A young college graduate is struggling to find a job. He lives in a flat with his younger, employed sister, revolutionary brother and widowed mother. The strain of the situation ultimately causes him to hallucinate.
A group of Calcutta city slickers, including the well-off Asim (Soumitra Chatterjee), the meek Sanjoy (Subhendu Chatterjee) and the brutish Hari (Samit Bhanja), head out for a weekend in the wilderness.
In this adaption of the Ibsen stage play, an idealistic physician discovers that the town's hot springs are dangerously contaminated. But with the community relying on the spa for tourist dollars, his warnings to the falls for deaf ears.
When the movie opens, a woman is recalling the events that molded her perspective on the world. Years ago, her husband, a wealthy Western-educated landowner, challenged tradition by ... See full summary »
A well-off family is paid an unexpected, and rather unwanted, visit by a man claiming to be the woman's long-lost uncle. The initial suspicion with which they greet the man slowly dissolves... See full summary »
Shyamalendu (Barun Chanda) is a successful executive at a fan company where he is expecting a promotion shortly. His life revolves around his work and socialising with colleagues along with his wife, Dolan (Paromita Chaudhuri). His sister-in-law, Tutul (Sharmila Tagore) comes to stay with them for a few days. She is given a tour of the life they lead - in restaurants, beauty parlours, clubs and race courses. But then crisis strikes in the form of agitation at the factory just before the shipment of a prestigious export order and Shyamalendu is held to blame. With the help of a shady labour officer, Shyamalendu averts the crisis by declaring a lock-out at the factory after staging a false riot. For his 'efficient' handling of the crisis, Shyamalendu is promoted and there is congratulations all around - except from Tutul, who has understood the vacuousness of Shyamalendu's world and has hated it. Written by
While thematically Seemabaddha is similar to Jana Aranya, the dramatic element comes only near the end of the film. Instead it plays more like a slice of life film.
I have seen a lot of bollywood movies, they have never been able to give me insight into India as Satyajit Ray's movies have. That is why Seemabaddha was a revelation for me, mostly how little some things have changed.
Seemabaddha begins with visit of Tutul who is sister-in-law of Shyamalendu Chatterjee, movie's protagonist who is a sales manager in a big firm. From then on it mostly shows their daily lives as seen through eyes of Tutul, who is quite critical of her brother-in-law and liked him more when he was teaching. Tutul represent the traditional middle class India, while Shyamlendu is part of upwardly mobile young India. It is about the conflict in both their values. Of course like in most of Ray's movies everything is very subtle, and viewers have to come to their own conclusions.
While it lacks the dramatic elements of most of his high other movies I still loved this movie as it showed me a picture of India I had not seen before.
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