his office, the sound of glass breaking is heard, but the glass window in the office door is clearly undamaged until a short time later. See more »
[holding up his middle finger to a cab driver who is honking his horn at him]
Up yours! Get out the way!
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Timely Take On The Standard Private Detective Formula.
It is an innovative effort, and serves as a snapshot of the times. Shaft, written by Ernest Tidyman, stands as one of the best modern detective dramas. Written and filmed at a time of extreme social unrest throughout the U.S.; the movie shows how Jon Shaft uses his private detective status and ethnicity to retrieve the kidnapped daughter of a notorious Harlem kingpin. While the plot pieces of black militants, and a potential race war in New York City, may not be as relevant in 2001 as they were in 1971, the cast and crew do a good job to convey the importance of Shaft's mission. Shaft, indeed, is one cool cat. Not only is he a ladies' man, but he's also a man about town. He knows every iota of New York City, and uses his detective skills to the fullest. Ducking the city police, and handling his business with the crooks, Shaft plays it cool to the very end. Many people like to bundle the blaxploitation pictures into a neat little package; one to laugh at and check out the music score. Shaft proves there was more meaning to these films, and ends up as a classic display of substance with style.
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